23-02-2011
All shuffled in
Cattle to fucking kill
Your so called crime
Cells they must fill
Human now gone
All trapped in stone
Living is done
You die alone
Blood flows through the cracks
From walls of the damned
What's left of you now
Without fail it will fall
In this sense it is hell
Living trivialized
That's why live is cauterized
No one left to burn
Earth plundered from above
Man creates his own end
Life as you know it is done
No free thinking will
No expressive thought
That is what they want
Behind iron doors
Mind is ripped apart
Unjust crucifixion
Keeping all mouths shut
Must destroy unrest
Punishment so unjust
Ignorance is alive
In the cell where you thrive
Life is cauterized
Blood flows through the cracks
From walls of the damned
What's left of you now
Without fail it will fall
In this sense it is hell
Living trivialized
That's why live is cauterized
No one left to burn
Earth plundered from above
Man creates his own end
Life as you know it is done
No free thinking will
No expressive thought
That is what they want
Behind iron doors
Mind is ripped apart
Unjust crucifixion
Keeping all mouths shut
Must destroy unrest
Punishment so unjust
Ignorance is alive
In the cell where you thrive
Life is cauterized
Malevolent Creation
Wednesday, May 25, 2011
Architecturally Incorrect
22-02-2011
[Street Corner]
Kramer and Elaine stroll to the entrance of Dr Reston's building.
ELAINE: Now look, don't take too long.
KRAMER: (looking around) Look at this building. What is this?
ELAINE: I don't know. It's a building.
KRAMER: (indicating) The door's on a diagonal.
ELAINE: So what?
KRAMER: (looking around) It's architecturally incorrect.
ELAINE: (frustrated) Just go.
Kramer opens the door and begins to enter. Elaine waves him goodbye,
then wonders why she's doing that and gives up.
Seinfeld
[Street Corner]
Kramer and Elaine stroll to the entrance of Dr Reston's building.
ELAINE: Now look, don't take too long.
KRAMER: (looking around) Look at this building. What is this?
ELAINE: I don't know. It's a building.
KRAMER: (indicating) The door's on a diagonal.
ELAINE: So what?
KRAMER: (looking around) It's architecturally incorrect.
ELAINE: (frustrated) Just go.
Kramer opens the door and begins to enter. Elaine waves him goodbye,
then wonders why she's doing that and gives up.
Seinfeld
Forgiveness
21-02-2011
"There is no revenge so complete as forgiveness."
Josh Billings - US Humorist (1818 - 1885)
"There is no revenge so complete as forgiveness."
Josh Billings - US Humorist (1818 - 1885)
Jack-A-Lynn
20-02-2011
Cold aeroplanes, slow boats, warm trains
Remind me of jack-a-lynn.
Lush hotels and pretty girls
Won't cheer the misty mood I'm in.
Silly, sad --- I've never had to write this before ---
Oh, jack-a-lynn.
Funny how long nights allow
Thoughts of jack-a-lynn.
When phantoms tread around my bed
To offer restless dreams they bring.
And it's just the time and place to find
A sad song to play
For jack-a-lynn.
Magpies that shriek, old boots that leak
Call me to jack-a-lynn.
Coal-black cats in policeman's hats
Nosing where the mice have been.
And the long miaow's beginning now
And I'm far, far from home ---
And jack-a-lynn.
Cold aeroplanes, slow boats, warm trains
Remind me of jack-a-lynn.
Lush hotels and pretty girls
Won't cheer the misty mood I'm in.
Silly, sad --- I've never had to write this before ---
Oh, jack-a-lynn.
Funny how long nights allow
Thoughts of jack-a-lynn.
When phantoms tread around my bed
To offer restless dreams they bring.
And it's just the time and place to find
A sad song to play
For jack-a-lynn.
Magpies that shriek, old boots that leak
Call me to jack-a-lynn.
Coal-black cats in policeman's hats
Nosing where the mice have been.
And the long miaow's beginning now
And I'm far, far from home ---
And jack-a-lynn.
Honesty Doesn't Pay
19-02-2011
Buscapé - "It was like a message from God:"Honesty doesn't pay, sucker"
City Of God
Buscapé - "It was like a message from God:"Honesty doesn't pay, sucker"
City Of God
Politics
18-02-2011
"Politics, n. Strife of interests masquerading as a contest of principles."
Ambrose Bierce, The Devil's Dictionary - US author & satirist (1842 - 1914)
"Politics, n. Strife of interests masquerading as a contest of principles."
Ambrose Bierce, The Devil's Dictionary - US author & satirist (1842 - 1914)
Something Fast
17-02-2011
All the things
We never needed
I don't need them now
All the things we ever did
Were always confidential
And hidden from me anyhow
You can stand all night
At a red light anywhere in town
Hailing maries left and right
But none of them slow down
I've seen the best of men go past
I don't want to be the last
Gimme something fast
God knows everybody needs
A hand in their decision
Some of us are not so sure
I seen his own held out
For a ride on television
I think he's still in Baltimore
You can stand all night
At a red light anywhere in town
Hailing maries left and right
But none of them slow down
I seen the best of men go past
I don't want to be the last
Gimme something fast
Sisters Of Mercy
All the things
We never needed
I don't need them now
All the things we ever did
Were always confidential
And hidden from me anyhow
You can stand all night
At a red light anywhere in town
Hailing maries left and right
But none of them slow down
I've seen the best of men go past
I don't want to be the last
Gimme something fast
God knows everybody needs
A hand in their decision
Some of us are not so sure
I seen his own held out
For a ride on television
I think he's still in Baltimore
You can stand all night
At a red light anywhere in town
Hailing maries left and right
But none of them slow down
I seen the best of men go past
I don't want to be the last
Gimme something fast
Sisters Of Mercy
How The Hell Am I Gonna Pay For This?
16-02-2011
[Restaurant]
Naomi, the hostess, stands by the Seinfeld's table.
NAOMI: Did you enjoy your poisson?
HELEN: It was... different.
NAOMI: (to Jerry) And how was yours?
JERRY: Ah, very good.
NAOMI: You should try our mousse. (a little flirtatious) It'll change your life expectancy.
JERRY: No thanks, just the check.
Naomi leaves.
HELEN: What's the matter with you?
JERRY: What?
HELEN: Why didn't you flirt with her?
JERRY: Come on.
HELEN: She was flirting with you. Why didn't you say something?
JERRY: What am I gonna say?
HELEN: You just sat there.
JERRY: Well, you made me uncomfortable.
HELEN: You're a comedian, couldn't you come up with something?
LEO: (to Morty) Where's the bathroom?
JERRY: In the back, on your right.
Leo gets up and leaves. The busboy brings the check to the table. As he puts it down, Morty takes hold of it. Jerry grabs it too. A tug of war
develops.
JERRY: Dad!
MORTY: Will you stop it Jerry. Let go.
HELEN: Jerry.
JERRY: Will you let me pay just once.
MORTY: You're out of your mind.
JERRY: How you gonna pay? You don't even have a wallet!
MORTY: Don't worry about it.
JERRY: What're you gonna do?
MORTY: What's the difference, we'll figure something out.
HELEN: (to Jerry) You're not paying.
Jerry releases his grip, allowing a triumphant Morty to take the check.
JERRY: Alright, fine. You figure something out. I'd be very curious to know how you pick up a check with no money. 'Cause if this works, the whole
monetary system's obsolete, we're back to wampum. (standing) I'm going to the bathroom.
Jerry walks away. Morty reads the check, with Helen leaning to read it too.
MORTY: How the hell am I gonna pay for this?
Seinfeld
[Restaurant]
Naomi, the hostess, stands by the Seinfeld's table.
NAOMI: Did you enjoy your poisson?
HELEN: It was... different.
NAOMI: (to Jerry) And how was yours?
JERRY: Ah, very good.
NAOMI: You should try our mousse. (a little flirtatious) It'll change your life expectancy.
JERRY: No thanks, just the check.
Naomi leaves.
HELEN: What's the matter with you?
JERRY: What?
HELEN: Why didn't you flirt with her?
JERRY: Come on.
HELEN: She was flirting with you. Why didn't you say something?
JERRY: What am I gonna say?
HELEN: You just sat there.
JERRY: Well, you made me uncomfortable.
HELEN: You're a comedian, couldn't you come up with something?
LEO: (to Morty) Where's the bathroom?
JERRY: In the back, on your right.
Leo gets up and leaves. The busboy brings the check to the table. As he puts it down, Morty takes hold of it. Jerry grabs it too. A tug of war
develops.
JERRY: Dad!
MORTY: Will you stop it Jerry. Let go.
HELEN: Jerry.
JERRY: Will you let me pay just once.
MORTY: You're out of your mind.
JERRY: How you gonna pay? You don't even have a wallet!
MORTY: Don't worry about it.
JERRY: What're you gonna do?
MORTY: What's the difference, we'll figure something out.
HELEN: (to Jerry) You're not paying.
Jerry releases his grip, allowing a triumphant Morty to take the check.
JERRY: Alright, fine. You figure something out. I'd be very curious to know how you pick up a check with no money. 'Cause if this works, the whole
monetary system's obsolete, we're back to wampum. (standing) I'm going to the bathroom.
Jerry walks away. Morty reads the check, with Helen leaning to read it too.
MORTY: How the hell am I gonna pay for this?
Seinfeld
The Time To Pray
15-02-2011
"The time to pray is not when we are in a tight spot but just as soon as we get out of it."
Josh Billings - US Humorist (1818 - 1885)
"The time to pray is not when we are in a tight spot but just as soon as we get out of it."
Josh Billings - US Humorist (1818 - 1885)
She
14-02-2011
Bring back that hair down
Unguarded mystery
I liked it better
When your tight-rope walked on me
Board up my window
Prepare for a hurricane
You have a way of breaking through my barricade
You give me all new games to play
You set my soul free
Now every word that she speaks to me
Is pure gold
She set my soul free
She give me love
Give me hope
Give me strength
To bear my faults for you
Wasn't my intention
To take control again
Somehow you got me on the ropes of my own plan to
Turn up the volume
And make you dance for me
Release some pressure
So that I can turn and see
The spirit manifest as "She"
You set my soul free
Now every word that she speaks to me
Is pure gold
She set my soul free
She give me love
Give me hope
Give me strength
To bear my faults for you
Like a flower
I can see but I can't feel, oh yeah
And nothing that you do
Could ever make me run
Run away from you
I never knew, I never knew she could
She set my soul free (She set my soul free)
Now every word that she speaks to me
Is pure gold
She set my soul free (She set my soul free)
She give me love
Give me hope
Give me strength
To bear my faults for you
Live
Bring back that hair down
Unguarded mystery
I liked it better
When your tight-rope walked on me
Board up my window
Prepare for a hurricane
You have a way of breaking through my barricade
You give me all new games to play
You set my soul free
Now every word that she speaks to me
Is pure gold
She set my soul free
She give me love
Give me hope
Give me strength
To bear my faults for you
Wasn't my intention
To take control again
Somehow you got me on the ropes of my own plan to
Turn up the volume
And make you dance for me
Release some pressure
So that I can turn and see
The spirit manifest as "She"
You set my soul free
Now every word that she speaks to me
Is pure gold
She set my soul free
She give me love
Give me hope
Give me strength
To bear my faults for you
Like a flower
I can see but I can't feel, oh yeah
And nothing that you do
Could ever make me run
Run away from you
I never knew, I never knew she could
She set my soul free (She set my soul free)
Now every word that she speaks to me
Is pure gold
She set my soul free (She set my soul free)
She give me love
Give me hope
Give me strength
To bear my faults for you
Live
Mirrors
13-02-2011
Gibarian - We take off into the cosmos, ready for anything - solitude, hardship, exhaustion, death- We're proud of ourselves. But when you think about it, our entusiasm's a sham. We don't want other worlds. We want mirrors.
Solaris
Gibarian - We take off into the cosmos, ready for anything - solitude, hardship, exhaustion, death- We're proud of ourselves. But when you think about it, our entusiasm's a sham. We don't want other worlds. We want mirrors.
Solaris
Politeness
12-02-2011
"Politeness, n. The most acceptable hypocrisy."
Ambrose Bierce, The Devil's Dictionary - US author & satirist (1842 - 1914)
"Politeness, n. The most acceptable hypocrisy."
Ambrose Bierce, The Devil's Dictionary - US author & satirist (1842 - 1914)
That's Interesting
11-02-2011
Elaine and Kramer sit on the couch.
ELAINE: Okay, so he just wants to talk to you. I couldn't talk him out of it. So you just tell him that you're my boyfriend and that we're in love, okay. Can you do that?
KRAMER: Yeah, yeah, okay. I'm your boyfriend.
ELAINE: Okay.
KRAMER: Have we been intimate?
ELAINE: Yeah. Yeah, we've been intimate.
KRAMER: Alright, how often do we do it?
ELAINE: Kramer, how is that important? Honestly, do you really think he's gonna ask you that?
KRAMER: Elaine, he's a psychiatrist. They're interested in stuff like that.
ELAINE: Alright, alright. We do it, uh... (thinks) five times a week, okay?
KRAMER: (suggestive) Oooh, baby. (smiles)
ELAINE: Oh, man. Alright, listen. Just tell me something, what are you gonna say?
KRAMER: I know what I'm gonna say.
ELAINE: No, no, but I would like to hear it.
KRAMER: No, no. I don't wanna say it out loud. Kills the spontaneity. You know, Gleason, he never rehearsed. (indicates phone) 'Kay, go 'head, do it.
Elaine picks up the phone, while Kramer prepares himself.
ELAINE: (dialling) Alright, okay. You talk to him.
KRAMER: (playing with his hair) Talk to him.
ELAINE: Hey, how's your hair?
KRAMER: Oh, well, yeah, it's good.
ELAINE: (handing over the phone) You're not the type that should be playing with matches, seriously Kramer.
KRAMER: (listens) Uh, yes. Uh uh, Doctor uh, Reston, is he in? Well, this is Kramer and uh, he's expecting my call.
ELAINE: (mouths silently) Okay.
Kramer holds on. He begins to sing along with the hold music.
KRAMER: (singing) ...Johnny ...was a rebel. He rode through the land...
He waggles his eyebrows at Elaine, who gives a 'what the hell is he doing?' look.
KRAMER: ...Yu uh, yes, yes uh, uh, Doctor Reston. Uhm well, hello there. Ahh yeah, well, I'm a good friend of Elaine's...
ELAINE: (animated, but quietly) No, no. Not friends.
KRAMER: ...Well, actually uh, we're uh, we're not friends Uh, we're uh, we're much more than friends...
Elaine signals her approval, indicating that Kramer should keep going.
KRAMER: ...and uh, I'm afraid we have a bit of a problem. Well, the point is, doctor uh, I'm very much in love with Elaine...
Elaine smiles.
KRAMER: ...and uh, she's very much in love with me, and uh, well uh, we would uh, appreciate it if you would cease and desist, and allow us to pursue our courtship unfettered.
Elaine looks extremely pleased, she gives Kramer okay gestures.
ELAINE: (mouths silently) That's perfect!
KRAMER: If not, I can assure you, doctor, that I can make things very unpleasant for you and your staff. If you have one.
Elaine looks even happier. She slaps Kramer on the arm to indicate he's doing so well.
KRAMER: Yes. Yeah, but the point that I... (listens)
Elaine's smile begins to look a bit stiff.
KRAMER: ...Ah, ye... (listens) Well, no... Uh, yeah, that's possible...
Elaine's face starts to look a bit sick.
KRAMER: (listens) ...Well, I suppose I could, (turns away from Elaine) but I'd have to shift a few things around, uhm... Hold on for a second, will you? Uh...
Kramer reaches down and picks up a writing pad, he puts it on his knee.
Elaine watches, looking increasingly confused and worried.
KRAMER: ... Uh, go ahead, yeah. (listens and makes a note) Alright uh... Yeah, yeah, okay... I look forward to it too. (listens) Eh, hah, okay. So
long.
Kramer hangs up the phone.
ELAINE: What happened? What'd he say? (indicates pad) What's going on here?
KRAMER: Uh, okay now. He uh, you know, he uh, wants to get together.
ELAINE: (horrified) Get together!!
KRAMER: He wants to talk.
ELAINE: Well, why didn't you say no!!
KRAMER: (momentary confusion) Wha...? Uh... (thoughtful) That's interesting.
Elaine flops back into the couch, let down again by Kramer.
ELAINE: (frustration) Ugh!
Seinfeld
Elaine and Kramer sit on the couch.
ELAINE: Okay, so he just wants to talk to you. I couldn't talk him out of it. So you just tell him that you're my boyfriend and that we're in love, okay. Can you do that?
KRAMER: Yeah, yeah, okay. I'm your boyfriend.
ELAINE: Okay.
KRAMER: Have we been intimate?
ELAINE: Yeah. Yeah, we've been intimate.
KRAMER: Alright, how often do we do it?
ELAINE: Kramer, how is that important? Honestly, do you really think he's gonna ask you that?
KRAMER: Elaine, he's a psychiatrist. They're interested in stuff like that.
ELAINE: Alright, alright. We do it, uh... (thinks) five times a week, okay?
KRAMER: (suggestive) Oooh, baby. (smiles)
ELAINE: Oh, man. Alright, listen. Just tell me something, what are you gonna say?
KRAMER: I know what I'm gonna say.
ELAINE: No, no, but I would like to hear it.
KRAMER: No, no. I don't wanna say it out loud. Kills the spontaneity. You know, Gleason, he never rehearsed. (indicates phone) 'Kay, go 'head, do it.
Elaine picks up the phone, while Kramer prepares himself.
ELAINE: (dialling) Alright, okay. You talk to him.
KRAMER: (playing with his hair) Talk to him.
ELAINE: Hey, how's your hair?
KRAMER: Oh, well, yeah, it's good.
ELAINE: (handing over the phone) You're not the type that should be playing with matches, seriously Kramer.
KRAMER: (listens) Uh, yes. Uh uh, Doctor uh, Reston, is he in? Well, this is Kramer and uh, he's expecting my call.
ELAINE: (mouths silently) Okay.
Kramer holds on. He begins to sing along with the hold music.
KRAMER: (singing) ...Johnny ...was a rebel. He rode through the land...
He waggles his eyebrows at Elaine, who gives a 'what the hell is he doing?' look.
KRAMER: ...Yu uh, yes, yes uh, uh, Doctor Reston. Uhm well, hello there. Ahh yeah, well, I'm a good friend of Elaine's...
ELAINE: (animated, but quietly) No, no. Not friends.
KRAMER: ...Well, actually uh, we're uh, we're not friends Uh, we're uh, we're much more than friends...
Elaine signals her approval, indicating that Kramer should keep going.
KRAMER: ...and uh, I'm afraid we have a bit of a problem. Well, the point is, doctor uh, I'm very much in love with Elaine...
Elaine smiles.
KRAMER: ...and uh, she's very much in love with me, and uh, well uh, we would uh, appreciate it if you would cease and desist, and allow us to pursue our courtship unfettered.
Elaine looks extremely pleased, she gives Kramer okay gestures.
ELAINE: (mouths silently) That's perfect!
KRAMER: If not, I can assure you, doctor, that I can make things very unpleasant for you and your staff. If you have one.
Elaine looks even happier. She slaps Kramer on the arm to indicate he's doing so well.
KRAMER: Yes. Yeah, but the point that I... (listens)
Elaine's smile begins to look a bit stiff.
KRAMER: ...Ah, ye... (listens) Well, no... Uh, yeah, that's possible...
Elaine's face starts to look a bit sick.
KRAMER: (listens) ...Well, I suppose I could, (turns away from Elaine) but I'd have to shift a few things around, uhm... Hold on for a second, will you? Uh...
Kramer reaches down and picks up a writing pad, he puts it on his knee.
Elaine watches, looking increasingly confused and worried.
KRAMER: ... Uh, go ahead, yeah. (listens and makes a note) Alright uh... Yeah, yeah, okay... I look forward to it too. (listens) Eh, hah, okay. So
long.
Kramer hangs up the phone.
ELAINE: What happened? What'd he say? (indicates pad) What's going on here?
KRAMER: Uh, okay now. He uh, you know, he uh, wants to get together.
ELAINE: (horrified) Get together!!
KRAMER: He wants to talk.
ELAINE: Well, why didn't you say no!!
KRAMER: (momentary confusion) Wha...? Uh... (thoughtful) That's interesting.
Elaine flops back into the couch, let down again by Kramer.
ELAINE: (frustration) Ugh!
Seinfeld
Civility
10-02-2011
"Civility is not something that automatically happens. Civil societies come about because people want them to."
Jimmy Bise Jr., Us and Them: A Blog Conversation Survival Guide, SXSW 2006
"Civility is not something that automatically happens. Civil societies come about because people want them to."
Jimmy Bise Jr., Us and Them: A Blog Conversation Survival Guide, SXSW 2006
Sweet Child O' Mine
09-02-2011
She's got a smile that it seems to me
Reminds me of childhood memories
Where everything
Was as fresh as the bright blue sky
Now and then when I see her face
She takes me away to that special place
And if I'd stare too long
I'd probably break down and cry
Sweet child o' mine
Sweet love of mine
She's got eyes of the bluest skies
As if they thought of rain
I hate to look into those eyes
And see an ounce of pain
Her hair reminds me of a warm safe place
Where as a child I'd hide
And pray for the thunder
And the rain
To quietly pass me by
Sweet child o' mine
Sweet love of mine
Where do we go
Where do we go now
Where do we go
Sweet child o' mine
Guns N' Roses
She's got a smile that it seems to me
Reminds me of childhood memories
Where everything
Was as fresh as the bright blue sky
Now and then when I see her face
She takes me away to that special place
And if I'd stare too long
I'd probably break down and cry
Sweet child o' mine
Sweet love of mine
She's got eyes of the bluest skies
As if they thought of rain
I hate to look into those eyes
And see an ounce of pain
Her hair reminds me of a warm safe place
Where as a child I'd hide
And pray for the thunder
And the rain
To quietly pass me by
Sweet child o' mine
Sweet love of mine
Where do we go
Where do we go now
Where do we go
Sweet child o' mine
Guns N' Roses
Rajaz
08-02-2011
When the desert sun has passed horizon's final light
and darkness takes it's place...
We will pause to take our rest.
Sharing songs of love,
tales of tragedy.
The souls of heaven
are stars at night.
They will guide us on our way,
until we meet again
another day.
When a poet sings the song and all are hypnotised,
enchanted by the sound...
We will mark the time as one,
tandem in the sun.
The rhythm of a hymn.
The souls of heaven
are stars at night.
They will guide us on our way,
until we meet again
another day.
When the dawn has come
sing the song,
all day long.
We will move as one,
bear the load
on the road.
The souls of heaven
turn to stars
every single night
all across the sky...
they shine.
Camel
When the desert sun has passed horizon's final light
and darkness takes it's place...
We will pause to take our rest.
Sharing songs of love,
tales of tragedy.
The souls of heaven
are stars at night.
They will guide us on our way,
until we meet again
another day.
When a poet sings the song and all are hypnotised,
enchanted by the sound...
We will mark the time as one,
tandem in the sun.
The rhythm of a hymn.
The souls of heaven
are stars at night.
They will guide us on our way,
until we meet again
another day.
When the dawn has come
sing the song,
all day long.
We will move as one,
bear the load
on the road.
The souls of heaven
turn to stars
every single night
all across the sky...
they shine.
Camel
Puppet's Dream
07-02-2011
Gibarian - You think your're dreaming me.
Chris Kelvin - You're not Gibarian
Gibarian - No? Who am I then?
Chris Kelvin - A puppet.
Gibarion - And you're not? Or Maybe you're my puppet. But like all puppets, you think you're actually human. It's the puppet's dream, being human.
Solaris
Gibarian - You think your're dreaming me.
Chris Kelvin - You're not Gibarian
Gibarian - No? Who am I then?
Chris Kelvin - A puppet.
Gibarion - And you're not? Or Maybe you're my puppet. But like all puppets, you think you're actually human. It's the puppet's dream, being human.
Solaris
How To Convince A Fool
06-02-2011
"The best way to convince a fool that he is wrong is to let him have his own way."
Josh Billings - US Humorist (1818 - 1885)
"The best way to convince a fool that he is wrong is to let him have his own way."
Josh Billings - US Humorist (1818 - 1885)
Honey White
05-02-2011
Honey white
Made a deal for some angel food
Honey white
Everybody told her it was sweet and good yea
Oh honey
She said you'll see me later yea you'll see me later
Will you see me later seemed all too soon
And then he smiles he knows honey's coming back
Honey's going to want some more angel food
Devil made of honey
She said you'll get me when I'm old and wizened
And not a day before that
The devil said honey it won't be that long
Besides I like to see a little more fat
Yea I like to see a little more fat
You know I like to see a little more fat
Honey white
Uh tell me how is your angel food
Honey white oh honey white
She says it's sweet and good
Honey white honey white uh honey white
The sweetness starts to fade
Honey white
Thought you could get away
Poor honey
Morphine
Honey white
Made a deal for some angel food
Honey white
Everybody told her it was sweet and good yea
Oh honey
She said you'll see me later yea you'll see me later
Will you see me later seemed all too soon
And then he smiles he knows honey's coming back
Honey's going to want some more angel food
Devil made of honey
She said you'll get me when I'm old and wizened
And not a day before that
The devil said honey it won't be that long
Besides I like to see a little more fat
Yea I like to see a little more fat
You know I like to see a little more fat
Honey white
Uh tell me how is your angel food
Honey white oh honey white
She says it's sweet and good
Honey white honey white uh honey white
The sweetness starts to fade
Honey white
Thought you could get away
Poor honey
Morphine
Gimme The Purse!
03-02-2011
[George's Car]
GEORGE: He said what?
SUSAN: "The hell with them."
GEORGE: "The hell with them?"
SUSAN: Those were his exact words.
GEORGE: (worried) Oh boy.
SUSAN: He said, "We've got five hundred shows to choose from. Why should we give two guys, who have no idea, and no experience, more money?"
GEORGE: (still worried) He was pretty emphatic?
SUSAN: Pounded on his desk.
GEORGE: Pounded?
SUSAN: (tossing her purse on the dash) I told you to take the offer.
GEORGE: (getting animated) Look I, I uh, I had nothing to do with this. It wasn't my decision. It was Jerry! Jerry told me no. I'm the creative
guy. He handles the business end.
SUSAN: You said it was insulting.
GEORGE: I was quoting him. Why would I be insulted? I'm never insulted. You could call me baldy, dump soup on my head. Nothing insults me.
SUSAN: Well, there's nothing I can do.
GEORGE: Well, don't they make a counter offer? How can they just cancel the whole deal like that? What kind of a maniac is this guy? I mean he
just, he says no, and that's it?
SUSAN: Yeah, that's the way Russell is. He doesn't like to play games.
GEORGE: Well, he has to play! He can't just not play. We're playing! Look, I gotta see him, how do I get in touch with him?
SUSAN: You'll have to wait til Monday.
GEORGE: Mon...? No, no, I can't wait til Monday, that's impossible, I gotta talk to him now. Where does he live?
SUSAN: (laugh) I can't give you his address.
George looks frustrated for a second, then notices Susan's purse on the dash. He grabs it, Susan grabs it and a struggle ensues.
SUSAN: Give it back!
GEORGE: Gimme the purse!
Seinfeld
[George's Car]
GEORGE: He said what?
SUSAN: "The hell with them."
GEORGE: "The hell with them?"
SUSAN: Those were his exact words.
GEORGE: (worried) Oh boy.
SUSAN: He said, "We've got five hundred shows to choose from. Why should we give two guys, who have no idea, and no experience, more money?"
GEORGE: (still worried) He was pretty emphatic?
SUSAN: Pounded on his desk.
GEORGE: Pounded?
SUSAN: (tossing her purse on the dash) I told you to take the offer.
GEORGE: (getting animated) Look I, I uh, I had nothing to do with this. It wasn't my decision. It was Jerry! Jerry told me no. I'm the creative
guy. He handles the business end.
SUSAN: You said it was insulting.
GEORGE: I was quoting him. Why would I be insulted? I'm never insulted. You could call me baldy, dump soup on my head. Nothing insults me.
SUSAN: Well, there's nothing I can do.
GEORGE: Well, don't they make a counter offer? How can they just cancel the whole deal like that? What kind of a maniac is this guy? I mean he
just, he says no, and that's it?
SUSAN: Yeah, that's the way Russell is. He doesn't like to play games.
GEORGE: Well, he has to play! He can't just not play. We're playing! Look, I gotta see him, how do I get in touch with him?
SUSAN: You'll have to wait til Monday.
GEORGE: Mon...? No, no, I can't wait til Monday, that's impossible, I gotta talk to him now. Where does he live?
SUSAN: (laugh) I can't give you his address.
George looks frustrated for a second, then notices Susan's purse on the dash. He grabs it, Susan grabs it and a struggle ensues.
SUSAN: Give it back!
GEORGE: Gimme the purse!
Seinfeld
Painting
02-02-2011
"Painting: The art of protecting flat surfaces from the weather and exposing them to the critic."
Ambrose Bierce, The Devil's Dictionary - US author & satirist (1842 - 1914)
"Painting: The art of protecting flat surfaces from the weather and exposing them to the critic."
Ambrose Bierce, The Devil's Dictionary - US author & satirist (1842 - 1914)
Half Day Closing
01-02-2011
In the days, the golden days
When everybody knew what they wanted
It ain't here today
Through the times of lasting love
When parents talked of things tried and tested
It don't feel the same
Dreams and belief have gone
Time, life itself goes on
Far beyond the shrinking skies
Where money talks and leaves us hypnotised
It don't pave the way
Underneath the fading sun
The silent sum of a businessman
Has left us choking
Dreams and belief have gone
Time, life itself goes on
In the days, the golden days
When everybody know what they wanted
It ain't here today
Dreams and belief have gone
Time, life itself goes on
Portishead
In the days, the golden days
When everybody knew what they wanted
It ain't here today
Through the times of lasting love
When parents talked of things tried and tested
It don't feel the same
Dreams and belief have gone
Time, life itself goes on
Far beyond the shrinking skies
Where money talks and leaves us hypnotised
It don't pave the way
Underneath the fading sun
The silent sum of a businessman
Has left us choking
Dreams and belief have gone
Time, life itself goes on
In the days, the golden days
When everybody know what they wanted
It ain't here today
Dreams and belief have gone
Time, life itself goes on
Portishead
Death Shall Have No Dominion
31-01-2011
Chris Kelvin - And death shall have no dominion. Dead men naked they shall be one with the man in the wind and the west moon. When their bones are picked clean and the clean bones gone they shall have stars at elbow and foot. Though they go mad they shall be sane. Though they sink through sea, they shall rise again. Though lovers be lost love shall not. And death shall have no dominion.
Solaris
Chris Kelvin - And death shall have no dominion. Dead men naked they shall be one with the man in the wind and the west moon. When their bones are picked clean and the clean bones gone they shall have stars at elbow and foot. Though they go mad they shall be sane. Though they sink through sea, they shall rise again. Though lovers be lost love shall not. And death shall have no dominion.
Solaris
Silence
30-01-2011
"Silence is one of the hardest arguments to refute."
Josh Billings - US Humorist (1818 - 1885)
"Silence is one of the hardest arguments to refute."
Josh Billings - US Humorist (1818 - 1885)
From Out Of Nowhere
29-01-20111
Tossed into my mind, stirring the calm
You splash me with beauty and pull me down
You come from out of nowhere
My glance truns to a stare
Obsession rules me - I'm yours from the start
I know you see me - Our eyes interlock
You come from out of nowhere
My glance turns to a stare
One minute here and one minute there
Don't know if I'll laugh or cry
One minute here and one minute there
And then you wave good-bye...
Sifting to the bottom, every day for two
All energy funnels, all becomes you
You come from out of nowhere
My glance turns to a stare
One minute here and one minute there
Don't know if I'll laugh or cry
One minute here and one minute there
And then you wave good-bye...
Faith No More
Tossed into my mind, stirring the calm
You splash me with beauty and pull me down
You come from out of nowhere
My glance truns to a stare
Obsession rules me - I'm yours from the start
I know you see me - Our eyes interlock
You come from out of nowhere
My glance turns to a stare
One minute here and one minute there
Don't know if I'll laugh or cry
One minute here and one minute there
And then you wave good-bye...
Sifting to the bottom, every day for two
All energy funnels, all becomes you
You come from out of nowhere
My glance turns to a stare
One minute here and one minute there
Don't know if I'll laugh or cry
One minute here and one minute there
And then you wave good-bye...
Faith No More
She's Okay
28-01-2011
Jerry, Helen and Morty Seinfeld and uncle Leo are having dinner.
MORTY: (to Leo) I don't understand this jeweller, Jimmy Sherman. (indicates Jerry) He brings in a watch, it takes over a week to fix. He fixed yours in one day.
JERRY: Oh, you know these jewellers, they're enigmas. They're mysteries, wrapped in a riddle.
Morty sits, brooding a little. A hostess, Naomi, passes the table. Helen watches her.
HELEN: (indicating to Jerry) She's very attractive.
JERRY: She's okay.
HELEN: Just okay?
JERRY: She's nice.
HELEN: She's better than nice.
JERRY: She's all right.
HELEN: She's beautiful.
JERRY: She's not beautiful.
HELEN: I think she's beautiful.
JERRY: So you ask her out.
HELEN: I'm not gonna ask her out.
JERRY: Why not?
HELEN: If you don't think she's beautiful, there's something wrong with you.
JERRY: She's pretty. She's not beautiful.
HELEN: I should drop dead if she's not beautiful.
JERRY: I think that's a little extreme.
LEO: (grudgingly) She's awright.
MORTY: (oblivious to the above) Two exact same watches. He tells you a week, and him a day. How could that be? Something's fishy about this.
Seinfeld
Jerry, Helen and Morty Seinfeld and uncle Leo are having dinner.
MORTY: (to Leo) I don't understand this jeweller, Jimmy Sherman. (indicates Jerry) He brings in a watch, it takes over a week to fix. He fixed yours in one day.
JERRY: Oh, you know these jewellers, they're enigmas. They're mysteries, wrapped in a riddle.
Morty sits, brooding a little. A hostess, Naomi, passes the table. Helen watches her.
HELEN: (indicating to Jerry) She's very attractive.
JERRY: She's okay.
HELEN: Just okay?
JERRY: She's nice.
HELEN: She's better than nice.
JERRY: She's all right.
HELEN: She's beautiful.
JERRY: She's not beautiful.
HELEN: I think she's beautiful.
JERRY: So you ask her out.
HELEN: I'm not gonna ask her out.
JERRY: Why not?
HELEN: If you don't think she's beautiful, there's something wrong with you.
JERRY: She's pretty. She's not beautiful.
HELEN: I should drop dead if she's not beautiful.
JERRY: I think that's a little extreme.
LEO: (grudgingly) She's awright.
MORTY: (oblivious to the above) Two exact same watches. He tells you a week, and him a day. How could that be? Something's fishy about this.
Seinfeld
Calamaties
27-01-2011
"Calamities are of two kinds: misfortunes to ourselves, and good fortune to others."
Ambrose Bierce, The Devil's Dictionary - US author & satirist (1842 - 1914)
"Calamities are of two kinds: misfortunes to ourselves, and good fortune to others."
Ambrose Bierce, The Devil's Dictionary - US author & satirist (1842 - 1914)
Never Know
26-01-2011
I hear this old story before
Where the people keep killing for the metaphors
Don't leave much up to the imagination,
So I, wanna give this imagery back
But I know it just ain't so easy like that
So, I turn the page and read the story again
And again and again
It sure seems the same, with a diff. name
We're breaking and rebuilding
And we're growing
Always guessing
Never knowing
Shocking but we're nothing
We're just moments
We're Clever but we're clueless
We're just human
Amusing but confusing
Were trying but where is this all leading
Never Know
It all happened so much faster
Than you could say disaster
Wanna take a time lapse
And look at it backwards
From the last one
And maybe thats just the answer
That we're after
But after all
We're just a bubble in a boiling pot
Just one breath in a chain of thought
The moments just combusting
Feel certain but we'll never never know
Just seems the same
Give it a diff. name
We're beggin and we're needing
And we're trying and we're breathing
Never knowing
Shocking but we're nothing
We're just moments
We're Clever but we're clueless
We're just human
Amusing but confusing
Helping, we're building
And we're growing
Never Know
Knock knock on the door to door
Tell ya that the metaphor is better than yours
And you can either sink or swim
Things are looking pretty grim
If you don't believe in what this one feeding
Its got no feeling
So I read it again
And again and again
Just seems the same
Too many different names
Our hearts are strong our heads are weak
We'll always be competing never knowing
Never knowing
Shocking but we're nothing
We're just moments
We're Clever but we're clueless
We're just human
Amusing but confusing
But the truth is
All we got is questions
We'll Never Know
Never Know
Never Know
Jack Johnson
I hear this old story before
Where the people keep killing for the metaphors
Don't leave much up to the imagination,
So I, wanna give this imagery back
But I know it just ain't so easy like that
So, I turn the page and read the story again
And again and again
It sure seems the same, with a diff. name
We're breaking and rebuilding
And we're growing
Always guessing
Never knowing
Shocking but we're nothing
We're just moments
We're Clever but we're clueless
We're just human
Amusing but confusing
Were trying but where is this all leading
Never Know
It all happened so much faster
Than you could say disaster
Wanna take a time lapse
And look at it backwards
From the last one
And maybe thats just the answer
That we're after
But after all
We're just a bubble in a boiling pot
Just one breath in a chain of thought
The moments just combusting
Feel certain but we'll never never know
Just seems the same
Give it a diff. name
We're beggin and we're needing
And we're trying and we're breathing
Never knowing
Shocking but we're nothing
We're just moments
We're Clever but we're clueless
We're just human
Amusing but confusing
Helping, we're building
And we're growing
Never Know
Knock knock on the door to door
Tell ya that the metaphor is better than yours
And you can either sink or swim
Things are looking pretty grim
If you don't believe in what this one feeding
Its got no feeling
So I read it again
And again and again
Just seems the same
Too many different names
Our hearts are strong our heads are weak
We'll always be competing never knowing
Never knowing
Shocking but we're nothing
We're just moments
We're Clever but we're clueless
We're just human
Amusing but confusing
But the truth is
All we got is questions
We'll Never Know
Never Know
Never Know
Jack Johnson
23 Hours And 55 Mins
25-01-2011
Jack Valentine: Since your so concern with the law, you must know that I am legally permitted to hold for 24 hours without charging you. You might ask why I would do that, and I can assure you its not because I enjoy you company because I don't. *No*. The *Reason* why I will delay you for *every sec* of the permissible 24 hours is I'm delaying your deadly trade and the deaths of *your* victims. I don't think of it as taking a day away from you but giving a day to them. Some innocent man, woman or child is going to have an extra day on this Earth because you're not *free*. So I will see you in 23 hours and 55 mins.
Lord of War
Jack Valentine: Since your so concern with the law, you must know that I am legally permitted to hold for 24 hours without charging you. You might ask why I would do that, and I can assure you its not because I enjoy you company because I don't. *No*. The *Reason* why I will delay you for *every sec* of the permissible 24 hours is I'm delaying your deadly trade and the deaths of *your* victims. I don't think of it as taking a day away from you but giving a day to them. Some innocent man, woman or child is going to have an extra day on this Earth because you're not *free*. So I will see you in 23 hours and 55 mins.
Lord of War
Politeness
24-01-2011
"One of the greatest victories you can gain over someone is to beat him at politeness."
Josh Billings - US Humorist (1818 - 1885)
"One of the greatest victories you can gain over someone is to beat him at politeness."
Josh Billings - US Humorist (1818 - 1885)
Falling
23-01-2011
Keep your face down
Things are going to fall
Even your crown
Smashed against a wall
The way you are
The way you talk
You think you have
Everyone under your feet
I wish, I`ll never be like you
I try not being like you
I`ll ear your screams
I`ll see your dreams
Going opposite ways
I`ll see you crawl
I`ll assist you fall
I just want you down
You won`t wear no more crown!
Morbid Death
Keep your face down
Things are going to fall
Even your crown
Smashed against a wall
The way you are
The way you talk
You think you have
Everyone under your feet
I wish, I`ll never be like you
I try not being like you
I`ll ear your screams
I`ll see your dreams
Going opposite ways
I`ll see you crawl
I`ll assist you fall
I just want you down
You won`t wear no more crown!
Morbid Death
Can We Continue This Another Time?
22-01-2011
[Restaurant]
JERRY: So you didn't even let the doctor treat you?
MORTY: I wouldn't give him the satisfaction.
HELEN: Why did you leave your wallet in your pants?
MORTY: What are you talking about? What was I supposed to do? Hide it somewhere?
HELEN: Well. You could have taken it with you.
MORTY: Oh, yeah, I'd be lying on the X-Ray table with my wallet in my mouth.
(Leo enter)
LEO: Hello, ,hello.
JERRY: Hi Uncle Leo.
LEO: I just talked to Dr. Denvro's son. He said they almost had to call the police.
MORTY: What are you talking about? I'm the one who should have called the police. They stole my wallet.
LEO: You know how hard it was for me to get that appointment for you? You can't just walk in on this guy. He did me a personal favor.
MORTY: All right, Leo.
LEO: You walked out without paying.
MORTY: How was I supposed to pay? I didn't have my wallet.
LEO: Well, I hope you sent him a check.
MORTY: What for?
LEO: What for? This man was nice enough to see you. He did me a personal favor.
MORTY: That's the second time you said "personal favor". Why do you keep saying that?
LEO: I said it once.
MORTY: Twice! And Denvro doesn't even know you. His son happens to live on your floor.
HELEN: Leo, where did you get that watch?
LEO: You know where I got this? (flashback) I found it in the garbage can. It kept terrible time. I brought it over to Jimmy Sherman right here on 85th and Columbus. Gave it to me back the next day. Works great. What kind of idiot throws a way a perfectly good watch?
HELEN: Doesn't that watch look like the one we gave Jerry.
JERRY: Hey, where's the waiter. Dad, what say we have some red meat tonight. Let's live a . . (looking at watch)Can we continue this another time?
Seinfeld
[Restaurant]
JERRY: So you didn't even let the doctor treat you?
MORTY: I wouldn't give him the satisfaction.
HELEN: Why did you leave your wallet in your pants?
MORTY: What are you talking about? What was I supposed to do? Hide it somewhere?
HELEN: Well. You could have taken it with you.
MORTY: Oh, yeah, I'd be lying on the X-Ray table with my wallet in my mouth.
(Leo enter)
LEO: Hello, ,hello.
JERRY: Hi Uncle Leo.
LEO: I just talked to Dr. Denvro's son. He said they almost had to call the police.
MORTY: What are you talking about? I'm the one who should have called the police. They stole my wallet.
LEO: You know how hard it was for me to get that appointment for you? You can't just walk in on this guy. He did me a personal favor.
MORTY: All right, Leo.
LEO: You walked out without paying.
MORTY: How was I supposed to pay? I didn't have my wallet.
LEO: Well, I hope you sent him a check.
MORTY: What for?
LEO: What for? This man was nice enough to see you. He did me a personal favor.
MORTY: That's the second time you said "personal favor". Why do you keep saying that?
LEO: I said it once.
MORTY: Twice! And Denvro doesn't even know you. His son happens to live on your floor.
HELEN: Leo, where did you get that watch?
LEO: You know where I got this? (flashback) I found it in the garbage can. It kept terrible time. I brought it over to Jimmy Sherman right here on 85th and Columbus. Gave it to me back the next day. Works great. What kind of idiot throws a way a perfectly good watch?
HELEN: Doesn't that watch look like the one we gave Jerry.
JERRY: Hey, where's the waiter. Dad, what say we have some red meat tonight. Let's live a . . (looking at watch)Can we continue this another time?
Seinfeld
Cabbage
21-01-2011
"Cabbage: A familiar kitchen-garden vegetable about as large and wise as a man's head."
Ambrose Bierce, The Devil's Dictionary - US author & satirist (1842 - 1914)
"Cabbage: A familiar kitchen-garden vegetable about as large and wise as a man's head."
Ambrose Bierce, The Devil's Dictionary - US author & satirist (1842 - 1914)
Another Sucker
20-01-2011
I'll never go through a different way No I'll never gonna bend by a word that you say Your church, your TV and your radio Try to burn and wash everything that I know You're talkin' about God The nation and my family But all those fuckin' values you've got Are not the things I've ever wanted for me I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker But it's so easy to see That they're just fuckin' with me, with you So what can I do? I wanna get away I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker It's not so easy to say It will be different someday if I pray I will find the way I wanna get away I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker
Dr.Zilch
I'll never go through a different way No I'll never gonna bend by a word that you say Your church, your TV and your radio Try to burn and wash everything that I know You're talkin' about God The nation and my family But all those fuckin' values you've got Are not the things I've ever wanted for me I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker But it's so easy to see That they're just fuckin' with me, with you So what can I do? I wanna get away I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker It's not so easy to say It will be different someday if I pray I will find the way I wanna get away I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker I don't wanna be another sucker
Dr.Zilch
AK-47
19-01-2011
Yuri Orlov: Of all the weapons in the vast soviet arsenal, nothing was more profitable than Avtomat Kalashnikova model of 1947. More commonly known as the AK-47, or Kalashnikov. It's the world's most popular assault rifle. A weapon all fighters love. An elegantly simple 9 pound amalgamation of forged steel and plywood. It doesn't break, jam, or overheat. It'll shoot whether it's covered in mud or filled with sand. It's so easy, even a child can use it; and they do. The Soviets put the gun on a coin. Mozambique put it on their flag. Since the end of the Cold War, the Kalashnikov has become the Russian people's greatest export. After that comes vodka, caviar, and suicidal novelists. One thing is for sure, no one was lining up to buy their cars.
Lord Of War
Yuri Orlov: Of all the weapons in the vast soviet arsenal, nothing was more profitable than Avtomat Kalashnikova model of 1947. More commonly known as the AK-47, or Kalashnikov. It's the world's most popular assault rifle. A weapon all fighters love. An elegantly simple 9 pound amalgamation of forged steel and plywood. It doesn't break, jam, or overheat. It'll shoot whether it's covered in mud or filled with sand. It's so easy, even a child can use it; and they do. The Soviets put the gun on a coin. Mozambique put it on their flag. Since the end of the Cold War, the Kalashnikov has become the Russian people's greatest export. After that comes vodka, caviar, and suicidal novelists. One thing is for sure, no one was lining up to buy their cars.
Lord Of War
Inner Self
18-01-2011
The Wise Man Says:
"Your inner self will always lead to the path he wants, specially in those moments you don't know what the hell you're doing."
The Wise Man Says:
"Your inner self will always lead to the path he wants, specially in those moments you don't know what the hell you're doing."
Two Silver Tonges
17-01-2011
silver tought spoke all the lies a thousand times
new wrestle with a choice a thousand more you even
listening point out to the glistening sea i say
the sea it lies lies like every gust of wind
wind that whispers ever sight sights i can barely hide disgust
disgust of every shape shapes that set
loose my rage for this black sky only
one who'll fear this day are cowards
take my hand i'll show you the beauty of death
point out from the other side
i'll say the sea is full of life full o life
like every wind whispers every sight many sights
i should have seen in a different light
i wish i could see that bright sky one last time only ones
who'll fear this day are cowards
take my hand i'll show you the beauty
only ones who'll fear this day are cowards
take my hand i'll show you the beauty of death
i'll never know how hard you tried
you'll never know my sacrifice
these torn out wings cannot fly i'm sorry
if only you saw the light
the darkness took over every shred of caring i ever had
i'll never know how hard you tried
you'll never know my sacrifice
i'm sorry if only you saw the light these torn out wings cannot fly
Age Of Ruin
silver tought spoke all the lies a thousand times
new wrestle with a choice a thousand more you even
listening point out to the glistening sea i say
the sea it lies lies like every gust of wind
wind that whispers ever sight sights i can barely hide disgust
disgust of every shape shapes that set
loose my rage for this black sky only
one who'll fear this day are cowards
take my hand i'll show you the beauty of death
point out from the other side
i'll say the sea is full of life full o life
like every wind whispers every sight many sights
i should have seen in a different light
i wish i could see that bright sky one last time only ones
who'll fear this day are cowards
take my hand i'll show you the beauty
only ones who'll fear this day are cowards
take my hand i'll show you the beauty of death
i'll never know how hard you tried
you'll never know my sacrifice
these torn out wings cannot fly i'm sorry
if only you saw the light
the darkness took over every shred of caring i ever had
i'll never know how hard you tried
you'll never know my sacrifice
i'm sorry if only you saw the light these torn out wings cannot fly
Age Of Ruin
Svenjolly
16-01-2011
[Jerry's Apartment]
GEORGE: Okay, by the way. Do you want a box of Cuban cigars? I smoked one last night. I got nauseous.
JERRY: No I don't want them.
[Kramer enters]
KRAMER: I'll take it. No, I'll take it. What is it?
GEORGE: Here you go.
KRAMER: A box of cigars?
GEORGE: Yep,
KRAMER: Oh, yeah?
GEORGE: The kind that Castro smokes. You can't buy them anywhere.
KRAMER: Castro eh? Pasto costillo homiga (nonsense Spanish)
[Buzzer]
JERRY: Yes?
Voice: Federal Express.
JERRY: Federal Express? Come on up. . . . Federal Express. I'm not expecting a package.
KRAMER: Wooo, you know what you just did? You let a burglar into the building.
JERRY: You think so?
KRAMER: Federal Express? Of course. It's the oldest trick in the book. You know it might not be a burglar it might be a murderer.
JERRY: So you want us to abolish all home package deliveries.
KRAMER: Yes. It's dangerous.
[Knock on the door - Kramer prepares for a fight]
JERRY: Who is it?
Voice: Federal Express.
KRAMER: Okay, . . .
[Elaine enters]
ALL: Hiiiiiiiiiiiiiiiiiiii!
ELAINE: Kramer, Hi, I thought you went to California.
KRAMER: I came back for you.
ELAINE: Oh, shut up (pushes Kramer)
JERRY: I missed you.
ELAINE: Really?
JERRY: Yeah, . . .
(lots of missing you talk)
KRAMER: I'm going to be right back. I'm going to get a match.
ELAINE: Who's suitcase is this?
JERRY: Oh, it's my parents. My father came up to see a back specialist.
ELAINE: Oh, golly, it's probably from sleeping on that sofa.
GEORGE: Boy, you look really great.
JERRY: Yeah.
ELAINE: You lie.
GEORGE: No, no you really look great.
ELAINE: Hu hu, ha.
JERRY: So tell us about the trip. How's Dr. Reston?
ELAINE: Oh, he's fine.
JERRY: Things are good?
ELAINE: Yeah, you know (scratches cheek)
JERRY: Uh oh.
ELAINE: What, Uh ih?
JERRY: Did you see that?
GEORGE: Yeah, I saw it.
ELAINE: What?
JERRY: It's a tell. You gotta tell.
ELAINE: What tell? What's a tell?
JERRY: When you ask someone about their relationship and they touch their face you know it's not going too well. Go ahead ask me how it's going with somebody.
ELAINE: Um, uh, who's it going with, uh, Alice?
JERRY: Good, going good (scratches chin) And the higher up on the face you go the worse the relationship is getting. You know it is like - pretty good - not bad - I gotta get out.
ELAINE: How high did I go?
GEORGE: You almost did the nose.
JERRY: What are you eating my peanut butter out of the jar with your disgusting index fingers? This is a sickening display.
GEORGE: I'm not eating bread now. I'm off bread.
JERRY: You're off bread. . . . So what happened is it over?
ELAINE: Well not quite.
JERRY: Why not?
ELAINE: He was my psychiatrist, you know. He knows all my patterns. In my relationships I always try to find some reason to leave, so as my doctor, he can't allow me to do this, so he's not letting me leave.
GEORGE: What do you mean - "Not letting you?"
ELAINE: He has this power over me, okay. He has this way of manipulating every little word I say. He's like a Svenjolly.
GEORGE: Svengali.
ELAINE: What did I say?
JERRY: Svenjolly.
ELAINE: Svenjolly? I did not say Svenjolly.
JERRY: George?
GEORGE: Svenjolly.
ELAINE: I don't see how I could have said Svenjolly.
JERRY: So maybe he's got like a cheerful mental hold on you.
[Kramer enters]
KRAMER: You know I can't find a match anywhere.
GEORGE: You know what you should do? You should tell this guy you're seeing somebody else. That's the easiest way to get out of these things.
ELAINE: No, it's not going to work with this guy.
GEORGE: Well, you just tell him an old boyfriend has come back into your life.
ELAINE: I don't think so.
JERRY: Nice try.
GEORGE: Took a shot.
KRAMER: This is a good cigar (hair is on fire) . . . WOOOOOOOOOOW . . . (runs to bathroom)
Seinfeld
[Jerry's Apartment]
GEORGE: Okay, by the way. Do you want a box of Cuban cigars? I smoked one last night. I got nauseous.
JERRY: No I don't want them.
[Kramer enters]
KRAMER: I'll take it. No, I'll take it. What is it?
GEORGE: Here you go.
KRAMER: A box of cigars?
GEORGE: Yep,
KRAMER: Oh, yeah?
GEORGE: The kind that Castro smokes. You can't buy them anywhere.
KRAMER: Castro eh? Pasto costillo homiga (nonsense Spanish)
[Buzzer]
JERRY: Yes?
Voice: Federal Express.
JERRY: Federal Express? Come on up. . . . Federal Express. I'm not expecting a package.
KRAMER: Wooo, you know what you just did? You let a burglar into the building.
JERRY: You think so?
KRAMER: Federal Express? Of course. It's the oldest trick in the book. You know it might not be a burglar it might be a murderer.
JERRY: So you want us to abolish all home package deliveries.
KRAMER: Yes. It's dangerous.
[Knock on the door - Kramer prepares for a fight]
JERRY: Who is it?
Voice: Federal Express.
KRAMER: Okay, . . .
[Elaine enters]
ALL: Hiiiiiiiiiiiiiiiiiiii!
ELAINE: Kramer, Hi, I thought you went to California.
KRAMER: I came back for you.
ELAINE: Oh, shut up (pushes Kramer)
JERRY: I missed you.
ELAINE: Really?
JERRY: Yeah, . . .
(lots of missing you talk)
KRAMER: I'm going to be right back. I'm going to get a match.
ELAINE: Who's suitcase is this?
JERRY: Oh, it's my parents. My father came up to see a back specialist.
ELAINE: Oh, golly, it's probably from sleeping on that sofa.
GEORGE: Boy, you look really great.
JERRY: Yeah.
ELAINE: You lie.
GEORGE: No, no you really look great.
ELAINE: Hu hu, ha.
JERRY: So tell us about the trip. How's Dr. Reston?
ELAINE: Oh, he's fine.
JERRY: Things are good?
ELAINE: Yeah, you know (scratches cheek)
JERRY: Uh oh.
ELAINE: What, Uh ih?
JERRY: Did you see that?
GEORGE: Yeah, I saw it.
ELAINE: What?
JERRY: It's a tell. You gotta tell.
ELAINE: What tell? What's a tell?
JERRY: When you ask someone about their relationship and they touch their face you know it's not going too well. Go ahead ask me how it's going with somebody.
ELAINE: Um, uh, who's it going with, uh, Alice?
JERRY: Good, going good (scratches chin) And the higher up on the face you go the worse the relationship is getting. You know it is like - pretty good - not bad - I gotta get out.
ELAINE: How high did I go?
GEORGE: You almost did the nose.
JERRY: What are you eating my peanut butter out of the jar with your disgusting index fingers? This is a sickening display.
GEORGE: I'm not eating bread now. I'm off bread.
JERRY: You're off bread. . . . So what happened is it over?
ELAINE: Well not quite.
JERRY: Why not?
ELAINE: He was my psychiatrist, you know. He knows all my patterns. In my relationships I always try to find some reason to leave, so as my doctor, he can't allow me to do this, so he's not letting me leave.
GEORGE: What do you mean - "Not letting you?"
ELAINE: He has this power over me, okay. He has this way of manipulating every little word I say. He's like a Svenjolly.
GEORGE: Svengali.
ELAINE: What did I say?
JERRY: Svenjolly.
ELAINE: Svenjolly? I did not say Svenjolly.
JERRY: George?
GEORGE: Svenjolly.
ELAINE: I don't see how I could have said Svenjolly.
JERRY: So maybe he's got like a cheerful mental hold on you.
[Kramer enters]
KRAMER: You know I can't find a match anywhere.
GEORGE: You know what you should do? You should tell this guy you're seeing somebody else. That's the easiest way to get out of these things.
ELAINE: No, it's not going to work with this guy.
GEORGE: Well, you just tell him an old boyfriend has come back into your life.
ELAINE: I don't think so.
JERRY: Nice try.
GEORGE: Took a shot.
KRAMER: This is a good cigar (hair is on fire) . . . WOOOOOOOOOOW . . . (runs to bathroom)
Seinfeld
Before The Mirror
15-01-2011
The Wise Man came to me and said:
"The first part of the healing process is one to admit before the mirror that he's sick."
The Wise Man came to me and said:
"The first part of the healing process is one to admit before the mirror that he's sick."
Re-Gaining Unsconsciousness
14-01-2011
First they put away the dealers,
keep our kids safe and off the street.
Then they put away the prostitutes,
keep married men cloistered at home.
Then they shooed away the bums,
then they beat and bashed the queers,
turned away asylum-seekers,
fed us suspicions and fears.
We didn't raise our voice,
we didn't make a fuss.
It's funny there was no one left to notice
when they came for us.
Looks like witches are in season,
you better fly your flag and be aware
of anyone who might fit the description,
diversity is now our biggest fear.
Now with our conversations tapped
and our differences exposed,
how ya supposed to love your neighbor
with our minds and curtains closed?
We used to worry 'bout big brother,
now we got a big father and an even bigger mother.
And you still believe
this aristocracy gives a fuck about you.
They put the mock in democracy
and you swallowed every hook.
The sad truth is
you'd rather follow the school into the net
'cause swimming alone at sea
is not the kind of freedom that you actually want.
So go back to your crib and suck on a tit
go bask in the warmth of your diaper.
You're sitting in shit and piss
while sucking a giant pacifier,
a country of adult infants.
A legion of mental midgets,
a country of adult infants,
a country of adult infants.
all regaining their unconsciousness
NOFX
First they put away the dealers,
keep our kids safe and off the street.
Then they put away the prostitutes,
keep married men cloistered at home.
Then they shooed away the bums,
then they beat and bashed the queers,
turned away asylum-seekers,
fed us suspicions and fears.
We didn't raise our voice,
we didn't make a fuss.
It's funny there was no one left to notice
when they came for us.
Looks like witches are in season,
you better fly your flag and be aware
of anyone who might fit the description,
diversity is now our biggest fear.
Now with our conversations tapped
and our differences exposed,
how ya supposed to love your neighbor
with our minds and curtains closed?
We used to worry 'bout big brother,
now we got a big father and an even bigger mother.
And you still believe
this aristocracy gives a fuck about you.
They put the mock in democracy
and you swallowed every hook.
The sad truth is
you'd rather follow the school into the net
'cause swimming alone at sea
is not the kind of freedom that you actually want.
So go back to your crib and suck on a tit
go bask in the warmth of your diaper.
You're sitting in shit and piss
while sucking a giant pacifier,
a country of adult infants.
A legion of mental midgets,
a country of adult infants,
a country of adult infants.
all regaining their unconsciousness
NOFX
Necessary Evil
13-01-2011
Yuri Orlov: The reason I'll be released is the same reason you think I'll be convicted. I *do* rub shoulders with some of the most vile, sadistic men calling themselves leaders today. But some of these men are the enemies of *your* enemies. And while the biggest arms dealer in the world is your boss - the President of the United States, who ships more merchandise in a day than I do in a year - sometimes it's embarrassing to have his fingerprints on the guns. Sometimes he needs a freelancer like me to supply forces he can't be seen supplying. So. You call me evil, but unfortunately for you, I'm a necessary evil.
Lord Of War
Yuri Orlov: The reason I'll be released is the same reason you think I'll be convicted. I *do* rub shoulders with some of the most vile, sadistic men calling themselves leaders today. But some of these men are the enemies of *your* enemies. And while the biggest arms dealer in the world is your boss - the President of the United States, who ships more merchandise in a day than I do in a year - sometimes it's embarrassing to have his fingerprints on the guns. Sometimes he needs a freelancer like me to supply forces he can't be seen supplying. So. You call me evil, but unfortunately for you, I'm a necessary evil.
Lord Of War
Repent
12-01-2011
"It is much easier to repent of sins that we have committed than to repent of those we intend to commit."
Josh Billings - US Humorist (1818 - 1885)
"It is much easier to repent of sins that we have committed than to repent of those we intend to commit."
Josh Billings - US Humorist (1818 - 1885)
Tuna
11-01-2011
Micro liquid feelings
Will never solve
Pacific problems
Exotic fish will never be able to walk
As long as we live
Micro liquid feelings
Will never solve
Pacific problems
Exotic fish will never be able to walk
As long as we live
Walkers can come first
This golden century
And now I really see
It's still a luxury
Micro liquid feelings
Will never solve
Pacific problems
Exotic fish will never be able to walk
As long as we live
Walkers can come first
This golden century
And now I really see
It's still a luxury
Hooverphonic
Micro liquid feelings
Will never solve
Pacific problems
Exotic fish will never be able to walk
As long as we live
Micro liquid feelings
Will never solve
Pacific problems
Exotic fish will never be able to walk
As long as we live
Walkers can come first
This golden century
And now I really see
It's still a luxury
Micro liquid feelings
Will never solve
Pacific problems
Exotic fish will never be able to walk
As long as we live
Walkers can come first
This golden century
And now I really see
It's still a luxury
Hooverphonic
Well George...
10-01-2011
JERRY: You what? You passed? How could you do that?
GEORGE: Jerry, my young friend, you are so nave. You are so so nave. You know about a few things. You know about comedy, a little bit about relationships, some baseball, but you are so far out of your element here, you are embarrassing yourself. Now listen to me. I am negotiating. Negotiation, this is what you do in business.
JERRY: Let me explain to you what you just did. There are literally hundreds of people trying to get pilot deals with them this year. They go with maybe, five. Okay, if we pass, they go to the next show.
GEORGE: Ooooo, I'm scared. . . . Ooooo they're not going to do the show.
JERRY: We're lucky they are even interested in the idea in the first place. We got a show about nothing. With no story. What do you think, they're up there going, maybe we should give those two guys, who have no experience and no idea, more money!
GEORGE: Oooo what are we going to do? I'm shaking! I'm shaking!
JERRY: Well, I think you're wrong.
GEORGE: Well, we'll just see.
JERRY: Yes we will.
GEORGE: Yes we will.
JERRY: I just said that.
GEORGE: I know you did.
JERRY: So good for you.
GEORGE: So good for you.
JERRY: We'll you're repeating everything I'm saying?
GEORGE: We'll you're repeating everything I'm saying?
JERRY: Well George is an idiot.
GEORGE: Well George,,. . . .
Seinfeld
JERRY: You what? You passed? How could you do that?
GEORGE: Jerry, my young friend, you are so nave. You are so so nave. You know about a few things. You know about comedy, a little bit about relationships, some baseball, but you are so far out of your element here, you are embarrassing yourself. Now listen to me. I am negotiating. Negotiation, this is what you do in business.
JERRY: Let me explain to you what you just did. There are literally hundreds of people trying to get pilot deals with them this year. They go with maybe, five. Okay, if we pass, they go to the next show.
GEORGE: Ooooo, I'm scared. . . . Ooooo they're not going to do the show.
JERRY: We're lucky they are even interested in the idea in the first place. We got a show about nothing. With no story. What do you think, they're up there going, maybe we should give those two guys, who have no experience and no idea, more money!
GEORGE: Oooo what are we going to do? I'm shaking! I'm shaking!
JERRY: Well, I think you're wrong.
GEORGE: Well, we'll just see.
JERRY: Yes we will.
GEORGE: Yes we will.
JERRY: I just said that.
GEORGE: I know you did.
JERRY: So good for you.
GEORGE: So good for you.
JERRY: We'll you're repeating everything I'm saying?
GEORGE: We'll you're repeating everything I'm saying?
JERRY: Well George is an idiot.
GEORGE: Well George,,. . . .
Seinfeld
Brain
09-01-2011
"Brain: an apparatus with which we think we think."
Ambrose Bierce, The Devil's Dictionary - US author & satirist (1842 - 1914)
"Brain: an apparatus with which we think we think."
Ambrose Bierce, The Devil's Dictionary - US author & satirist (1842 - 1914)
No Need To Be Human
08-01-2011
A new day's born
After a long hard ride
I'm on my way
To a place called home
But now I'm here
Lost between machines
Watching grey, mute faces
Go on and destroy their lives
Why do you do this...stop it now
'Cos in fact you're innocent...Like a new born child
Identity's lost...no need for names
Identity's lost...no need for ideas
Identity's lost...no need for resistance
Identity's lost...no need to be human
Why do you do this...stop it now
'Cos in fact you're innocent...Like a new born child
Why do you do this...stop it now
'Cos in fact you're innocent...Like a new born child
Coroner
A new day's born
After a long hard ride
I'm on my way
To a place called home
But now I'm here
Lost between machines
Watching grey, mute faces
Go on and destroy their lives
Why do you do this...stop it now
'Cos in fact you're innocent...Like a new born child
Identity's lost...no need for names
Identity's lost...no need for ideas
Identity's lost...no need for resistance
Identity's lost...no need to be human
Why do you do this...stop it now
'Cos in fact you're innocent...Like a new born child
Why do you do this...stop it now
'Cos in fact you're innocent...Like a new born child
Coroner
Freedom Fighters
07-01-2011
Yuri Orlov: Every faction in Africa calls themselves by these noble names - Liberation this, Patriotic that, Democratic Republic of something-or-other... I guess they can't own up to what they usually are: the Federation of Worse Oppressors Than the Last Bunch of Oppressors. Often, the most barbaric atrocities occur when both combatants proclaim themselves Freedom Fighters.
Lord Of War
Yuri Orlov: Every faction in Africa calls themselves by these noble names - Liberation this, Patriotic that, Democratic Republic of something-or-other... I guess they can't own up to what they usually are: the Federation of Worse Oppressors Than the Last Bunch of Oppressors. Often, the most barbaric atrocities occur when both combatants proclaim themselves Freedom Fighters.
Lord Of War
By The Tail
06-01-2011
"Don't take the bull by the horns, take him by the tail; then you can let go when you want to."
Josh Billings - US Humorist (1818 - 1885)
"Don't take the bull by the horns, take him by the tail; then you can let go when you want to."
Josh Billings - US Humorist (1818 - 1885)
I Wouldn't Want To Be Like You
05-01-2011
Where do we go from here now that all other children are growin' up
And how do we spend our lives if there's no-one to lend us a hand
I don't wanna live here no more,
I don't wanna stay
Ain't gonna spend the rest of my life,
Quietly fading away
Games people play,
You take take it or you leave it
Things that they say,
Honor Brite
If I promise you the Moon and the Stars,
Would you believe it
Games people play in the middle of the night
Where do we go from here now that all of the children have grown up
And how do we spend our time knowin' nobody gives us a damn
I don't wanna live here no more,
I don't wanna stay
Ain't gonna spend the rest of my life,
Quietly fading away
Games people play,
You take take it or you leave it
Things that they say,
Just don't make it right
If I'm tellin' you the truth right now,
Do you believe it
Games people play in the middle of the night
Games people play,
You take take it or you leave it
Things that they say,
Honor Brite
If I promise you the Moon and the Stars,
Would you believe it
Games people play in the middle of the night
Games people play,
You take take it or you leave it
Things that they say,
Just don't make it right
If I'm tellin' you the truth right now,
Do you believe it
Games people play in the middle of the night
Alan Parsons Project
Where do we go from here now that all other children are growin' up
And how do we spend our lives if there's no-one to lend us a hand
I don't wanna live here no more,
I don't wanna stay
Ain't gonna spend the rest of my life,
Quietly fading away
Games people play,
You take take it or you leave it
Things that they say,
Honor Brite
If I promise you the Moon and the Stars,
Would you believe it
Games people play in the middle of the night
Where do we go from here now that all of the children have grown up
And how do we spend our time knowin' nobody gives us a damn
I don't wanna live here no more,
I don't wanna stay
Ain't gonna spend the rest of my life,
Quietly fading away
Games people play,
You take take it or you leave it
Things that they say,
Just don't make it right
If I'm tellin' you the truth right now,
Do you believe it
Games people play in the middle of the night
Games people play,
You take take it or you leave it
Things that they say,
Honor Brite
If I promise you the Moon and the Stars,
Would you believe it
Games people play in the middle of the night
Games people play,
You take take it or you leave it
Things that they say,
Just don't make it right
If I'm tellin' you the truth right now,
Do you believe it
Games people play in the middle of the night
Alan Parsons Project
How Can Anyone Not Like Him?
04-01-2011
[Jerry's apartment]
JERRY: Boy, you got a lot of stuff here. . . . Dad, what are you doing?
MORTY: Nothing nothing.
JERRY: Leave it. What about your back?
HELEN: Morty, what are you doing?
MORTY: All right, all right.
JERRY: You come all the way up here to see a back specialist and you're lifting heavy suit cases.
[Kramer enters]
KRAMER: Hey, Morty.
MORTY: Hey, Mr. Kramer.
KRAMER: Hey, Mrs. Seinfeld.
HELEN: What happened to you?
KRAMER: Well some guy kicked me in the side of the head.
HELEN: What guy?
KRAMER: Crazy Joe Devola.
HELEN: Why?
KRAMER: Well, I was having this party and I didn't invite him and Jerry tipped him off.
HELEN: Why did you tell this crazy guy that Kramer didn't invite him to his party?
JERRY: I didn't know he wasn't invited
MORTY: Hey, these are very comfortable pants. You know what I paid for these Jerry?
HELEN: So why did you say anything?
JERRY: It was a mistake.
MORTY: They're good around the house and they're good for outside.
HELEN: Are you okay?
KRAMER: Oh, yeah, yeah. I was a little off last week - but the doctor says it was just a slight concussion
HELEN: So what's the matter with this Devola guy?
JERRY: He's got like a chemical imbalance. He needs to be on medication.
KRAMER: Oh, yeah. He's after Jerry now.
JERRY: Kramer!!
HELEN: He's what?!
JERRY: He's joking.
HELEN: He's after you?
JERRY: Nooo.
HELEN: Why is he after you?
JERRY: He's not after me.
HELEN: Morty, did you here this? Some crazy guy is after Jerry.
MORTY: I'll make a few phone calls.
JERRY: Who are you going to call?
MORTY: What are you worried about?
HELEN: I want to know what you did to this guy that he's after you.
JERRY: I didn't do anything.
HELEN: Well you must have done something.
JERRY: No, he just doesn't like me.
HELEN: Doesn't like you? How can anyone not like you?
JERRY: You know, it seems impossible.
HELEN: Doesn't like you? How can that be?
JERRY: Ma, I know this may be hard for you to understand but I am sure there are many people who do not like me.
HELEN: Huh, Jerry, don't say that.
JERRY: It's true.
HELEN: No, it's not true. You're a wonderful, wonderful boy. Everybody likes you. It's impossible not to like you. Impossible. Morty?
MORTY: Maybe some people don't like him. I could see that.
HELEN: Kramer?
KRAMER: Yeah, I like him. Hey Jerry, what time you got?
JERRY: Um, huh, I don't have my watch on. It's being fixed.
KRAMER: When you getting it back?
JERRY: Uh, next week.
KRAMER: Next week? How come it's taking so long?
JERRY: Huh?
KRAMER: I said how come it's taking so long?
JERRY: I don't know. They're backed up.
KRAMER: wait a minute, wait a minute, where did you take it?
JERRY: Where'd I take it?
KRAMER: Yeah.
JERRY: Where did I take it? Where Did I Take It? (stabbing with knife) Um, to that place on, uh Columbus and uh, 85th. Okay?
KRAMER: Jimmy Sherman's?
JERRY: Yeah.
KRAMER: Yeah, I know the guy. I take my stuff in there all the time. Yeah, I bet I can get your watch back by tomorrow morning.
JERRY: No, Kramer, I don't want you to say anything to him
KRAMER: I'd be happy to.He's a friend of mine.
JERRY: I'd like to follow the regular procedures. I don't want any special treatment.
KRAMER: Hey, I'm going to get that watch back for you by tomorrow, buddy.
MORTY: Give me the receipt.
KRAMER: I'll get that too. (exits)
JERRY: Be right back. (follows Kramer out)
[In the hallway]
JERRY: . . . I threw it in the garbage can on the street. It didn't keep good time. My parents gave it to me so don't mention it again, okay!
KRAMER: All right.
JERRY: All right.
KRAMER: Wait, wait , . . .
[Jerry reenters his own apartment]
HELEN: What was that about?
KRAMER: Oh, oh, uh, he's got my Calamine lotion and uh, I told him not to return it. If he needs it he should keep it. He's got uh, he's got a thing on his ankle.
HELEN: How can anyone not like him...?
Seinfeld
[Jerry's apartment]
JERRY: Boy, you got a lot of stuff here. . . . Dad, what are you doing?
MORTY: Nothing nothing.
JERRY: Leave it. What about your back?
HELEN: Morty, what are you doing?
MORTY: All right, all right.
JERRY: You come all the way up here to see a back specialist and you're lifting heavy suit cases.
[Kramer enters]
KRAMER: Hey, Morty.
MORTY: Hey, Mr. Kramer.
KRAMER: Hey, Mrs. Seinfeld.
HELEN: What happened to you?
KRAMER: Well some guy kicked me in the side of the head.
HELEN: What guy?
KRAMER: Crazy Joe Devola.
HELEN: Why?
KRAMER: Well, I was having this party and I didn't invite him and Jerry tipped him off.
HELEN: Why did you tell this crazy guy that Kramer didn't invite him to his party?
JERRY: I didn't know he wasn't invited
MORTY: Hey, these are very comfortable pants. You know what I paid for these Jerry?
HELEN: So why did you say anything?
JERRY: It was a mistake.
MORTY: They're good around the house and they're good for outside.
HELEN: Are you okay?
KRAMER: Oh, yeah, yeah. I was a little off last week - but the doctor says it was just a slight concussion
HELEN: So what's the matter with this Devola guy?
JERRY: He's got like a chemical imbalance. He needs to be on medication.
KRAMER: Oh, yeah. He's after Jerry now.
JERRY: Kramer!!
HELEN: He's what?!
JERRY: He's joking.
HELEN: He's after you?
JERRY: Nooo.
HELEN: Why is he after you?
JERRY: He's not after me.
HELEN: Morty, did you here this? Some crazy guy is after Jerry.
MORTY: I'll make a few phone calls.
JERRY: Who are you going to call?
MORTY: What are you worried about?
HELEN: I want to know what you did to this guy that he's after you.
JERRY: I didn't do anything.
HELEN: Well you must have done something.
JERRY: No, he just doesn't like me.
HELEN: Doesn't like you? How can anyone not like you?
JERRY: You know, it seems impossible.
HELEN: Doesn't like you? How can that be?
JERRY: Ma, I know this may be hard for you to understand but I am sure there are many people who do not like me.
HELEN: Huh, Jerry, don't say that.
JERRY: It's true.
HELEN: No, it's not true. You're a wonderful, wonderful boy. Everybody likes you. It's impossible not to like you. Impossible. Morty?
MORTY: Maybe some people don't like him. I could see that.
HELEN: Kramer?
KRAMER: Yeah, I like him. Hey Jerry, what time you got?
JERRY: Um, huh, I don't have my watch on. It's being fixed.
KRAMER: When you getting it back?
JERRY: Uh, next week.
KRAMER: Next week? How come it's taking so long?
JERRY: Huh?
KRAMER: I said how come it's taking so long?
JERRY: I don't know. They're backed up.
KRAMER: wait a minute, wait a minute, where did you take it?
JERRY: Where'd I take it?
KRAMER: Yeah.
JERRY: Where did I take it? Where Did I Take It? (stabbing with knife) Um, to that place on, uh Columbus and uh, 85th. Okay?
KRAMER: Jimmy Sherman's?
JERRY: Yeah.
KRAMER: Yeah, I know the guy. I take my stuff in there all the time. Yeah, I bet I can get your watch back by tomorrow morning.
JERRY: No, Kramer, I don't want you to say anything to him
KRAMER: I'd be happy to.He's a friend of mine.
JERRY: I'd like to follow the regular procedures. I don't want any special treatment.
KRAMER: Hey, I'm going to get that watch back for you by tomorrow, buddy.
MORTY: Give me the receipt.
KRAMER: I'll get that too. (exits)
JERRY: Be right back. (follows Kramer out)
[In the hallway]
JERRY: . . . I threw it in the garbage can on the street. It didn't keep good time. My parents gave it to me so don't mention it again, okay!
KRAMER: All right.
JERRY: All right.
KRAMER: Wait, wait , . . .
[Jerry reenters his own apartment]
HELEN: What was that about?
KRAMER: Oh, oh, uh, he's got my Calamine lotion and uh, I told him not to return it. If he needs it he should keep it. He's got uh, he's got a thing on his ankle.
HELEN: How can anyone not like him...?
Seinfeld
Bore
03-01-2011
"Bore, n.: A person who talks when you wish him to listen."
Ambrose Bierce, The Devil's Dictionary - US author & satirist (1842 - 1914)
"Bore, n.: A person who talks when you wish him to listen."
Ambrose Bierce, The Devil's Dictionary - US author & satirist (1842 - 1914)
Enough's Enough
02-01-2011
Enough's enough's enough's enough
This year's been really really rough
Hey Dad... What'd you do with mother
Hey Dad... Why'd you hide your brother
I just want to tell you that I'm really feeling bad
I tell you
Enough enough's enough's enough
Enough enough's enough's enough
I'm up to here with all your stuff
Hey Dad... What'll happen now sir?
Hey Dad... Can we live without her?
I don't need your money, your position or your candy, Daddy
Enough enough's enough's enough
When my mother died, she laid in bed and cried:
"I'm going to miss you, my brave little cowboy"
I saw my father smile (a smile he tried to hide)
He told me "Son, I've really got you now, boy."
So, come on, little cowboy
Go buck and fuck and make a buck
Gonna show me how, boy?
I wish you lots and lots of luck
Are you leavin' now, boy?
Hey, Dad... try and keep this sacred
Hey, Dad... how'd you hide the hatred
I just want to tell you you're a lousy Dad to hell with you
Enough's enough's enough's enough
When my mother died, she layed in bed and cried:
"I'm going to miss you, my brave little cowboy"
I saw my father smile (a smile he tried to hide)
He told me "Son, I've really got you now, boy."
So, come on, little cowboy
Enough!
Eeeeeenough!
Go fuck and fuck and make a buck
Come and show me how, boy.
You're going to need a lot of luck
Mommy's little cowboy
Hey, Dad... try and keep this sacred
Hey, Dad... how'd you hide the hatred
I just want to tell you you're a lousy Dad to hell with you
Enough's enough's enough's enough
Enough's enough's enough's enough
Enough's enough's enough's enough
Oh enough!
Alice Cooper
Enough's enough's enough's enough
This year's been really really rough
Hey Dad... What'd you do with mother
Hey Dad... Why'd you hide your brother
I just want to tell you that I'm really feeling bad
I tell you
Enough enough's enough's enough
Enough enough's enough's enough
I'm up to here with all your stuff
Hey Dad... What'll happen now sir?
Hey Dad... Can we live without her?
I don't need your money, your position or your candy, Daddy
Enough enough's enough's enough
When my mother died, she laid in bed and cried:
"I'm going to miss you, my brave little cowboy"
I saw my father smile (a smile he tried to hide)
He told me "Son, I've really got you now, boy."
So, come on, little cowboy
Go buck and fuck and make a buck
Gonna show me how, boy?
I wish you lots and lots of luck
Are you leavin' now, boy?
Hey, Dad... try and keep this sacred
Hey, Dad... how'd you hide the hatred
I just want to tell you you're a lousy Dad to hell with you
Enough's enough's enough's enough
When my mother died, she layed in bed and cried:
"I'm going to miss you, my brave little cowboy"
I saw my father smile (a smile he tried to hide)
He told me "Son, I've really got you now, boy."
So, come on, little cowboy
Enough!
Eeeeeenough!
Go fuck and fuck and make a buck
Come and show me how, boy.
You're going to need a lot of luck
Mommy's little cowboy
Hey, Dad... try and keep this sacred
Hey, Dad... how'd you hide the hatred
I just want to tell you you're a lousy Dad to hell with you
Enough's enough's enough's enough
Enough's enough's enough's enough
Enough's enough's enough's enough
Oh enough!
Alice Cooper
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