31-08-2008
Yeah!
When the music's over
When the music's over, yeah
When the music's over
Turn out the lights
Turn out the lights
Turn out the lights
When the music's over
When the music's over
When the music's over
Turn out the lights
Turn out the lights
Turn out the lights
For the music is your special friend
Dance on fire as it intends
Music is your only friend
Until the end
Until the end
Until the end
Cancel my subscription to the Resurrection
Send my credentials to the house of detention
I got some friends inside
The face in the mirror won't stop
The girl in the window won't drop
A feast of friends
"Alive", she cried
Waiting for me
Outside
Before I sink into the big sleep
I want to hear, I want to hear
The scream of the butterfly
Come back, baby
Back into my arms
We're gettin' tired of hangin' around
Waitin' around, with our heads to the ground
I hear a very gentle sound
Very near, yet very far
Very soft, yeah, very clear
Come today, come today
What have they done to the Earth?
What have they done to our fair sister?
Ravaged and plundered and ripped her and bit her
Stuck her with knives in the side of the dawn
And tied her with fences
And dragged her down
I hear a very gentle sound
With your ear down to the ground
We want the world and we want it...
Now
Now?
NOW!
Persian night, babe
See the light, babe
Save us!
Jesus!
Save us!
So when the music's over
When the music's over, yeah
When the music's over
Turn out the lights
Turn out the lights
Turn out the lights
Well, the music is your special friend
Dance on fire as it intends
Music is your only friend
Until the end
Until the end,
Until the end
The Doors
Sunday, July 26, 2009
Wide Awake
30-08-2008
"Better to get up late and be wide awake than to get up early and be asleep all day."
Anonymous
"Better to get up late and be wide awake than to get up early and be asleep all day."
Anonymous
To Be Naked
29-08-2008
"Why is it so difficult, uncomfortable, to be naked. It's because when you have clothes on you can always kinda make those little adjustments that people like to do ... you feel like you're getting it together, yeah, yeah pretty good feeling good looking good But when you're naked it's like it's so final you're, Well that's it. There's nothing else I can do. That's why I like to wear a belt when I'm naked. Cause I feel it gives me something, I know I'm naked, but you know, I like to get pockets to hang off of the belt that would be, wouldn't that be the ultimate? To be naked and still be able to do this I think that would really help a lot."
Seinfeld
"Why is it so difficult, uncomfortable, to be naked. It's because when you have clothes on you can always kinda make those little adjustments that people like to do ... you feel like you're getting it together, yeah, yeah pretty good
Seinfeld
Anyone Anywhere
28-08-2008
No one seems to care anymore
I wander through this night all alone
No one feels the pain I have inside
Looking at this world through my eyes
No one really cares where I go
Searching to feel warmth forever more
The wheels of life they turn without me
Now you are gone eternally
No
Don’t leave me here
The dream carries (me) on
Inside
I know
It’s not too late
Lost moments blown away
Tonight
Mankind, with your heresy
Can’t you see that this is killing me
There’s no one in this life
To be here with me at my side
Anathema
No one seems to care anymore
I wander through this night all alone
No one feels the pain I have inside
Looking at this world through my eyes
No one really cares where I go
Searching to feel warmth forever more
The wheels of life they turn without me
Now you are gone eternally
No
Don’t leave me here
The dream carries (me) on
Inside
I know
It’s not too late
Lost moments blown away
Tonight
Mankind, with your heresy
Can’t you see that this is killing me
There’s no one in this life
To be here with me at my side
Anathema
Nature Wills
27-08-2008
"Think not disdainfully of death, but look on it with favor; for even death is one of the things that Nature wills."
Marcus Aurelius Antoninus, Meditations - Roman Emperor, A.D. 161-180 (121 AD - 180 AD)
"Think not disdainfully of death, but look on it with favor; for even death is one of the things that Nature wills."
Marcus Aurelius Antoninus, Meditations - Roman Emperor, A.D. 161-180 (121 AD - 180 AD)
Shh
26-08-2008
"Allison: Hush little baby, don't say a word. Momma's going to buy you a mockingbird. And if that mockingbird don't sing, Momma's going to buy you a diamond ring. If that diamond ring turns brass, Momma's going to buy you a looking-glass."
Children Of The Corn V: Fields Of Terror
"Allison: Hush little baby, don't say a word. Momma's going to buy you a mockingbird. And if that mockingbird don't sing, Momma's going to buy you a diamond ring. If that diamond ring turns brass, Momma's going to buy you a looking-glass."
Children Of The Corn V: Fields Of Terror
Silent Screams
25-08-2008
Look at me I’m chasing
After dreams left in the storms
What I am is all
That really matters now
That lies are gone –
The lies are gone
And the lies are gone
The lies are gone
Tempting fate and losing
Friends along the way I loved
No regrets
I’m standing
With a needle in my heart –
Needle in my heart,
Needle in my heart,
Needle in my heart
You’ll never know
My life means everything
Still I scream because
There’s nothing left to do until the end
The world goes on
With all that I’ve become
And still I scream inside
For all the pain I’ve taken hasn’t changed
Nothing’s changed at all
The truth is like a chain
Heaven’s calling me
The place that I belong
Killing pain –
Killing pain
Close my eyes a million faces
Get inside my mind
Take a breath and fill my troubled
Soul with all mankind
Killing pain –
Killing pain
I’m killing pain
Killing pain
You’ll never know
My life means everything
Still I scream because
There’s nothing left to do until the end
The world goes on
With all that I’ve become
And still I scream inside
For all the pain I’ve taken hasn’t changed
The man in black
I’m coming back to spew my evil hate
My crown horns and bloody thorns
I’ll dig up what you fear
I am the shape that’s in your room that
Watches over you
I am the needle in your heart – you
Disillusioned God
I am God, I am fate, I am all the sins you
Make, yeah – hate
I am black, I am white, I’m the blood upon
The knife, yeah – hate
Since time began I made a vow to drag you
Underground
To steel your soul of purity and watch you waste away
I am pure, I am right, I am the God that
Makes you fight, yeah – hate
I am life, I am death, I will steal your final
Breath, yeah – hate
I prey upon your broken dreams you
Weakness gives me strength
I’m laughing at your silent screams I’ll
Crush you with my hate
You take it all
And face the fear that’s here
Until the Silent Screams
It leaves you with no choice to carry on
You’ll never fall
When all is said and done
The only Scream is here
The journey never ends – it’s just begun…
The lies that never learned
The needles in my heart
And things will never change
So every time I scream I’m killing pain
Halford
Look at me I’m chasing
After dreams left in the storms
What I am is all
That really matters now
That lies are gone –
The lies are gone
And the lies are gone
The lies are gone
Tempting fate and losing
Friends along the way I loved
No regrets
I’m standing
With a needle in my heart –
Needle in my heart,
Needle in my heart,
Needle in my heart
You’ll never know
My life means everything
Still I scream because
There’s nothing left to do until the end
The world goes on
With all that I’ve become
And still I scream inside
For all the pain I’ve taken hasn’t changed
Nothing’s changed at all
The truth is like a chain
Heaven’s calling me
The place that I belong
Killing pain –
Killing pain
Close my eyes a million faces
Get inside my mind
Take a breath and fill my troubled
Soul with all mankind
Killing pain –
Killing pain
I’m killing pain
Killing pain
You’ll never know
My life means everything
Still I scream because
There’s nothing left to do until the end
The world goes on
With all that I’ve become
And still I scream inside
For all the pain I’ve taken hasn’t changed
The man in black
I’m coming back to spew my evil hate
My crown horns and bloody thorns
I’ll dig up what you fear
I am the shape that’s in your room that
Watches over you
I am the needle in your heart – you
Disillusioned God
I am God, I am fate, I am all the sins you
Make, yeah – hate
I am black, I am white, I’m the blood upon
The knife, yeah – hate
Since time began I made a vow to drag you
Underground
To steel your soul of purity and watch you waste away
I am pure, I am right, I am the God that
Makes you fight, yeah – hate
I am life, I am death, I will steal your final
Breath, yeah – hate
I prey upon your broken dreams you
Weakness gives me strength
I’m laughing at your silent screams I’ll
Crush you with my hate
You take it all
And face the fear that’s here
Until the Silent Screams
It leaves you with no choice to carry on
You’ll never fall
When all is said and done
The only Scream is here
The journey never ends – it’s just begun…
The lies that never learned
The needles in my heart
And things will never change
So every time I scream I’m killing pain
Halford
Gove Service
24-8-2008
"Be alert to give service. What counts a great deal in life is what we do for others."
Anonymous
"Be alert to give service. What counts a great deal in life is what we do for others."
Anonymous
Mr. Johnson
23-08-2008
ELAINE: hell-oo
KRAMER: hell-oo
JERRY: What's with you two?
ELAINE: You haven't told him?
JERRY: Tell me what?
ELAINE: Huh, go ahead, tell him.
KRAMER: I, I saw her naked.
ELAINE: He saw me naked. Kramer, ... saw me naked.
KRAMER: Well, you know, ... it was an accident.
ELAINE: Who walks into a woman's bedroom without knocking. I want to know!
KRAMER: I thought it was a closet.
JERRY: Completely naked?
KRAMER: Completely naked.
ELAINE: Jerrryyy, How can I go on?
KRAMER: All right. I'll tell you what. If it's going to make you feel any better you can see me naked.
ELAINE: No thanks!
KRAMER: No, I want you to see me naked.
ELAINE: No, no no.
KRAMER: No, I want to show you.
ELAINE: No! Jerry! Jerry!
JERRY: OK, just a second lets not lose our heads here. Kramer you know you are always welcome in my
home but as far as Mr. Johnson is concerned, that's another story.
Seinfeld
ELAINE: hell-oo
KRAMER: hell-oo
JERRY: What's with you two?
ELAINE: You haven't told him?
JERRY: Tell me what?
ELAINE: Huh, go ahead, tell him.
KRAMER: I, I saw her naked.
ELAINE: He saw me naked. Kramer, ... saw me naked.
KRAMER: Well, you know, ... it was an accident.
ELAINE: Who walks into a woman's bedroom without knocking. I want to know!
KRAMER: I thought it was a closet.
JERRY: Completely naked?
KRAMER: Completely naked.
ELAINE: Jerrryyy, How can I go on?
KRAMER: All right. I'll tell you what. If it's going to make you feel any better you can see me naked.
ELAINE: No thanks!
KRAMER: No, I want you to see me naked.
ELAINE: No, no no.
KRAMER: No, I want to show you.
ELAINE: No! Jerry! Jerry!
JERRY: OK, just a second lets not lose our heads here. Kramer you know you are always welcome in my
home but as far as Mr. Johnson is concerned, that's another story.
Seinfeld
Se Me Amas
22-08-2008
Se me amas
Se me queres
Não procures aquilo que
Não há em mim
Se me amas
Se me queres
Não me prendas
Sempre ao pé de ti
Se me amas
Se me queres
Não faças de mim palhaço
Não quero ser um fracasso
Nas tuas mãos
Já te disse toma cuidado
Que o amor quere-se bem passado
Quando chega a submissão
Quando chega a obrigação
Há por aí muitas damas
Se me amas
Se me amas
Se me queres
Não me faças nunca
Dizer que não
Se me amas se me queres
Não faças de mim palhaço
Não quero ser um fracasso
Nas tuas mãos...
Já te disse toma cuidado
Que o amor quere-se bem passado
Quando chega a submissão
Quando chega a obrigação
Há por aí muitas damas
Se me amas.
Xutos & Pontapés
Se me amas
Se me queres
Não procures aquilo que
Não há em mim
Se me amas
Se me queres
Não me prendas
Sempre ao pé de ti
Se me amas
Se me queres
Não faças de mim palhaço
Não quero ser um fracasso
Nas tuas mãos
Já te disse toma cuidado
Que o amor quere-se bem passado
Quando chega a submissão
Quando chega a obrigação
Há por aí muitas damas
Se me amas
Se me amas
Se me queres
Não me faças nunca
Dizer que não
Se me amas se me queres
Não faças de mim palhaço
Não quero ser um fracasso
Nas tuas mãos...
Já te disse toma cuidado
Que o amor quere-se bem passado
Quando chega a submissão
Quando chega a obrigação
Há por aí muitas damas
Se me amas.
Xutos & Pontapés
The Universe Is Change
21-08-2008
"The universe is change; our life is what our thoughts make it."
Marcus Aurelius Antoninus, Meditations - Roman Emperor, A.D. 161-180 (121 AD - 180 AD)
"The universe is change; our life is what our thoughts make it."
Marcus Aurelius Antoninus, Meditations - Roman Emperor, A.D. 161-180 (121 AD - 180 AD)
To Pieces
20-08-2008
Bridget - It is a truth universally acknowledged that when one part of your life starts going okay, another falls spectacularly to pieces.
Bridget Jones Diary
Bridget - It is a truth universally acknowledged that when one part of your life starts going okay, another falls spectacularly to pieces.
Bridget Jones Diary
No More Mr. Nice Guy
19-08-2008
I used to be such a sweet, sweet thing
Till they got a hold of me
I opened doors for little old ladies
I helped the blind to see
I got no friends 'cause they read the papers
They can't be seen with me
And I'm gettin' real shot down
And I'm feelin' mean
No more Mister Nice Guy
No more Mister Clean
No more Mister Nice Guy
They say he's sick, he's obscene
I got no friends 'cause they read the papers
They can't be seen with me
And I'm feelin' real shot down
And I'm gettin' mean
No more Mister Nice Guy
No more Mister Clean
No more Mister Nice Guy
They say he's sick, he's obscene
My dog bit me on the leg today
My cat clawed my eye
Mom's been thrown out of the social circles
And dad has to hide
I went to church incognito
When everybody rose the Reverend Smithy
He recognized me and punched me in the nose
He said, no more Mister Nice Guy
No more Mister Clean
No more Mister Nice Guy
He said you're sick, you're obscene
Alice Cooper
I used to be such a sweet, sweet thing
Till they got a hold of me
I opened doors for little old ladies
I helped the blind to see
I got no friends 'cause they read the papers
They can't be seen with me
And I'm gettin' real shot down
And I'm feelin' mean
No more Mister Nice Guy
No more Mister Clean
No more Mister Nice Guy
They say he's sick, he's obscene
I got no friends 'cause they read the papers
They can't be seen with me
And I'm feelin' real shot down
And I'm gettin' mean
No more Mister Nice Guy
No more Mister Clean
No more Mister Nice Guy
They say he's sick, he's obscene
My dog bit me on the leg today
My cat clawed my eye
Mom's been thrown out of the social circles
And dad has to hide
I went to church incognito
When everybody rose the Reverend Smithy
He recognized me and punched me in the nose
He said, no more Mister Nice Guy
No more Mister Clean
No more Mister Nice Guy
He said you're sick, you're obscene
Alice Cooper
Bad Habits
18-08-2008
"Bad habits are like a comfortable bed, easy to get into, but hard to get out of."
Anonymous
"Bad habits are like a comfortable bed, easy to get into, but hard to get out of."
Anonymous
The Truth
17-08-2008
JERRY: Yeah
GEORGE: George
JERRY: Come up - Ah, there he is, the man himself, George Louis Costanza. Here I am about to go
to the electric chair and my oldest friend is dating the governor
GEORGE: My whole life has been a complete waste of time,
JERRY: And there's so much more to go.
GEORGE: Now I know what I am supposed to do. It's so simple. Tell the truth That's all. Just tell the truth
JERRY: So what happened? You gave her my tax papers? ... My papers?
GEORGE: Oh, oh, your papers
JERRY: What happened you didn't give her the papers?
GEORGE: No. I did.
JERRY: SO?
GEORGE: ...I broke up with her.
JERRY: You what?
GEORGE: I broke up with her.
JERRY: I'm being audited! And you broke up with her?
GEORGE: It's OK. It's fine. She'll do it. I'm sure she'll still do it.
JERRY: Why will she still do it? She hates you now. People don't do you favors after you dump
them.
GEORGE: Oh, no. We left on good terms.
JERRY: How is that possible?
GEORGE: Because I uh, I told her the truth.
JERRY: Oh, my God.
GEORGE: It's OK.
JERRY: It's unheard of ...
GEORGE: She asked me to.
JERRY: So you lie! What did you tell her?
GEORGE: I told her that she was pretentious.
JERRY: Pretentious!? The woman has my tax papers. You told her she was pretentious? The IRS. They're like the MAFIA. They can take anything they want!
ELAINE: How would you like it if someone told YOU the truth?
GEORGE: Like what? What could they say?
ELAINE: There are plenty of things to say.
GEORGE: Like what? I'm bald? What is it specifically? Is, is there an odor I'm not aware of?
ELAINE: George, please.
GEORGE: Give me one.
ELAINE: You sure?
GEORGE: Yes.
ELAINE: What?
ELAINE: Forget it. You are very careful with money.
GEORGE: I'm cheap? You think I'm CHEAP? How could you say that to me? I can't believe this. How could you say that to me?
ELAINE: You asked me to.
GEORGE: You should have lied.
ELAINE: HUH, so should you.
JERRY: OK, wait a second, wait a second, what happened to my papers?
GEORGE: I mean I'm not really working right now.
ELAINE: I know.
GEORGE: When I was working I spent baby.
JERRY: Yeah, I know champagne, limos, cigars. WHAT happened to the papers?
GEORGE: She put them in her pocketbook. I guess she took them with her.
ELAINE: Pocketbook or a handbag?
JERRY: Is that relevant? She TOOK them. Call her office.
GEORGE: Give me the phone. Yea, Hi I would like to speak to Patrice. ...
what? ... oh really? ... oh, ok, thank you, ...
JERRY: What? What?
GEORGE: She never came back from lunch.
JERRY: This is no good. This is no good. Call her house.
GEORGE: Hi, are you OK? no, no,.. huh, She hung up.
JERRY: Not good.
GEORGE: All right. There's nothing to be worried about. She's just a little
annoyed right now. Tomorrow I'll personally go over there. I'll apologize.
I'll get the papers. Don't worry. Don't worry.
JERRY: Not good
Seinfeld
JERRY: Yeah
GEORGE: George
JERRY: Come up - Ah, there he is, the man himself, George Louis Costanza. Here I am about to go
to the electric chair and my oldest friend is dating the governor
GEORGE: My whole life has been a complete waste of time,
JERRY: And there's so much more to go.
GEORGE: Now I know what I am supposed to do. It's so simple. Tell the truth That's all. Just tell the truth
JERRY: So what happened? You gave her my tax papers? ... My papers?
GEORGE: Oh, oh, your papers
JERRY: What happened you didn't give her the papers?
GEORGE: No. I did.
JERRY: SO?
GEORGE: ...I broke up with her.
JERRY: You what?
GEORGE: I broke up with her.
JERRY: I'm being audited! And you broke up with her?
GEORGE: It's OK. It's fine. She'll do it. I'm sure she'll still do it.
JERRY: Why will she still do it? She hates you now. People don't do you favors after you dump
them.
GEORGE: Oh, no. We left on good terms.
JERRY: How is that possible?
GEORGE: Because I uh, I told her the truth.
JERRY: Oh, my God.
GEORGE: It's OK.
JERRY: It's unheard of ...
GEORGE: She asked me to.
JERRY: So you lie! What did you tell her?
GEORGE: I told her that she was pretentious.
JERRY: Pretentious!? The woman has my tax papers. You told her she was pretentious? The IRS. They're like the MAFIA. They can take anything they want!
ELAINE: How would you like it if someone told YOU the truth?
GEORGE: Like what? What could they say?
ELAINE: There are plenty of things to say.
GEORGE: Like what? I'm bald? What is it specifically? Is, is there an odor I'm not aware of?
ELAINE: George, please.
GEORGE: Give me one.
ELAINE: You sure?
GEORGE: Yes.
ELAINE: What?
ELAINE: Forget it. You are very careful with money.
GEORGE: I'm cheap? You think I'm CHEAP? How could you say that to me? I can't believe this. How could you say that to me?
ELAINE: You asked me to.
GEORGE: You should have lied.
ELAINE: HUH, so should you.
JERRY: OK, wait a second, wait a second, what happened to my papers?
GEORGE:
ELAINE: I know.
GEORGE: When I was working I spent baby.
JERRY: Yeah, I know champagne, limos, cigars. WHAT happened to the papers?
GEORGE: She put them in her pocketbook. I guess she took them with her.
ELAINE: Pocketbook or a handbag?
JERRY: Is that relevant? She TOOK them. Call her office.
GEORGE: Give me the phone.
what? ... oh really? ... oh, ok, thank you, ...
JERRY: What? What?
GEORGE: She never came back from lunch.
JERRY: This is no good. This is no good. Call her house.
GEORGE:
JERRY: Not good.
GEORGE: All right. There's nothing to be worried about. She's just a little
annoyed right now. Tomorrow I'll personally go over there. I'll apologize.
I'll get the papers. Don't worry. Don't worry.
JERRY: Not good
Seinfeld
The Whole Of The Moon
16-08-2008
I pictured a rainbow
you held in your hands
I had flashes
but you saw then plan
I wondered out in the world for years
while you just stayed in your room
I saw the crescent
you saw the whole of the moon!
The whole of the moon!
You were there at the turnstiles
with the wind at your heels
You stretched for the stars
and you know how it feels
To reach too high
too far
Too soon
you saw the whole of the moon!
I was grounded
while you filled the skies
I was dumbfounded by truths
you cut through lies
I saw the rain-dirty valley
you saw Brigadoon
I saw the crescent
you saw the whole of the moon!
I spoke about wings
you just flew
I wondered, I guessed, and I tried
you just knew
I sighed
but you swooned
I saw the crescent
you saw the whole of the moon!
The whole of the moon!
With a torch in your pocket
and the wind at your heels
You climbed on the ladder
and you know how it feels
To reach too high
too far
Too soon
you saw the whole of the moon!
The whole of the moon!
Unicorns and cannonballs,
palaces and piers,
Trumpets, towers, and tenements,
wide oceans full of tears,
Flag, rags, ferry boats,
scimitars and scarves,
Every precious dream and vision
underneath the stars
You climbed on the ladder
with the wind in your sails
You came like a comet
blazing your trail
Too high
too far
Too soon
you saw the whole of the moon!
The Waterboys
I pictured a rainbow
you held in your hands
I had flashes
but you saw then plan
I wondered out in the world for years
while you just stayed in your room
I saw the crescent
you saw the whole of the moon!
The whole of the moon!
You were there at the turnstiles
with the wind at your heels
You stretched for the stars
and you know how it feels
To reach too high
too far
Too soon
you saw the whole of the moon!
I was grounded
while you filled the skies
I was dumbfounded by truths
you cut through lies
I saw the rain-dirty valley
you saw Brigadoon
I saw the crescent
you saw the whole of the moon!
I spoke about wings
you just flew
I wondered, I guessed, and I tried
you just knew
I sighed
but you swooned
I saw the crescent
you saw the whole of the moon!
The whole of the moon!
With a torch in your pocket
and the wind at your heels
You climbed on the ladder
and you know how it feels
To reach too high
too far
Too soon
you saw the whole of the moon!
The whole of the moon!
Unicorns and cannonballs,
palaces and piers,
Trumpets, towers, and tenements,
wide oceans full of tears,
Flag, rags, ferry boats,
scimitars and scarves,
Every precious dream and vision
underneath the stars
You climbed on the ladder
with the wind in your sails
You came like a comet
blazing your trail
Too high
too far
Too soon
you saw the whole of the moon!
The Waterboys
Now
15-08-2008
"Waste no more time talking about great souls and how they should be. Become one yourself!"
Marcus Aurelius Antoninus - Roman Emperor, A.D. 161-180 (121 AD - 180 AD)
"Waste no more time talking about great souls and how they should be. Become one yourself!"
Marcus Aurelius Antoninus - Roman Emperor, A.D. 161-180 (121 AD - 180 AD)
Cancel The Show
14-08-2008
Diana - I think the time’s come to re-evaluate our relationship, Max.
Max - So I see.
Diana - I don’t like the way this script of ours is turning out. It’s turning into a seedy little drama. Middle-aged man leaves wife and family for young heartless woman, goes to pot.
Max - The Blue Ángel with Marlene Dietrich and Emil Jannings.
Diana - I don’t like it.
Max - So you’re gonna cancel the show.
Diana - Right. (...) The simple fact is, Max, that you’re a family man. You like a home and kids. But I am incapable of any such commitment. All you’ll get from me is intermittent sex and recriminate and ugly little scenes like the one we had last night. I’m sorry for all those things I said to you last night. You’re not the worst fuck I’ve ever had. Believe me, I’ve had worse. You don"t... you don’t puff and snorkel and make deathlike rattles. As a matter of fact, you’re rather serene in the sack.
Max - Why is it that a woman always thinks the most savage thing she can say to a man is to impugn his cocksmanship?
Diana - Well, I’m sorry I impugned your cocksmanship.
Max - I gave up comparing genitals back in the school yard.
Diana - You’re being docile as hell about this.
Max - Aw, hell, Diana, I knew it was over with us weeks ago.
Diana - Will you go back to your wife?
Max - I’ll give it a try but I don’t think she’ll jump at it. But don’t worry about me. I’ll manage. I always have. I always will. I’m more concerned about you. You’re not the boozer type. So I figure a year, maybe two, before you crack up or jump out of your 14th-floor office window.
Diana - Stop selling, Max. I don’t need you. I don’t want your pain. I don’t want your menopausal decay and death. I don’t need you. Now get out of here.
Max - You need me. You need me badly, because I’m your last contact with human reality. I love you! And that painful, decaying love is the only thing between you and the shrieking nothingness you live the rest of the day.
Diana - Then don’t leave me.
Max - It’s too late, Diana. There’s nothing left in you that I can live with. You’re one of Howard’s humanoids. If I stay with you, I’ll be destroyed. Like Howard Beale was destroyed. Like Laureen Hobbs was destroyed. Like everything you and the institution of television touch is destroyed. You’re television incarnate, Diana. Indifferent to suffering, insensitive to joy. All of life is reduced to the common rubble of banality. War, murder, death - all the same to you as bottles of beer. And the daily business of life is a corrupt comedy. You even shatter the sensations of time and space into split seconds and instant replays. You’re madness, Diana. Virulent madness. And everything you touch dies with you. But not me. Not as long as I can feel pleasure... and pain... and love. And it’s a happy ending. Wayward husband comes to his senses, returns to his wife, with whom he’s established a long and sustaining love. Heartless young woman left alone in her arctic desolation. Music up with a swell. Final commercial. And here are a few scenes from next week’s show.
Network
Diana - I think the time’s come to re-evaluate our relationship, Max.
Max - So I see.
Diana - I don’t like the way this script of ours is turning out. It’s turning into a seedy little drama. Middle-aged man leaves wife and family for young heartless woman, goes to pot.
Max - The Blue Ángel with Marlene Dietrich and Emil Jannings.
Diana - I don’t like it.
Max - So you’re gonna cancel the show.
Diana - Right. (...) The simple fact is, Max, that you’re a family man. You like a home and kids. But I am incapable of any such commitment. All you’ll get from me is intermittent sex and recriminate and ugly little scenes like the one we had last night. I’m sorry for all those things I said to you last night. You’re not the worst fuck I’ve ever had. Believe me, I’ve had worse. You don"t... you don’t puff and snorkel and make deathlike rattles. As a matter of fact, you’re rather serene in the sack.
Max - Why is it that a woman always thinks the most savage thing she can say to a man is to impugn his cocksmanship?
Diana - Well, I’m sorry I impugned your cocksmanship.
Max - I gave up comparing genitals back in the school yard.
Diana - You’re being docile as hell about this.
Max - Aw, hell, Diana, I knew it was over with us weeks ago.
Diana - Will you go back to your wife?
Max - I’ll give it a try but I don’t think she’ll jump at it. But don’t worry about me. I’ll manage. I always have. I always will. I’m more concerned about you. You’re not the boozer type. So I figure a year, maybe two, before you crack up or jump out of your 14th-floor office window.
Diana - Stop selling, Max. I don’t need you. I don’t want your pain. I don’t want your menopausal decay and death. I don’t need you. Now get out of here.
Max - You need me. You need me badly, because I’m your last contact with human reality. I love you! And that painful, decaying love is the only thing between you and the shrieking nothingness you live the rest of the day.
Diana - Then don’t leave me.
Max - It’s too late, Diana. There’s nothing left in you that I can live with. You’re one of Howard’s humanoids. If I stay with you, I’ll be destroyed. Like Howard Beale was destroyed. Like Laureen Hobbs was destroyed. Like everything you and the institution of television touch is destroyed. You’re television incarnate, Diana. Indifferent to suffering, insensitive to joy. All of life is reduced to the common rubble of banality. War, murder, death - all the same to you as bottles of beer. And the daily business of life is a corrupt comedy. You even shatter the sensations of time and space into split seconds and instant replays. You’re madness, Diana. Virulent madness. And everything you touch dies with you. But not me. Not as long as I can feel pleasure... and pain... and love. And it’s a happy ending. Wayward husband comes to his senses, returns to his wife, with whom he’s established a long and sustaining love. Heartless young woman left alone in her arctic desolation. Music up with a swell. Final commercial. And here are a few scenes from next week’s show.
Network
Sanctuary
13-08-2008
And by the moonlight flow visions born from darkness
The answer shall now be found
And by the moonlight
All will be revealed, wisdom of the ages falls like rain
I am of the future, take my fire and release your flame
And so I leave this world, never to return
My candle has been burned, for deliverance I yearn
Time cannot erase the mark I leave on time and space
Sanctuary burns, raging grace
I will live on, pure energy and perfect knowledge
The eye of the storm, judgment now awaits for me
Am I born to darkness or to light?
I'm flying to the sun, wings are stained with blood
My journey has begun, am I blessed or am I damned
Years will melt away, my mortal shell left to decay
The Sanctuary learns your love and hate
I will live on, pure energy and perfect knowledge
The eye of the storm, judgment now awaits for me
Am I born to darkness or to light?
And so I leave this world, never to return
I am the new life form, I have seen and you will learn
Time cannot erase, my passage through this sacred place
The Sanctuary's hand, this is your fate
Sanctuary
And by the moonlight flow visions born from darkness
The answer shall now be found
And by the moonlight
All will be revealed, wisdom of the ages falls like rain
I am of the future, take my fire and release your flame
And so I leave this world, never to return
My candle has been burned, for deliverance I yearn
Time cannot erase the mark I leave on time and space
Sanctuary burns, raging grace
I will live on, pure energy and perfect knowledge
The eye of the storm, judgment now awaits for me
Am I born to darkness or to light?
I'm flying to the sun, wings are stained with blood
My journey has begun, am I blessed or am I damned
Years will melt away, my mortal shell left to decay
The Sanctuary learns your love and hate
I will live on, pure energy and perfect knowledge
The eye of the storm, judgment now awaits for me
Am I born to darkness or to light?
And so I leave this world, never to return
I am the new life form, I have seen and you will learn
Time cannot erase, my passage through this sacred place
The Sanctuary's hand, this is your fate
Sanctuary
That's Kramer
11-08-2008
ELAINE: What are you doing? What is all this?
JERRY: Oh he's uh, helping me sort my receipts. I'm being audited.
ELAINE: Oh, your being auditted? What for?
JERRY: Oh, I contributed money to a charity that turned out to be fraudulent. It's very boring.
ELAINE: When was this?
JERRY: Uh, Along long time ago, in a galaxy far far away.
ELAINE: I remember you donated to some volcano thing on our first date.
JERRY: Volcano? Really?
ELAINE: Oh, wait a minute. Don't tell me that that was ...
JERRY: Something to drink?
ELAINE: What did you think, that would impress me?
JERRY: You got it ALL wrong. I was thinking only of the poor Krakatoans
ELAINE: Like you this donation for 50 bucks and I'd start tearing my clothes off?
JERRY: Those brave Krakatoans East of Java. who sacrifice so much for so long.
ELAINE: Now you're being audited because of it. You see That's Karma.
JERRY: No, that's Kramer.
Seinfeld
ELAINE: What are you doing? What is all this?
JERRY: Oh he's uh, helping me sort my receipts. I'm being audited.
ELAINE: Oh, your being auditted? What for?
JERRY: Oh, I contributed money to a charity that turned out to be fraudulent. It's very boring.
ELAINE: When was this?
JERRY: Uh, Along long time ago, in a galaxy far far away.
ELAINE: I remember you donated to some volcano thing on our first date.
JERRY: Volcano? Really?
ELAINE: Oh, wait a minute. Don't tell me that that was ...
JERRY: Something to drink?
ELAINE: What did you think, that would impress me?
JERRY: You got it ALL wrong. I was thinking only of the poor Krakatoans
ELAINE: Like you this donation for 50 bucks and I'd start tearing my clothes off?
JERRY: Those brave Krakatoans East of Java. who sacrifice so much for so long.
ELAINE: Now you're being audited because of it. You see That's Karma.
JERRY: No, that's Kramer.
Seinfeld
Go To The Mirror
10-08-2008
He seems to be completely unreceptive
The tests I gave him showed no sense at all
His eyes react to light, the dials detect it
He hears but cannot answer to your call
See me, feel me, touch me, heal me
See me, feel me, touch me, heal me
There is no chance, no untried operation
All hope lies with him and none with me
Imagine through the shock of isolation
When he can suddenly hear and speak and see
See me, feel me, touch me, heal me
See me, feel me, touch me, heal me
His eyes can hear, his ears can see, his lips speak
All the time the needles flick and rock
No machine can give the kind of stimulation
Needed to remove his inner block
Go to the mirror boy
Go to the mirror boy
I often wonder what he is feeling
Has he ever heard a word I've said
Look at him in the mirror dreaming
What is happening in his head
Listening to you, I get the music
Gazing at you, I get the heat
Following you, I climb the mountain
I get excitement at your feet
Right behind you, I see the millions
On you, I see the glory
From you, I get opinions
From you, I get the story
What is happening in his head
Ooooh, I wish I knew
I wish I knew
The Who
He seems to be completely unreceptive
The tests I gave him showed no sense at all
His eyes react to light, the dials detect it
He hears but cannot answer to your call
See me, feel me, touch me, heal me
See me, feel me, touch me, heal me
There is no chance, no untried operation
All hope lies with him and none with me
Imagine through the shock of isolation
When he can suddenly hear and speak and see
See me, feel me, touch me, heal me
See me, feel me, touch me, heal me
His eyes can hear, his ears can see, his lips speak
All the time the needles flick and rock
No machine can give the kind of stimulation
Needed to remove his inner block
Go to the mirror boy
Go to the mirror boy
I often wonder what he is feeling
Has he ever heard a word I've said
Look at him in the mirror dreaming
What is happening in his head
Listening to you, I get the music
Gazing at you, I get the heat
Following you, I climb the mountain
I get excitement at your feet
Right behind you, I see the millions
On you, I see the glory
From you, I get opinions
From you, I get the story
What is happening in his head
Ooooh, I wish I knew
I wish I knew
The Who
Happiness
09-08-2008
"The happiness of your life depends upon the quality of your thoughts, therefore guard accordingly; and take care that you entertain no notions unsuitable to virtue, and reasonable nature."
Marcus Aurelius Antoninus - Roman Emperor, A.D. 161-180 (121 AD - 180 AD)
"The happiness of your life depends upon the quality of your thoughts, therefore guard accordingly; and take care that you entertain no notions unsuitable to virtue, and reasonable nature."
Marcus Aurelius Antoninus - Roman Emperor, A.D. 161-180 (121 AD - 180 AD)
You Understand That Don't You?
08-08-2008
Diana - You could help me out with Howard if you wanted to. He listens to you.
Max - I’m tired of all this hysteria about Howard Beale.
Diana - Every time you see your family you come back in a morbid middle-aged mood.
Max - I’m tired of finding you on the phone every time I turn around. I’m tired of being an accessory in your life. I’m tired of pretending to write this book about my maverick days in the great early years of televisión. Every goddamned executive fired from a network in the last years has written this dumb book about the great early years of televisión. And nobody wants a dumb, damn book about the early days of televisión.
Diana - Terrific, Max. Maybe you can start a whole new career as an actor.
Max - It’s the truth.
Diana - After living with you for six months I’m turning into one of your scripts.
Max - Well, this is not a script, Diana. There’s some real, actual life going on here. I went to visit my wife today because she’s in a state of depressión. So depressed that my daughter flew from Seattle to be with her.And I feel lousy about that. I feel lousy about the pain that I’ve caused my wife and my kids. I feel guilty and conscious-stricken and all of those things that you think sentimental but which my generation calls simple human decency. And I miss my home, because I’m beginning to get scared shitless. All of a sudden it’s closer to the end than to the beginning, and death is suddenly a perceptible thing to me, with definable features. You’re dealing with a man that has primal doubts, Diana, and you’ve got to cope with it. I’m not some guy discussing male menopause on the Barbara Walters show. I’m the man that you presumably love. I’m part of your life. I live here. I’m real. You can’t switch to another station.
Diana - Well... what exactly is it you want me to do?
Max - I just want you to love me. I just want you to love me, primal doubts and all. You understand that, don’t you?
Diana - I don’t know how to do that.
Network
Diana - You could help me out with Howard if you wanted to. He listens to you.
Max - I’m tired of all this hysteria about Howard Beale.
Diana - Every time you see your family you come back in a morbid middle-aged mood.
Max - I’m tired of finding you on the phone every time I turn around. I’m tired of being an accessory in your life. I’m tired of pretending to write this book about my maverick days in the great early years of televisión. Every goddamned executive fired from a network in the last years has written this dumb book about the great early years of televisión. And nobody wants a dumb, damn book about the early days of televisión.
Diana - Terrific, Max. Maybe you can start a whole new career as an actor.
Max - It’s the truth.
Diana - After living with you for six months I’m turning into one of your scripts.
Max - Well, this is not a script, Diana. There’s some real, actual life going on here. I went to visit my wife today because she’s in a state of depressión. So depressed that my daughter flew from Seattle to be with her.And I feel lousy about that. I feel lousy about the pain that I’ve caused my wife and my kids. I feel guilty and conscious-stricken and all of those things that you think sentimental but which my generation calls simple human decency. And I miss my home, because I’m beginning to get scared shitless. All of a sudden it’s closer to the end than to the beginning, and death is suddenly a perceptible thing to me, with definable features. You’re dealing with a man that has primal doubts, Diana, and you’ve got to cope with it. I’m not some guy discussing male menopause on the Barbara Walters show. I’m the man that you presumably love. I’m part of your life. I live here. I’m real. You can’t switch to another station.
Diana - Well... what exactly is it you want me to do?
Max - I just want you to love me. I just want you to love me, primal doubts and all. You understand that, don’t you?
Diana - I don’t know how to do that.
Network
Veneno
7-08-2008
Veneno que me rouba a vida
veneno, uoohhoo!
Bem me disseste para ter cuidado
eu não liguei, eu não quis saber
agora vez, estou agarrado
ando perdido, não sei o que fazer
sei que ainda estou a tempo
de me salvar
nem forças tenho mais
para gritar
Hei de encontrar rapidamente
uma solução se não acabo por cair
duro no chão
Veneno que me rouba a vida
veneno, uoohhoo!
é o veneno que me está a matar
mesmo que queria não consigo escapar
cruel e fria perseguição
que só acaba com destruição
até já roubo pra matar o vicio
já vi que estou a chegar ao fim
mas que tristeza que desperdício
meu amigo, veres-me acabar assim
agora é muito tarde
tarde demais
não consigo deixar
quero mais e mais
meu barco está se a afundar
mesmo até ao fundo
tu sabes onde vou parar
daqui pra outro mundo
Veneno que me rouba a vida
veneno, uoohhoo!
é o veneno que me está a matar
mesmo que queria não consigo escapar
cruel e fria perseguição
que só acaba com destruição
Veneno
(que me rouba a vida)
K2O3
Veneno que me rouba a vida
veneno, uoohhoo!
Bem me disseste para ter cuidado
eu não liguei, eu não quis saber
agora vez, estou agarrado
ando perdido, não sei o que fazer
sei que ainda estou a tempo
de me salvar
nem forças tenho mais
para gritar
Hei de encontrar rapidamente
uma solução se não acabo por cair
duro no chão
Veneno que me rouba a vida
veneno, uoohhoo!
é o veneno que me está a matar
mesmo que queria não consigo escapar
cruel e fria perseguição
que só acaba com destruição
até já roubo pra matar o vicio
já vi que estou a chegar ao fim
mas que tristeza que desperdício
meu amigo, veres-me acabar assim
agora é muito tarde
tarde demais
não consigo deixar
quero mais e mais
meu barco está se a afundar
mesmo até ao fundo
tu sabes onde vou parar
daqui pra outro mundo
Veneno que me rouba a vida
veneno, uoohhoo!
é o veneno que me está a matar
mesmo que queria não consigo escapar
cruel e fria perseguição
que só acaba com destruição
Veneno
(que me rouba a vida)
K2O3
Easy
5-08-2008
Jerry - These are the receipts from' 85 and I'm gonna do '86.
Kramer - I'm sorry. I thought it was a legitimate charity. I didn't knoe you'd get audited.
Jerry - I don't blame you. I blame myself.
Kramer - No, blame me.
Jerry - Ok, I blame you.
Kramer - No, no. Don't blame me.
Jerry - What was I supposed to do? You knew I was on my first date with Elaine. You came barging in here, asking me to contribute money to a volcano relief fund for Krakatoa.
Kramer - It was supposed to erupt!
Jerry - I find the whole thing very embarrassing.
Kramer - Well, you know what my feelings are about this. I don't even pay taxes.
Jerry - Yeah. That's easy when you have no income.
Seinfeld
Jerry - These are the receipts from' 85 and I'm gonna do '86.
Kramer - I'm sorry. I thought it was a legitimate charity. I didn't knoe you'd get audited.
Jerry - I don't blame you. I blame myself.
Kramer - No, blame me.
Jerry - Ok, I blame you.
Kramer - No, no. Don't blame me.
Jerry - What was I supposed to do? You knew I was on my first date with Elaine. You came barging in here, asking me to contribute money to a volcano relief fund for Krakatoa.
Kramer - It was supposed to erupt!
Jerry - I find the whole thing very embarrassing.
Kramer - Well, you know what my feelings are about this. I don't even pay taxes.
Jerry - Yeah. That's easy when you have no income.
Seinfeld
The Last Goodbye
04-08-2008
Take me down this road
I've been done here once before
Take me down this road
Once again, never again, forevermore
Take me down this road once more
Take this love
Take this life
Take this blood
It'll never die
Take this love
Take this life
Take this blood
It'll never die
This ain't the last goodbye
Take me down this road
Just to see a smile on your face
Take me down this road
All that is and all that was cant be replaced
Take me down this road once more
Take this love
Take this life
Take this blood
It'll never die
Take this love
Take this life
Take this blood
It'll never die
This ain't the last goodbye
Take this love
Take this life
Take this blood
It'll never die
Take this love
Take this life
Take this blood
It'll never die
This ain't the last goodbye
Black Label Society
Take me down this road
I've been done here once before
Take me down this road
Once again, never again, forevermore
Take me down this road once more
Take this love
Take this life
Take this blood
It'll never die
Take this love
Take this life
Take this blood
It'll never die
This ain't the last goodbye
Take me down this road
Just to see a smile on your face
Take me down this road
All that is and all that was cant be replaced
Take me down this road once more
Take this love
Take this life
Take this blood
It'll never die
Take this love
Take this life
Take this blood
It'll never die
This ain't the last goodbye
Take this love
Take this life
Take this blood
It'll never die
Take this love
Take this life
Take this blood
It'll never die
This ain't the last goodbye
Black Label Society
Dignity
03-08-2008
"Remember this-that there is a proper dignity and proportion to be observed in the performance of every act of life."
Marcus Aurelius Antoninus - Roman Emperor, A.D. 161-180 (121 AD - 180 AD)
"Remember this-that there is a proper dignity and proportion to be observed in the performance of every act of life."
Marcus Aurelius Antoninus - Roman Emperor, A.D. 161-180 (121 AD - 180 AD)
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