23-12-2007
Sometimes, I feel the fear of uncertainty stinging clear
And I can't help but ask myself how much I let the fear
Take the wheel and steer
It's driven me before
And it seems to have a vague, haunting mass appeal
But lately I'm beginning to find that I
Should be the one behind the wheel
Whatever tomorrow brings, I'll be there
With open arms and open eyes yeah
Whatever tomorrow brings, I'll be there
I'll be there
So if I decide to waiver my chance to be one of the hive
Will I choose water over wine and hold my own and drive?
It's driven me before
And it seems to be the way that everyone else gets around
But lately I'm beginning to find that
When I drive myself my light is found
Whatever tomorrow brings, I'll be there
With open arms and open eyes yeah
Whatever tomorrow brings, I'll be there
I'll be there
Would you choose the water over wine
Hold the wheel and drive
Incubus
Saturday, February 7, 2009
Alton Attacks
22-12-2007
(Jerry and George enter. George's singing "Master of the House")
GEORGE: "Master of the House. Quick to catch your eye, never wants a passerby to pass him by."
JERRY: (Points to his head) Schumann. (George gets visibly scared) Where are they?
GEORGE: Maybe he didn't show up.
JERRY: What, you don't want to do this?
GEORGE: I don't think there's ever been an appointment in my life where I wanted the other guy to show up.
GEORGE: (Sees an elderly man sitting on a leather chair) Wait a second, is that him?
JERRY: Yeah, I think it is. (They walk tward him) Where's Elaine?
GEORGE: I'm nervous.
JERRY: Excuse me.. Mister Benes?
ALTON: Yeah?
JERRY: I'm Jerry. Elaine's friend.. and this is George.
GEORGE: (Holds out his hand for a handshake) It's a great thrill to meet you, Sir.
(Alton starts hacking, George withdraws his hand)
ALTON: Sit down. Want a drink?
JERRY: Sure.
ALTON: (Summons waiter) What do you have?
JERRY: (To waiter) I'll have a cranberry juice with two limes.
GEORGE: And, I'll have a club soda with no ice.
BENES: (Gives both Jerry and George a look) I'll have another Scotch with plenty of ice.
GEORGE: You like ice?
ALTON: Huh?
GEORGE: I said, do you like ice?
ALTON: Like it?
GEORGE: Don't you think you get more without it?
ALTON: (Pauses) Where's Elaine?
JERRY: Well, we thought she was meeting you earlier. She's usually pretty punctual. (Alton remains quiet) ..Don't you find that, George?
GEORGE: Yeah, yeah. She's punctual.. and she's been late sometimes.
JERRY: Yeah, yeah. Sometimes she's on time, and sometimes she's late.
GEORGE: I guess today she's late.
JERRY: It appears that way.
GEORGE: Yep.
JERRY: Yep.
(Both Jerry and George look at the door, anticipating Elaine's arrival)
ALTON: Looks like rain.
GEORGE: (Perks up) I know, I know, that's what they said.
ALTON: Who said?
GEORGE: The weather guy, Dr. Waldo.
ALTON: I don't need anybody to tell me it's gonna rain.
GEORGE: No, of course not. I didn't..
ALTON: All I have to do is stick my head out the window. (Waiter shows up with the drinks) Which one's suppose to be the funny guy?
GEORGE: (Pointing at Jerry) Oh, he's the comedian.
JERRY: I'm just a regular person.
GEORGE: No, no. He's just being modest.
ALTON: We had a funny guy with us in Korea. A tailgunner. They blew his brains out all over the Pacific. (Long pause) There's nothing funny about that.
(Jerry and George turn to the door again)
JERRY: Would you excuse me a minute? I'm gonna go to the bathroom. I'll be right back.
Jerry leaves. George is left alone with Alton)
GEORGE: I just wanted to tell you that I really enjoyed Fair Game. I thought it was just brilliant.
ALTON: Drivel.
GEORGE: Maybe some parts.
ALTON: What parts?
GEORGE: The drivel parts.. Oh my gosh, I just realized - I have to make a phone call. I can believe.. would you.. (Gets up, and leaves)
(Scene cuts to the hotel bathroom)
GEORGE: Thank you for leaving me alone with him!
JERRY: That was brutal. I can't go back out there.
GEORGE: Well, let's just leave.
JERRY: Elaine'll kill me.
GEORGE: Where is she?
JERRY: She's gotta be here soon.
GEORGE: How could she leave us alone with this lunatic? Ten more minutes, and that's it! I'm leaving. I have to tell you, this guy scares me.
JERRY: The waiter was trembling.
GEORGE: If she doesn't show up, we can't possibly have dinner with him alone.
JERRY: How are we gonna get out of it?
GEORGE: We'll say we're frightened and we have to go home.
JERRY: Yeah, that's good. He'd clunk our heads together like Moe.
GEORGE: I don't know. Just start scratching. Tell him you have the crabs. He was in the military. He'll understand that.
Seinfeld
(Jerry and George enter. George's singing "Master of the House")
GEORGE: "Master of the House. Quick to catch your eye, never wants a passerby to pass him by."
JERRY: (Points to his head) Schumann. (George gets visibly scared) Where are they?
GEORGE: Maybe he didn't show up.
JERRY: What, you don't want to do this?
GEORGE: I don't think there's ever been an appointment in my life where I wanted the other guy to show up.
GEORGE: (Sees an elderly man sitting on a leather chair) Wait a second, is that him?
JERRY: Yeah, I think it is. (They walk tward him) Where's Elaine?
GEORGE: I'm nervous.
JERRY: Excuse me.. Mister Benes?
ALTON: Yeah?
JERRY: I'm Jerry. Elaine's friend.. and this is George.
GEORGE: (Holds out his hand for a handshake) It's a great thrill to meet you, Sir.
(Alton starts hacking, George withdraws his hand)
ALTON: Sit down. Want a drink?
JERRY: Sure.
ALTON: (Summons waiter) What do you have?
JERRY: (To waiter) I'll have a cranberry juice with two limes.
GEORGE: And, I'll have a club soda with no ice.
BENES: (Gives both Jerry and George a look) I'll have another Scotch with plenty of ice.
GEORGE: You like ice?
ALTON: Huh?
GEORGE: I said, do you like ice?
ALTON: Like it?
GEORGE: Don't you think you get more without it?
ALTON: (Pauses) Where's Elaine?
JERRY: Well, we thought she was meeting you earlier. She's usually pretty punctual. (Alton remains quiet) ..Don't you find that, George?
GEORGE: Yeah, yeah. She's punctual.. and she's been late sometimes.
JERRY: Yeah, yeah. Sometimes she's on time, and sometimes she's late.
GEORGE: I guess today she's late.
JERRY: It appears that way.
GEORGE: Yep.
JERRY: Yep.
(Both Jerry and George look at the door, anticipating Elaine's arrival)
ALTON: Looks like rain.
GEORGE: (Perks up) I know, I know, that's what they said.
ALTON: Who said?
GEORGE: The weather guy, Dr. Waldo.
ALTON: I don't need anybody to tell me it's gonna rain.
GEORGE: No, of course not. I didn't..
ALTON: All I have to do is stick my head out the window. (Waiter shows up with the drinks) Which one's suppose to be the funny guy?
GEORGE: (Pointing at Jerry) Oh, he's the comedian.
JERRY: I'm just a regular person.
GEORGE: No, no. He's just being modest.
ALTON: We had a funny guy with us in Korea. A tailgunner. They blew his brains out all over the Pacific. (Long pause) There's nothing funny about that.
(Jerry and George turn to the door again)
JERRY: Would you excuse me a minute? I'm gonna go to the bathroom. I'll be right back.
Jerry leaves. George is left alone with Alton)
GEORGE: I just wanted to tell you that I really enjoyed Fair Game. I thought it was just brilliant.
ALTON: Drivel.
GEORGE: Maybe some parts.
ALTON: What parts?
GEORGE: The drivel parts.. Oh my gosh, I just realized - I have to make a phone call. I can believe.. would you.. (Gets up, and leaves)
(Scene cuts to the hotel bathroom)
GEORGE: Thank you for leaving me alone with him!
JERRY: That was brutal. I can't go back out there.
GEORGE: Well, let's just leave.
JERRY: Elaine'll kill me.
GEORGE: Where is she?
JERRY: She's gotta be here soon.
GEORGE: How could she leave us alone with this lunatic? Ten more minutes, and that's it! I'm leaving. I have to tell you, this guy scares me.
JERRY: The waiter was trembling.
GEORGE: If she doesn't show up, we can't possibly have dinner with him alone.
JERRY: How are we gonna get out of it?
GEORGE: We'll say we're frightened and we have to go home.
JERRY: Yeah, that's good. He'd clunk our heads together like Moe.
GEORGE: I don't know. Just start scratching. Tell him you have the crabs. He was in the military. He'll understand that.
Seinfeld
Helping Hand
20-12-2007
Here we stand again chatting with our heads
About all the things we think
We should already have
Cause we try it real hard we've given all our best
But still we're so confined related to our past
It's all the same
It never change
Pressurised within competition
Wrestling for a chance
Feeding hope against the addiction
Rights of an equal admission sense
Helping hands inherit lives
Helping friends for us denies
If we could only try
Honesty integrity
Values that no value have
All we get is the sympathy
Of a cousin of a sister's friend
Helping hands inherit lives
Helping friends for us denies
If we could only try
Helping hands
Helping hands
They twist and break our hopes
Through their friendly works
They drag us down and steal
What is so real
So caught between our expectations
And our parent lives
It ain't so easy to carry on
Building dreams so high
Helping hands inherit lives
Helping friends for us denies
Ramp
Here we stand again chatting with our heads
About all the things we think
We should already have
Cause we try it real hard we've given all our best
But still we're so confined related to our past
It's all the same
It never change
Pressurised within competition
Wrestling for a chance
Feeding hope against the addiction
Rights of an equal admission sense
Helping hands inherit lives
Helping friends for us denies
If we could only try
Honesty integrity
Values that no value have
All we get is the sympathy
Of a cousin of a sister's friend
Helping hands inherit lives
Helping friends for us denies
If we could only try
Helping hands
Helping hands
They twist and break our hopes
Through their friendly works
They drag us down and steal
What is so real
So caught between our expectations
And our parent lives
It ain't so easy to carry on
Building dreams so high
Helping hands inherit lives
Helping friends for us denies
Ramp
2000 Years
19-11-2007
(Enter Kramer)
KRAMER: Hey. Hey, would you do me a solid?
JERRY: Well, what kind of solid?
KRAMER: I need you to sit in the car for two minutes while it's double-parked. I gotta pick up some birds.
JERRY: Birds?
KRAMER: Yeah. A friend of mine, he's a magician. He's going away on vacation. He asked me to take care of his doves.
JERRY: So take a cab.
KRAMER: They won't take a cage full of birds.
JERRY: I can't. I'm on my way out. There's no way I can do it.
KRAMER: George, do me a solid? Two minutes.
GEORGE: Well, I'm going with him. I'd like to, I've never done a solid before.
KRAMER: Alright.. yeah.. alright, have a good one.
(Kramer leaves)
JERRY: (Scoffs) Two minutes. Believe me, I know his two minutes.. By his conception of time, his life will last over two thousand years.
Seinfeld
(Enter Kramer)
KRAMER: Hey. Hey, would you do me a solid?
JERRY: Well, what kind of solid?
KRAMER: I need you to sit in the car for two minutes while it's double-parked. I gotta pick up some birds.
JERRY: Birds?
KRAMER: Yeah. A friend of mine, he's a magician. He's going away on vacation. He asked me to take care of his doves.
JERRY: So take a cab.
KRAMER: They won't take a cage full of birds.
JERRY: I can't. I'm on my way out. There's no way I can do it.
KRAMER: George, do me a solid? Two minutes.
GEORGE: Well, I'm going with him. I'd like to, I've never done a solid before.
KRAMER: Alright.. yeah.. alright, have a good one.
(Kramer leaves)
JERRY: (Scoffs) Two minutes. Believe me, I know his two minutes.. By his conception of time, his life will last over two thousand years.
Seinfeld
Beginnings
18-12-2007
"But all endings are also beginnings. We just don't know it at the time."
Mitch Albom, The Five People You Meet In Heaven
"But all endings are also beginnings. We just don't know it at the time."
Mitch Albom, The Five People You Meet In Heaven
Visions Of The Same
17-12-2007
We're only two versions of the same
Trying to get far but we can't fall apart
And I know all of your silent cries
Your desperate call of the wild in the dark
No you never had to feel this way
There's an answer that grows in your heart
All you see, all you feel lives inside of me
You've been heading too close to the sun
Going nowhere, nothing is forever
Tell me... Am I wrong? I'm falling down with you
'Cause I know we are one
Don't you know we are two versions of the same
You can't find your way if you are not with me
And I know we are one
Yes I know we are two versions of the same
There's so much left to say but you do need some faith
All the secrets I keep inside
Something that's not to be known from this side
What I see, what I feel
What I need to know and what I never really say
Now our souls are too close to combine
Come here, follow me
Through the Gates of Heaven
Tell me... Am I wrong? I really can't go on
'Cause I know we are one
Don't you know we are two versions of the same
You can't find your way if you are not with me
And I know we are one
Yes I know we are two versions of the same
There's so much left to say but you do need some faith
'Cause I know we are one
Don't you know we are two versions of the same
You can't find your way if you are not with me
And I know we are one
Yes I know we are two versions of the same
There's so much left to say but you do need some faith
...All you need is faith...
Vision Divine
We're only two versions of the same
Trying to get far but we can't fall apart
And I know all of your silent cries
Your desperate call of the wild in the dark
No you never had to feel this way
There's an answer that grows in your heart
All you see, all you feel lives inside of me
You've been heading too close to the sun
Going nowhere, nothing is forever
Tell me... Am I wrong? I'm falling down with you
'Cause I know we are one
Don't you know we are two versions of the same
You can't find your way if you are not with me
And I know we are one
Yes I know we are two versions of the same
There's so much left to say but you do need some faith
All the secrets I keep inside
Something that's not to be known from this side
What I see, what I feel
What I need to know and what I never really say
Now our souls are too close to combine
Come here, follow me
Through the Gates of Heaven
Tell me... Am I wrong? I really can't go on
'Cause I know we are one
Don't you know we are two versions of the same
You can't find your way if you are not with me
And I know we are one
Yes I know we are two versions of the same
There's so much left to say but you do need some faith
'Cause I know we are one
Don't you know we are two versions of the same
You can't find your way if you are not with me
And I know we are one
Yes I know we are two versions of the same
There's so much left to say but you do need some faith
...All you need is faith...
Vision Divine
The Jacket
15-12-2007
"(George enters singing "Master Of the House" - a Les Miserables show tune)
GEORGE: "Master of the house.. doling out the charm, ready with a handshake and an open palm. Tells a saucy talke, loves to make a stir everyone appreciates a.."
JERRY: What is that song?
GEORGE: Oh, it's from Les Miserables. I went to see it last wee. I can't get it out of my head. I just keep singing it over and over. It just comes out. I have no control over it. I'm singing it on elevators, buses. I sing it infront of clients. It's taking over my life.
JERRY: You know, Schumann went mad from that.
GEORGE: Artie Schumann? From Camp Hatchapee?
JERRY: No, you idiot.
GEORGE: What are you, Bud Abbott? What, are you calling my an idiot?
JERRY: You don't know Rober Schumann? The composer?
GEORGE: Oh, Schumann. Of course.
JERRY: (Trying to scare George) He went crazy from one note. He couldn't get it out of his head. I think it was an A. He kept repeating it over and over again. He had to be institutionalized.
GEORGE: Really? ..Well, what if it doesn't stop? (Jerry gestures "That's the breaks." George gasps) Oh, that I really needed to hear. That helps a lot! Alright, just say something. Just start talking. Change the subject.. Let's just go, alright? I can't believe we're having dinner with Alton Benes.
JERRY: I know exactly what's goin to happen tonight. I'm gonna try and act like I'm not impressed, he's gonna see right through it.
GEORGE: Yeah, he'll be looking at us like he's backstage at a puppet show.
JERRY: Let me just get my jacket. (Moves to the bedroom)
GEORGE: "Master of the house, keeper of the inn.." (Jerry proudly models his new jacket infront of George. George looks in admiration at the jacket) This is huge! When did this happen?
JERRY: Wednesday. This jacket has completely changed my life. When I leave the house in this, it's with a whole different confidence. Like tonight, I might've been a little nervous. But, inside this jacket, I am composed, grounded, secure that I can meet an social challenge.
GEORGE: (Nods) Can I say one thing to you? And I say this with an unblemished record of staunch heterosexuality.
JERRY: Absolutely.
GEORGE: ..It's fabulous.
JERRY: I know.
GEORGE: And I'll tell you something else, I'm not even going to ask you. I want to know. But I'm not going to ask. You'll tell me when you feel comfortable.. So what was it? Four hundred? Five hundred? Did you pay five hundred for this? (Jerry's acting coy throughout the whole thing) Over six? Can't be seven. Don't tell my you paid seven hundred dollars for this jacket! Did you pay seven hundred dollars for this jacket? Is that what you're saying to me?! You are sick! Is that what you paid for this jacket?! Over seven hundred? What did you pay for this jacket? I won't say anything. I wanna know what you paid for this jacket! Oh my God! A thousand dollars?! You paid a thousand dollars for this jacket?! Alright, fine. I'm walking out of here right now thinking you paid a thousand dollars for this jacket, unless you tell me different. (Jerry still coy, stays silent) Oh, ho! Alright! I'll tell you what, if you don't say anything in the next five seconds, I'll know it was over a thousand."
Seinfeld
"(George enters singing "Master Of the House" - a Les Miserables show tune)
GEORGE: "Master of the house.. doling out the charm, ready with a handshake and an open palm. Tells a saucy talke, loves to make a stir everyone appreciates a.."
JERRY: What is that song?
GEORGE: Oh, it's from Les Miserables. I went to see it last wee. I can't get it out of my head. I just keep singing it over and over. It just comes out. I have no control over it. I'm singing it on elevators, buses. I sing it infront of clients. It's taking over my life.
JERRY: You know, Schumann went mad from that.
GEORGE: Artie Schumann? From Camp Hatchapee?
JERRY: No, you idiot.
GEORGE: What are you, Bud Abbott? What, are you calling my an idiot?
JERRY: You don't know Rober Schumann? The composer?
GEORGE: Oh, Schumann. Of course.
JERRY: (Trying to scare George) He went crazy from one note. He couldn't get it out of his head. I think it was an A. He kept repeating it over and over again. He had to be institutionalized.
GEORGE: Really? ..Well, what if it doesn't stop? (Jerry gestures "That's the breaks." George gasps) Oh, that I really needed to hear. That helps a lot! Alright, just say something. Just start talking. Change the subject.. Let's just go, alright? I can't believe we're having dinner with Alton Benes.
JERRY: I know exactly what's goin to happen tonight. I'm gonna try and act like I'm not impressed, he's gonna see right through it.
GEORGE: Yeah, he'll be looking at us like he's backstage at a puppet show.
JERRY: Let me just get my jacket. (Moves to the bedroom)
GEORGE: "Master of the house, keeper of the inn.." (Jerry proudly models his new jacket infront of George. George looks in admiration at the jacket) This is huge! When did this happen?
JERRY: Wednesday. This jacket has completely changed my life. When I leave the house in this, it's with a whole different confidence. Like tonight, I might've been a little nervous. But, inside this jacket, I am composed, grounded, secure that I can meet an social challenge.
GEORGE: (Nods) Can I say one thing to you? And I say this with an unblemished record of staunch heterosexuality.
JERRY: Absolutely.
GEORGE: ..It's fabulous.
JERRY: I know.
GEORGE: And I'll tell you something else, I'm not even going to ask you. I want to know. But I'm not going to ask. You'll tell me when you feel comfortable.. So what was it? Four hundred? Five hundred? Did you pay five hundred for this? (Jerry's acting coy throughout the whole thing) Over six? Can't be seven. Don't tell my you paid seven hundred dollars for this jacket! Did you pay seven hundred dollars for this jacket? Is that what you're saying to me?! You are sick! Is that what you paid for this jacket?! Over seven hundred? What did you pay for this jacket? I won't say anything. I wanna know what you paid for this jacket! Oh my God! A thousand dollars?! You paid a thousand dollars for this jacket?! Alright, fine. I'm walking out of here right now thinking you paid a thousand dollars for this jacket, unless you tell me different. (Jerry still coy, stays silent) Oh, ho! Alright! I'll tell you what, if you don't say anything in the next five seconds, I'll know it was over a thousand."
Seinfeld
The Clown Is Dead
14-12-2007
The Death Of A Clown
Reminds You All Lifetime,
A Lake Full Of Tears
Overflowed The World.
The Reaper Brought Pain,
So Sad Are The Children,
Their Time Of Mourning
Will Be Forever.
Where Did He Go,
No Laughter In Heaven,
Where Did He Go,
Where Did He Stay?
The Clown Is Dead,
The Laughter Is Gone,
The Clown Is Dead,
A Life's On The Run.
Behind His Mask,
He Was Only Human,
A Person Who Feels
Like You And Me.
Can't You See The Light,
The Star That Shined So Bright,
Was It A Lucky Sign,
From Someone Who Says "I'm Allright"...
The Clown Is Dead
...Will The Laughter Return...
We'll Never Know...
[Spoken Words:]
Innocence, Laughter, Madness,
Tears, Death, Heaven, Pain...
Axel Rudi Pell
The Death Of A Clown
Reminds You All Lifetime,
A Lake Full Of Tears
Overflowed The World.
The Reaper Brought Pain,
So Sad Are The Children,
Their Time Of Mourning
Will Be Forever.
Where Did He Go,
No Laughter In Heaven,
Where Did He Go,
Where Did He Stay?
The Clown Is Dead,
The Laughter Is Gone,
The Clown Is Dead,
A Life's On The Run.
Behind His Mask,
He Was Only Human,
A Person Who Feels
Like You And Me.
Can't You See The Light,
The Star That Shined So Bright,
Was It A Lucky Sign,
From Someone Who Says "I'm Allright"...
The Clown Is Dead
...Will The Laughter Return...
We'll Never Know...
[Spoken Words:]
Innocence, Laughter, Madness,
Tears, Death, Heaven, Pain...
Axel Rudi Pell
Passing
13-12-2007
"Sometimes when you sacrifice something precious, you're not really losing it. You're just passing it on to someone else."
Mitch Albom, The Five People You Meet in Heaven
"Sometimes when you sacrifice something precious, you're not really losing it. You're just passing it on to someone else."
Mitch Albom, The Five People You Meet in Heaven
Clothes
12-12-2007
JERRY: I hate clothes, okay? I hate buying them. I hate picking them out of my closet. I can't stand every day trying to come up with little outfits for myself. I think eventually fashion won't even exist. It won't. I think eventually we'll all be wearing the same thing. 'Cause anytime I see a movie or a TV show where there's people from the future of another planet, they're all wearing the same thing. Somehow they decided "This is going to be our outfit. One-piece silver jumpsuit, V-stripe, and boots. That's it." We should come up for an outfit for earth. An earth outfit. We should vote on it. Candidates propose different outfits, no speeches. They walk out, twirl, walk off. We just sit in the audience and go, "That was nice. I could wear that."
Seinfeld
JERRY: I hate clothes, okay? I hate buying them. I hate picking them out of my closet. I can't stand every day trying to come up with little outfits for myself. I think eventually fashion won't even exist. It won't. I think eventually we'll all be wearing the same thing. 'Cause anytime I see a movie or a TV show where there's people from the future of another planet, they're all wearing the same thing. Somehow they decided "This is going to be our outfit. One-piece silver jumpsuit, V-stripe, and boots. That's it." We should come up for an outfit for earth. An earth outfit. We should vote on it. Candidates propose different outfits, no speeches. They walk out, twirl, walk off. We just sit in the audience and go, "That was nice. I could wear that."
Seinfeld
Esquadrão da Morte
11-12-2007
Por não querer aquilo que me é dado
Por não querer nem governo nem estado
Por não ter nada e por nada querer
Esquadrão da morte faz-me correr
Eles aí estão. Já lhes sinto o bafo
Dobro uma esquina a ver se me safo
Por aí não. Que não tem saída
Muito obrigado. Que arriscas a vida
A noite é dia, o dia é noite
Não tenho sítio onde me acoite
Esquadrão da morte avança no escuro
E sinto em frente a sombra de um murro
E sigo o cheiro na escuridão
Que me conduz onde está a razão
Sangue na boca da queda de á pouco
Tento falar só sai um grito rouco
Num beco sujo. Num vão de escada
Dois tiros secos e não resta nada
Por isso eu ponho. Eu ponho a questão
Oonde, mas onde se esconde a razão
Xutos & Pontapés
Por não querer aquilo que me é dado
Por não querer nem governo nem estado
Por não ter nada e por nada querer
Esquadrão da morte faz-me correr
Eles aí estão. Já lhes sinto o bafo
Dobro uma esquina a ver se me safo
Por aí não. Que não tem saída
Muito obrigado. Que arriscas a vida
A noite é dia, o dia é noite
Não tenho sítio onde me acoite
Esquadrão da morte avança no escuro
E sinto em frente a sombra de um murro
E sigo o cheiro na escuridão
Que me conduz onde está a razão
Sangue na boca da queda de á pouco
Tento falar só sai um grito rouco
Num beco sujo. Num vão de escada
Dois tiros secos e não resta nada
Por isso eu ponho. Eu ponho a questão
Oonde, mas onde se esconde a razão
Xutos & Pontapés
The Pony
09-11-2007
JERRY: What is the pony? What is the point of the pony? Why do we have these animals, these ponies? What do we do with them? Besides the pony ride. Why ponies? What are we doing with them? I mean, police don't use them for, you know, crowd control. "Hey, uh, you wanna get back behind the barricades. Hey! Hey, little boy. Yeah, I'm talking to you. Behind the barricades!" So somebody, I assume, genetically engineered these ponies. Do you think they could make them any size? I mean, could they make them like the size of a quarter, if they wanted? That would be fun for Monopoly, though, wouldn't it? Just have a little pony and you put him on the, "Baltic, that's two down, go ahead. Hold it. Right there, Baltic. yeah, that's it. Fine. Right there, hold it right there."
Seinfeld
JERRY: What is the pony? What is the point of the pony? Why do we have these animals, these ponies? What do we do with them? Besides the pony ride. Why ponies? What are we doing with them? I mean, police don't use them for, you know, crowd control. "Hey, uh, you wanna get back behind the barricades. Hey! Hey, little boy. Yeah, I'm talking to you. Behind the barricades!" So somebody, I assume, genetically engineered these ponies. Do you think they could make them any size? I mean, could they make them like the size of a quarter, if they wanted? That would be fun for Monopoly, though, wouldn't it? Just have a little pony and you put him on the, "Baltic, that's two down, go ahead. Hold it. Right there, Baltic. yeah, that's it. Fine. Right there, hold it right there."
Seinfeld
Judgement
08-11-2007
Asleep is the rose, in tired innocence... dreaming time away.
Secure in the comfort of slumbers faint embrace.
Blissfully ignorant, unaware of the imminence...
Recurring memories emerge from the deep... of old secrets unforgotten sleep.
They sink beneath the surface just long enough for you to breathe.
Then return to choke you when you wake up alone.
Shredded inside... there's one place left to turn.
A long-term problem, a temporary remedy,
but fuck it all anyway you can pretend to be happy.
So many years of pathetic lies,
empty promises and unfulfilled dreams are scattered like dust into the winds.
Looking for the sun that eclipsed behind black feathered wings.
Tomorrow never comes, there was only ever one day... but now it's too late.
The inequity of fate
The pains of love and hate
The heart-sick memories
That brought you to your knees
And the times when we were young
When life seemed so long
Now you are left alone
Where did it all go wrong
Day after day
You burned it all away
(and it's too late)
All the hate that feeds your needs
All the sickness you conceive
All the horror you create
Will bring you to your knees
Anathema
Asleep is the rose, in tired innocence... dreaming time away.
Secure in the comfort of slumbers faint embrace.
Blissfully ignorant, unaware of the imminence...
Recurring memories emerge from the deep... of old secrets unforgotten sleep.
They sink beneath the surface just long enough for you to breathe.
Then return to choke you when you wake up alone.
Shredded inside... there's one place left to turn.
A long-term problem, a temporary remedy,
but fuck it all anyway you can pretend to be happy.
So many years of pathetic lies,
empty promises and unfulfilled dreams are scattered like dust into the winds.
Looking for the sun that eclipsed behind black feathered wings.
Tomorrow never comes, there was only ever one day... but now it's too late.
The inequity of fate
The pains of love and hate
The heart-sick memories
That brought you to your knees
And the times when we were young
When life seemed so long
Now you are left alone
Where did it all go wrong
Day after day
You burned it all away
(and it's too late)
All the hate that feeds your needs
All the sickness you conceive
All the horror you create
Will bring you to your knees
Anathema
Positive Attitude
07-12-2007
"A positive attitude may not solve all your problems, but it will annoy enough people to make it worth the effort."
Herm Albright
(1876 - 1944)
"A positive attitude may not solve all your problems, but it will annoy enough people to make it worth the effort."
Herm Albright
(1876 - 1944)
Manyas's Revenge
06-12-2007
"GEORGE: Who gets picked off in softball? It's unheard of.
JERRY: It's never happend to me before.
ELAINE: I remember saying to myself, "Why is Jerry so far off the base?"
JERRY: I'll have to live with this shame for the rest of my life.
GEORGE: And they in the fifth inning, why did you take off on the pop fly?
JERRY: I thought there were two outs.
ELAINE: I couldn't believe it when I saw you running. I thought maybe they had changed the rules or something.
JERRY: It was the single worst moment of my life.
GEORGE: What about Sharon Besser?
JERRY: Oh, well, of course. 1973.
ELAINE: Makes you wonder, though, doesn't it?
JERRY: Wonder about what?
ELAINE: You know.. the spirit world.
JERRY: You think Manya showed up during the game and put a hex on me?
ELAINE: I never saw anyone play like that.
JERRY: But I went ot the funeral.
ELAINE: Yeah, but that doesn't make up for killing her.
GEORGE: Maybe Manya missed the funeral because she was off visiting another galaxy that day.
JERRY: Don't you think she would've heard I was there?
GEORGE: Not necessarily. (Elaine laughs)
(Long Silence)
JERRY: Who figures an immigrant's gonna have a pony?"
Seinfeld
"GEORGE: Who gets picked off in softball? It's unheard of.
JERRY: It's never happend to me before.
ELAINE: I remember saying to myself, "Why is Jerry so far off the base?"
JERRY: I'll have to live with this shame for the rest of my life.
GEORGE: And they in the fifth inning, why did you take off on the pop fly?
JERRY: I thought there were two outs.
ELAINE: I couldn't believe it when I saw you running. I thought maybe they had changed the rules or something.
JERRY: It was the single worst moment of my life.
GEORGE: What about Sharon Besser?
JERRY: Oh, well, of course. 1973.
ELAINE: Makes you wonder, though, doesn't it?
JERRY: Wonder about what?
ELAINE: You know.. the spirit world.
JERRY: You think Manya showed up during the game and put a hex on me?
ELAINE: I never saw anyone play like that.
JERRY: But I went ot the funeral.
ELAINE: Yeah, but that doesn't make up for killing her.
GEORGE: Maybe Manya missed the funeral because she was off visiting another galaxy that day.
JERRY: Don't you think she would've heard I was there?
GEORGE: Not necessarily. (Elaine laughs)
(Long Silence)
JERRY: Who figures an immigrant's gonna have a pony?"
Seinfeld
Stronger Than Before
05-12-2007
This life has brought you down
Pushed your face into the ground
Like a human sacrifice
Trapped within a world of lies
This life just took it all
Almost deaf to hear the call
Aggression is the only way
Expression no one can explain
Power to find some piece of mind
Exploring all the fear you hide
It's in your heart it's in your blood
Getting out Stronger Than Before
This life is filled with pain
Sorrow grips your heart again
Neverending misery
Chaos sucks your energy
This life without a home
Got no place to call your own
Aggression is the only way
To express your burning rage
Power to find some piece of mind
Exploring all the fear you hide
It's in your heart, it's in your blood
Getting out Stronger Than Before
Kreator
This life has brought you down
Pushed your face into the ground
Like a human sacrifice
Trapped within a world of lies
This life just took it all
Almost deaf to hear the call
Aggression is the only way
Expression no one can explain
Power to find some piece of mind
Exploring all the fear you hide
It's in your heart it's in your blood
Getting out Stronger Than Before
This life is filled with pain
Sorrow grips your heart again
Neverending misery
Chaos sucks your energy
This life without a home
Got no place to call your own
Aggression is the only way
To express your burning rage
Power to find some piece of mind
Exploring all the fear you hide
It's in your heart, it's in your blood
Getting out Stronger Than Before
Kreator
Poison
04-12-2007
"Holding anger is a poison. It eats you from the inside. We think that hating is a weapon that attacks the person who harmed us. But hatred is a curved blade. And the harm we do, we do to ourselves."
Mitch Albom, The Five People You Meet in Heaven
"Holding anger is a poison. It eats you from the inside. We think that hating is a weapon that attacks the person who harmed us. But hatred is a curved blade. And the harm we do, we do to ourselves."
Mitch Albom, The Five People You Meet in Heaven
It's All Mental
03-12-2007
"ELAINE: I actually like ponies. I was just trying to make conversation. What time's your game?
JERRY: Two Forty-Five.
ELAINE: And what time's the funeral?
JERRY: Two o' clock.
ELAINE: How long does a funeral take?
JERRY: Depends on how nice the person was. But you gotta figure, even Oswald took forty-five minutes.
ELAINE: So you can't do both?
JERRY: You know, if the situation were reversed and Manya had some mah-jongg championship or something, I wouldn't expect her to go to my funeral. I would understand.
ELAINE: How can you even consider not going?
GEORGE: You know, I've been thinking.. I cannot envision any circumstances in which I'll ever have the opportunity to have sex again. How's it gonna happen? I just don't see how it could occur.
ELAINE: You know, funerals always make me think about my own mortality and how I'm actually going to die someday. Me, dead. Imagine that.
GEORGE: They always make me take stock of my life and how I've pretty much wasted all of it, and how I plan to continue wasting it.
JERRY: I know, and then you say to yourself, "From this moment on, I'm not going to waste any more of it." But then you go, "How? What can I do that's not wasting it?"
ELAINE: Is this a waste of time? What should we be doing? Can't you have coffee with people?
GEORGE: You know, I can't believe you're even considering not playing. We need you. You're hitting everything.
ELAINE: He has to go. He may have killed her.
JERRY: Me? What about you? You brought up the pony.
ELAINE: Oh, yeah, but I didn't say I hated anyone who had one.
GEORGE: (To Jerry) Who's going to play left field?
JERRY: Bender.
GEORGE: Bender? He can't play left. He stinks. I just don't see what purpose is it going to serve your going? I mean, you think dead peole care who's at the funeral? They don't even know they're having a funeral. It's not like she's hanging out in the back going, "I can't believe Jerry didn't show up."
ELAINE: Maybe she's there in spirit. How about that?
GEORGE: If you're a spirit, and you can travel to other dimensions and galaxies, and find out the mysteries of the universe, you think she's going to want to hang around Drexler's funeral home on Ocean Parkway?
ELAINE: George, I met this woman! She is not traveling to any other dimensions.
GEORGE: You know how easy it is for dead people to travel? It's not like getting on a bus. One second. It's all mental."
Seinfeld
"ELAINE: I actually like ponies. I was just trying to make conversation. What time's your game?
JERRY: Two Forty-Five.
ELAINE: And what time's the funeral?
JERRY: Two o' clock.
ELAINE: How long does a funeral take?
JERRY: Depends on how nice the person was. But you gotta figure, even Oswald took forty-five minutes.
ELAINE: So you can't do both?
JERRY: You know, if the situation were reversed and Manya had some mah-jongg championship or something, I wouldn't expect her to go to my funeral. I would understand.
ELAINE: How can you even consider not going?
GEORGE: You know, I've been thinking.. I cannot envision any circumstances in which I'll ever have the opportunity to have sex again. How's it gonna happen? I just don't see how it could occur.
ELAINE: You know, funerals always make me think about my own mortality and how I'm actually going to die someday. Me, dead. Imagine that.
GEORGE: They always make me take stock of my life and how I've pretty much wasted all of it, and how I plan to continue wasting it.
JERRY: I know, and then you say to yourself, "From this moment on, I'm not going to waste any more of it." But then you go, "How? What can I do that's not wasting it?"
ELAINE: Is this a waste of time? What should we be doing? Can't you have coffee with people?
GEORGE: You know, I can't believe you're even considering not playing. We need you. You're hitting everything.
ELAINE: He has to go. He may have killed her.
JERRY: Me? What about you? You brought up the pony.
ELAINE: Oh, yeah, but I didn't say I hated anyone who had one.
GEORGE: (To Jerry) Who's going to play left field?
JERRY: Bender.
GEORGE: Bender? He can't play left. He stinks. I just don't see what purpose is it going to serve your going? I mean, you think dead peole care who's at the funeral? They don't even know they're having a funeral. It's not like she's hanging out in the back going, "I can't believe Jerry didn't show up."
ELAINE: Maybe she's there in spirit. How about that?
GEORGE: If you're a spirit, and you can travel to other dimensions and galaxies, and find out the mysteries of the universe, you think she's going to want to hang around Drexler's funeral home on Ocean Parkway?
ELAINE: George, I met this woman! She is not traveling to any other dimensions.
GEORGE: You know how easy it is for dead people to travel? It's not like getting on a bus. One second. It's all mental."
Seinfeld
Misunderstood
02-11-2007
Cada vez mais, esta é a minha canção.
Waiting
In the calm of desolation
Wanting to break
From this circle of confusion
Sleeping
In the depths of isolation
Trying to wake
From this daydream of illusion
How can I feel abandoned even when the world surrounds me
How can I bite the hand that feeds the strangers all around me
How can I know so many
Never really knowing anyone
If I seem superhuman
I have been
Misunderstood
It challenges the essence of my soul
And leaves me in a state of disconnection
As I navigate the maze of self control
Playing a lion being led to a cage
I turn from a thief to a beggar
From a god to God save me
How can I feel abandoned even when the world surrounds me
How can I bite the hand that feeds the strangers all around me
How can I know so many
Never really knowing anyone
If I seem superhuman
I have been
Misunderstood
Playing a lion being led to a cage
I turn from surreal to seclusion
From love to disdain
From belief to delusion
From a thief to a beggar
From a god to God save me
How can I feel abandoned even when the world surrounds me
How can I bite the hand that feeds the strangers all around me
How can I know so many
Never really knowing anyone
If I seem superhuman
I have been
Misunderstood
Dream Theater
Cada vez mais, esta é a minha canção.
Waiting
In the calm of desolation
Wanting to break
From this circle of confusion
Sleeping
In the depths of isolation
Trying to wake
From this daydream of illusion
How can I feel abandoned even when the world surrounds me
How can I bite the hand that feeds the strangers all around me
How can I know so many
Never really knowing anyone
If I seem superhuman
I have been
Misunderstood
It challenges the essence of my soul
And leaves me in a state of disconnection
As I navigate the maze of self control
Playing a lion being led to a cage
I turn from a thief to a beggar
From a god to God save me
How can I feel abandoned even when the world surrounds me
How can I bite the hand that feeds the strangers all around me
How can I know so many
Never really knowing anyone
If I seem superhuman
I have been
Misunderstood
Playing a lion being led to a cage
I turn from surreal to seclusion
From love to disdain
From belief to delusion
From a thief to a beggar
From a god to God save me
How can I feel abandoned even when the world surrounds me
How can I bite the hand that feeds the strangers all around me
How can I know so many
Never really knowing anyone
If I seem superhuman
I have been
Misunderstood
Dream Theater
Ever Expanding Eternity
01-12-2007
The Night Is Dark, No Wisdom Here
And Daily Truth I See Not Clear
In Mire Deep Alone I Weep
Everything Else Is Still
I Wish To Drive My Thirst Away
Drink Knowledge Like Dew
Die Welt In Einem Sandkorn Sehen
Und Den Himmel In Einer Wilden Blume
Die Unendlichkeit In Meiner Handfläche Halten
Und Die Ewigkeit In Einer Stunde
With Silent Delight Smiles The Night
When Wolves And Tigers Howl
My Eyes Flow With Tears Of Gold
Searching For Truth
Wisdom, Where Are You Going?
Do Not Walk So Fast
Speak To Your Little Boy
Or Else I Shall Be Lost
Lost.
Wisdom, I Am Lost
Lost.
I'M Roaming With A Hungry Heart
My Spirit Yearning In Desire
To Follow Knowledge
Not Finding Me.
Open My Immortal Eyes
Inwards Into The World Of Thought
Into The Ever Expanding...
The Ever Expanding Eternity
Eternity.
Betray My Secrets
The Night Is Dark, No Wisdom Here
And Daily Truth I See Not Clear
In Mire Deep Alone I Weep
Everything Else Is Still
I Wish To Drive My Thirst Away
Drink Knowledge Like Dew
Die Welt In Einem Sandkorn Sehen
Und Den Himmel In Einer Wilden Blume
Die Unendlichkeit In Meiner Handfläche Halten
Und Die Ewigkeit In Einer Stunde
With Silent Delight Smiles The Night
When Wolves And Tigers Howl
My Eyes Flow With Tears Of Gold
Searching For Truth
Wisdom, Where Are You Going?
Do Not Walk So Fast
Speak To Your Little Boy
Or Else I Shall Be Lost
Lost.
Wisdom, I Am Lost
Lost.
I'M Roaming With A Hungry Heart
My Spirit Yearning In Desire
To Follow Knowledge
Not Finding Me.
Open My Immortal Eyes
Inwards Into The World Of Thought
Into The Ever Expanding...
The Ever Expanding Eternity
Eternity.
Betray My Secrets
Give Out Come In
30-11-2007
"The most important thing in life is to learn how to give out love, and to let it come in."
Mitch Albom
"The most important thing in life is to learn how to give out love, and to let it come in."
Mitch Albom
Where Are They Going?
29-11-2007
"We don't understand death. And the proof of this is that we give dead people a pillow. And, uh, I mean, hey, you know. I think if you can't stretch out and get some solid rest at that point, I don't see how bedding accessories really make the difference. I mean, they got the guy in a suit with a pillow. No is he going to a meeting, or is he catching forty winks? I mean, let's make up our mind where we think they're going."
Seinfeld
"We don't understand death. And the proof of this is that we give dead people a pillow. And, uh, I mean, hey, you know. I think if you can't stretch out and get some solid rest at that point, I don't see how bedding accessories really make the difference. I mean, they got the guy in a suit with a pillow. No is he going to a meeting, or is he catching forty winks? I mean, let's make up our mind where we think they're going."
Seinfeld
Room 101
28-11-2007
Don't claim to be a prophet
Don't claim to read the stars
But I can see a future
Mapped out in scars
Look to the skies
Keep praying to your gods
Your only salvation
Will come in the shape of the bomb
No clockwork orange
The doom watch ticks
There's no second coming
Only final conflict
Blind pessimism?
Only time will tell
The cold hard reality
Is that this world had gone to hell
And this is where I belong
In my room one zero one
As I sit here all alone
In my own private year zero
These numbers branded
Embedded in the mind
How can your herald a future
When it's already arrived?
Keep looking to the skies
Keep waiting for your lord
You fools there's no second coming
To redeem you all
And this is where I belong
In my room one zero one
As I sit here all alone
In my own private year zero
Don't claim to be a prophet
Don't claim to sight the stars
But I can read the future
In anguished mental scars
I have no faith
In anything that you hold dear
The future is ours
Only in sweat and tears
And this is where I belong
In my room one zero one
As I sit here all alone
In my own private year zero
And this is where I belong
In my room one zero one
As I sit here all alone
In my own private year zero
Carcass
Don't claim to be a prophet
Don't claim to read the stars
But I can see a future
Mapped out in scars
Look to the skies
Keep praying to your gods
Your only salvation
Will come in the shape of the bomb
No clockwork orange
The doom watch ticks
There's no second coming
Only final conflict
Blind pessimism?
Only time will tell
The cold hard reality
Is that this world had gone to hell
And this is where I belong
In my room one zero one
As I sit here all alone
In my own private year zero
These numbers branded
Embedded in the mind
How can your herald a future
When it's already arrived?
Keep looking to the skies
Keep waiting for your lord
You fools there's no second coming
To redeem you all
And this is where I belong
In my room one zero one
As I sit here all alone
In my own private year zero
Don't claim to be a prophet
Don't claim to sight the stars
But I can read the future
In anguished mental scars
I have no faith
In anything that you hold dear
The future is ours
Only in sweat and tears
And this is where I belong
In my room one zero one
As I sit here all alone
In my own private year zero
And this is where I belong
In my room one zero one
As I sit here all alone
In my own private year zero
Carcass
Unexpected
27-11-2007
The Wise man said to me:
"One can't control your future totally, but he will always try"
The Wise man said to me:
"One can't control your future totally, but he will always try"
The Funeral
26-11-2007
HELEN: Who did you talk to?
JERRY: Uncle Leo.
HELEN: And when's the funeral?
JERRY: I don't know. He said he'd call back.
MORTY: You know what this means, don't you? We lost the supersaver. Those tickets are non-refundable.
HELEN: She just had a check-up. The doctor said she was fine. Unless..
JERRY: What?
HELEN: What? Nothing.
JERRY: You don't think.. What? The pony remark?
HELEN: Oh, don't be ridiculous. She was an old woman.
JERRY: You don't think that I killed her?
MORTY: You know what the flight back'll cost us?
JERRY: It was just an innocent comment! I didn't know she had a pony!
MORTY: Maybe we can get an army transport flight. They got a base in Sarasota, I think.
JERRY: The whole thing ws taking out of context. It was a joke. (Phone rings) That's probably Uncle Leo.
(Helen picks it up)
HELEN: Hello? ..Yes, I know.. Well, it's just one of those things.. Sure, sure, we'll see you then. (Hangs up) The funeral's Wednesday.
JERRY: Wednesday? What, what Wednesday?
HELEN: Two o' clock, Wednesday. (Jerry shrugs) What?
JERRY: I've got the softball game on Wednesday. It's the championship.
HELEN: So? You're not obligated. Go play in your game.
JERRY: I didn't even know the woman.
HELEN: So don't go.
JERRY: I mean I met her three times. I don't know her last name.
HELEN: Jerry, no one's forcing you.
JERRY: I mean, who has a funeral on a Wednesday? That's what I want to know. I mean, it's the championship. I'm hitting everything.
HELEN: I don't have a dress to wear. (To Morty) And you. You don't have anything.
MORTY: I got a sport jacket.
HELEN: You're not wearing that to a funeral.
MORTY: What's wrong with it?
HELEN: It looks ridiculous.
MORTY: What? I'm gonna buy a new jacket now?
JERRY: I don't know what to do.
MORTY: ..You know what this funeral's gonna wind up costing me? Oh boy!
Seinfeld
HELEN: Who did you talk to?
JERRY: Uncle Leo.
HELEN: And when's the funeral?
JERRY: I don't know. He said he'd call back.
MORTY: You know what this means, don't you? We lost the supersaver. Those tickets are non-refundable.
HELEN: She just had a check-up. The doctor said she was fine. Unless..
JERRY: What?
HELEN: What? Nothing.
JERRY: You don't think.. What? The pony remark?
HELEN: Oh, don't be ridiculous. She was an old woman.
JERRY: You don't think that I killed her?
MORTY: You know what the flight back'll cost us?
JERRY: It was just an innocent comment! I didn't know she had a pony!
MORTY: Maybe we can get an army transport flight. They got a base in Sarasota, I think.
JERRY: The whole thing ws taking out of context. It was a joke. (Phone rings) That's probably Uncle Leo.
(Helen picks it up)
HELEN: Hello? ..Yes, I know.. Well, it's just one of those things.. Sure, sure, we'll see you then. (Hangs up) The funeral's Wednesday.
JERRY: Wednesday? What, what Wednesday?
HELEN: Two o' clock, Wednesday. (Jerry shrugs) What?
JERRY: I've got the softball game on Wednesday. It's the championship.
HELEN: So? You're not obligated. Go play in your game.
JERRY: I didn't even know the woman.
HELEN: So don't go.
JERRY: I mean I met her three times. I don't know her last name.
HELEN: Jerry, no one's forcing you.
JERRY: I mean, who has a funeral on a Wednesday? That's what I want to know. I mean, it's the championship. I'm hitting everything.
HELEN: I don't have a dress to wear. (To Morty) And you. You don't have anything.
MORTY: I got a sport jacket.
HELEN: You're not wearing that to a funeral.
MORTY: What's wrong with it?
HELEN: It looks ridiculous.
MORTY: What? I'm gonna buy a new jacket now?
JERRY: I don't know what to do.
MORTY: ..You know what this funeral's gonna wind up costing me? Oh boy!
Seinfeld
The One Love To Hate
25-11-2007
You may not like the future
And we're not here to preach to you
We'll take you to the killing floor.
You think you want to know me
You think you want to own me
But I have nothing you can buy.
I can break you
I can raise you
Bring you to your knees
Cause I'm the one you love to hate.
You can't fool me
You can't rule me
You only wanna hang around
Cause I'm the one you love to hate.
So come on get a load of this
Something you can't afford to miss
You're just a vulture in my veins.
Your nails won't crucify me
Got money, but you can't see
Your only future is your past.
I can break you
I can raise you
Bring you to your knees
Cause I'm the one you love to hate.
You can't fool me
You can't rule me
You only wanna hang around
Cause I'm the one you love to hate.
I can break you
I can raise you
Bring you to your knees
Cause I'm the one you love to hate.
You can't fool me
You can't rule me
You only wanna hang around
Cause I'm the one you love to hate.
Halford
You may not like the future
And we're not here to preach to you
We'll take you to the killing floor.
You think you want to know me
You think you want to own me
But I have nothing you can buy.
I can break you
I can raise you
Bring you to your knees
Cause I'm the one you love to hate.
You can't fool me
You can't rule me
You only wanna hang around
Cause I'm the one you love to hate.
So come on get a load of this
Something you can't afford to miss
You're just a vulture in my veins.
Your nails won't crucify me
Got money, but you can't see
Your only future is your past.
I can break you
I can raise you
Bring you to your knees
Cause I'm the one you love to hate.
You can't fool me
You can't rule me
You only wanna hang around
Cause I'm the one you love to hate.
I can break you
I can raise you
Bring you to your knees
Cause I'm the one you love to hate.
You can't fool me
You can't rule me
You only wanna hang around
Cause I'm the one you love to hate.
Halford
The Angry Man
24-11-2007
"The angry man always thinks he can do more than he can."
Albertano of Brescia
"The angry man always thinks he can do more than he can."
Albertano of Brescia
Show Me The Levels
23-11-2007
(Jerry opens his door, Kramer's standing in the hallway)
KRAMER: Oh, hi. I just came to say goodbye. (Gestures to the bags) ..Need any help with those?
MORTY: It's nothing. I got it. So, how are your levels coming along?
KRAMER: Oh, well.. I decided I'm not gonna do it.
JERRY: (Sarcastically) Really? What a shock.
HELEN: Goodbye, Jerry.
JERRY: Take care.
HELEN: We'll call you. (Leaves)
MORTY: Bye, Jer.
JERRY: Bye, Dad. Take it easy.
MORTY: Bye, Mr. Kramer.
KRAMER: Yeah. So long, Morty. (Morty leaves)
JERRY: So, when do I get my dinner?
KRAMER: There's no dinner. The bet's off. I'm not gonna do it.
JERRY: Yes. I know you're not gonna do it. That's why I bet.
KRAMER: There's not bet if I'm not doing it.
JERRY: That's the bet! That you're not doing it!
KRAMER: Yeah, well, I could do it. I don't want to do it.
JERRY: We didn't bet on if you wanted to. We bet on if it would be done.
KRAMER: And it could be done.
JERRY: Well, of course it could be done! Anything could be done! But it only is done if it's done. Show me the levels! The bet is the levels.
KRAMER: But I don't want the levels!
JERRY: That's the bet!
Seinfeld
(Jerry opens his door, Kramer's standing in the hallway)
KRAMER: Oh, hi. I just came to say goodbye. (Gestures to the bags) ..Need any help with those?
MORTY: It's nothing. I got it. So, how are your levels coming along?
KRAMER: Oh, well.. I decided I'm not gonna do it.
JERRY: (Sarcastically) Really? What a shock.
HELEN: Goodbye, Jerry.
JERRY: Take care.
HELEN: We'll call you. (Leaves)
MORTY: Bye, Jer.
JERRY: Bye, Dad. Take it easy.
MORTY: Bye, Mr. Kramer.
KRAMER: Yeah. So long, Morty. (Morty leaves)
JERRY: So, when do I get my dinner?
KRAMER: There's no dinner. The bet's off. I'm not gonna do it.
JERRY: Yes. I know you're not gonna do it. That's why I bet.
KRAMER: There's not bet if I'm not doing it.
JERRY: That's the bet! That you're not doing it!
KRAMER: Yeah, well, I could do it. I don't want to do it.
JERRY: We didn't bet on if you wanted to. We bet on if it would be done.
KRAMER: And it could be done.
JERRY: Well, of course it could be done! Anything could be done! But it only is done if it's done. Show me the levels! The bet is the levels.
KRAMER: But I don't want the levels!
JERRY: That's the bet!
Seinfeld
O Bem Versus O Mal
22-11-2007
Talvez me vá arrepender
Do que a seguir vou dizer
Não sei se vais gostar de ouvir
Mas já que estás a insistir
Perguntas porque razão
Há dias em os dias são
Como baloiços de Bem e Mal
De manhã tem-se o mundo aos pés
À noite cai-se do pedestal
Mas o mal
Tem costas largas
E o bem
Tem pés de barro
Até a flor mais bem-aventurada
P'ra nascer mais perfumada
Se aduba no inverno cão
Para romper bela do chão
Porque o choro e o riso
Estão mais perto do que julgas
E há quem diga que é preciso
Comer o deserto às fatias
P'ra alcançar o paraíso
Porque o mal
Tem costas largas
E o bem
Tem pés de barro
Clã
Talvez me vá arrepender
Do que a seguir vou dizer
Não sei se vais gostar de ouvir
Mas já que estás a insistir
Perguntas porque razão
Há dias em os dias são
Como baloiços de Bem e Mal
De manhã tem-se o mundo aos pés
À noite cai-se do pedestal
Mas o mal
Tem costas largas
E o bem
Tem pés de barro
Até a flor mais bem-aventurada
P'ra nascer mais perfumada
Se aduba no inverno cão
Para romper bela do chão
Porque o choro e o riso
Estão mais perto do que julgas
E há quem diga que é preciso
Comer o deserto às fatias
P'ra alcançar o paraíso
Porque o mal
Tem costas largas
E o bem
Tem pés de barro
Clã
The Pony Remark
20-11-2007
"HELEN: (changing subject) So, did you hear Claire's getting married?
MANYA: Yeah, yeah..
HELEN: I hear the fella owns a couple of racehorses. You know, trotters, like at Yonkers.
JERRY: Horses. They're like big riding dogs.
ELAINE: What about ponies? What kind of abnormal animal is that? And those kids who had their own ponies..
JERRY: I know, I hated those kids. In fact, I hate anyone that ever had a pony when they were growing up.
MANYA: ..I had a pony.
(The room is dead quiet)
JERRY: ..Well, I didn't really mean a pony, per se.
MANYA: (Angry) When I was a little girl in Poland, we all had ponies. My sister had pony, my cousin had pony, ..So, what's wrong with that?
JERRY: Nothing. Nothing at all. I was just merely expressting..
HELEN: Should we have coffee? Who's having coffee?
MANYA: He was a beautiful pony! And I loved him.
JERRY: Well, I'm sure you did. Who wouldn't love a pony? Who wouldn't love a person that had a pony?
MANYA: You! You said so!
JERRY: No, see, we didn't have ponies. I'm sure at the time in Poland, they were very common. They were probably like compact cars..
MANYA: That's it! I've had enough! (She leaves the room)
ISAAC: Have your coffee, everyone. She's a little upset. It's been an emotional day.
(Isaac leaves, everyone looks at Jerry)
JERRY: I didn't know she had a pony. How was I to know she had a pony? Who figures an immigrant's going to have a pony? Do you know what the odds are on that? I mean, in all the pictures I saw of immigrants on boats coming into New York harbor, I never saw one of them sitting on a pony. Why would anybody come here if they had a pony? Who leaves a country packed with ponies to come to a non-pony country? It doesn't make sense.. am I wrong?"
Seinfeld
"HELEN: (changing subject) So, did you hear Claire's getting married?
MANYA: Yeah, yeah..
HELEN: I hear the fella owns a couple of racehorses. You know, trotters, like at Yonkers.
JERRY: Horses. They're like big riding dogs.
ELAINE: What about ponies? What kind of abnormal animal is that? And those kids who had their own ponies..
JERRY: I know, I hated those kids. In fact, I hate anyone that ever had a pony when they were growing up.
MANYA: ..I had a pony.
(The room is dead quiet)
JERRY: ..Well, I didn't really mean a pony, per se.
MANYA: (Angry) When I was a little girl in Poland, we all had ponies. My sister had pony, my cousin had pony, ..So, what's wrong with that?
JERRY: Nothing. Nothing at all. I was just merely expressting..
HELEN: Should we have coffee? Who's having coffee?
MANYA: He was a beautiful pony! And I loved him.
JERRY: Well, I'm sure you did. Who wouldn't love a pony? Who wouldn't love a person that had a pony?
MANYA: You! You said so!
JERRY: No, see, we didn't have ponies. I'm sure at the time in Poland, they were very common. They were probably like compact cars..
MANYA: That's it! I've had enough! (She leaves the room)
ISAAC: Have your coffee, everyone. She's a little upset. It's been an emotional day.
(Isaac leaves, everyone looks at Jerry)
JERRY: I didn't know she had a pony. How was I to know she had a pony? Who figures an immigrant's going to have a pony? Do you know what the odds are on that? I mean, in all the pictures I saw of immigrants on boats coming into New York harbor, I never saw one of them sitting on a pony. Why would anybody come here if they had a pony? Who leaves a country packed with ponies to come to a non-pony country? It doesn't make sense.. am I wrong?"
Seinfeld
The Ballad
19-11-2007
Im not one to say
Where my feelings are going when they wither away
I pray to see another day
My hearts feeling like a needle lost in the hay
Restrained to meet again
My friend do you think that we ever will
I know we are free...
The games are played with your life on the line
Some lose, you win if you keep on trying
I dont mind doing time, Im happier being alive
Now I know the means to my opression were all lies
The only truth is your own most sacred lesson Ive ever learned
I know we are free...
Ive been robbed, Ive been fooled
I intend now to make my own rules
Daggers edge cut the line, Ive been down that road
Too many times
Whats to fear, fear no more
Show my conscience what fearss for
Now I know this is so real
Whats done is done so do as you will!
Im keeping alive! go on, no dont look back
Just realize where youve gone
Where are you going to, no lifes not done with you
Youre only just begun, to live your life!
For you...
Testament
Im not one to say
Where my feelings are going when they wither away
I pray to see another day
My hearts feeling like a needle lost in the hay
Restrained to meet again
My friend do you think that we ever will
I know we are free...
The games are played with your life on the line
Some lose, you win if you keep on trying
I dont mind doing time, Im happier being alive
Now I know the means to my opression were all lies
The only truth is your own most sacred lesson Ive ever learned
I know we are free...
Ive been robbed, Ive been fooled
I intend now to make my own rules
Daggers edge cut the line, Ive been down that road
Too many times
Whats to fear, fear no more
Show my conscience what fearss for
Now I know this is so real
Whats done is done so do as you will!
Im keeping alive! go on, no dont look back
Just realize where youve gone
Where are you going to, no lifes not done with you
Youre only just begun, to live your life!
For you...
Testament
Confident
18-11-2007
"My theory is that if you look confident you can pull off anything - even if you have no clue what you're doing."
Jessica Alba
"My theory is that if you look confident you can pull off anything - even if you have no clue what you're doing."
Jessica Alba
Levels
17-11-2007
HELEN: You know, I spoke to Manya and Isaac on the phone today. They invited you again. I think you should go.
JERRY: First of all, I made plans with Elaine.
HELEN: So bring her.
JERRY: I don't even know them. What is she, your second cousin? I mean, I've met them three times in my life.
MORTY: I don't know her either. (Gesturing to Helen) She makes me fly all the way from Florida for this, and then she criticizes my jacket.
HELEN: At least come and say hello, have a cup of coffee, then you'll leave.
MORTY: How come he gets to leave?
JERRY: If I wind up sitting nest to Uncle Leo, I am leaving. He's always grabbing my arm when he talks to me. I guess it's because so many people have left in the middle of his conversation.
MORTY: And it's always about Jeffrey, right?
JERRY: Hey, he talks about him like he split the atom. The kid works for the Parks Department.
(Enter Kramer)
KRAMER: Morty, are you coming in?
MORTY: Oh, yeah. I forgot all about it.
KRAMER: (To Jerry) Hey, how'd you do?
JERRY: We won. We're in the finals on Wednesday..
KRAMER: Yeah!
JERRY: (To Kramer and Morty) What is this about?
KRAMER: I'm completely changing the configuration of the apartment. You're not gonna believe it when you see it. A whole new lifestyle.
JERRY: What are you doing?
KRAMER: Levels.
JERRY: Levels?
KRAMER: Yeah, I'm getting rid of all my furniture. All of it. And I'm going to build these different levels, with steps, and it'll all be carpeted with a lot of pillows. You know, like ancient Egypt.
JERRY: You drew up plans for this?
KRAMER: No, no. It's all in my head.
MORTY: I don't know how you're going to be comfortable like that.
KRAMER: Oh, I'll be comfortable.
JERRY: When do you intend to do this?
KRAMER: Ohh.. should be done by the end of the month.
JERRY: You're doing this yourself?
KRAMER: It's a simple job. Why, you don't think I can?
JERRY: Oh, no. It's not that I don't think you can. I know that you can't, and I'm positive that you won't.
KRAMER: Well, I got the tools. I got the pillows. All I need is the lumber.
MORTY: Hey, that's some big job.
JERRY: I don't see it happening.
KRAMER: Well, this time, this time you're wrong. C'mon. I'll even bet you.
JERRY: Seriously?
HELEN: I dont' want you betting. Morty, don't let him bet.
KRAMER: A big dinner with dessert. But I've got till the end of the month.
JERRY: I'll give you a year.
KRAMER: No, no, no. End of the month.
JERRY: It's a bet. (They both "pinkie swear" to lock the deal)
Seinfeld
HELEN: You know, I spoke to Manya and Isaac on the phone today. They invited you again. I think you should go.
JERRY: First of all, I made plans with Elaine.
HELEN: So bring her.
JERRY: I don't even know them. What is she, your second cousin? I mean, I've met them three times in my life.
MORTY: I don't know her either. (Gesturing to Helen) She makes me fly all the way from Florida for this, and then she criticizes my jacket.
HELEN: At least come and say hello, have a cup of coffee, then you'll leave.
MORTY: How come he gets to leave?
JERRY: If I wind up sitting nest to Uncle Leo, I am leaving. He's always grabbing my arm when he talks to me. I guess it's because so many people have left in the middle of his conversation.
MORTY: And it's always about Jeffrey, right?
JERRY: Hey, he talks about him like he split the atom. The kid works for the Parks Department.
(Enter Kramer)
KRAMER: Morty, are you coming in?
MORTY: Oh, yeah. I forgot all about it.
KRAMER: (To Jerry) Hey, how'd you do?
JERRY: We won. We're in the finals on Wednesday..
KRAMER: Yeah!
JERRY: (To Kramer and Morty) What is this about?
KRAMER: I'm completely changing the configuration of the apartment. You're not gonna believe it when you see it. A whole new lifestyle.
JERRY: What are you doing?
KRAMER: Levels.
JERRY: Levels?
KRAMER: Yeah, I'm getting rid of all my furniture. All of it. And I'm going to build these different levels, with steps, and it'll all be carpeted with a lot of pillows. You know, like ancient Egypt.
JERRY: You drew up plans for this?
KRAMER: No, no. It's all in my head.
MORTY: I don't know how you're going to be comfortable like that.
KRAMER: Oh, I'll be comfortable.
JERRY: When do you intend to do this?
KRAMER: Ohh.. should be done by the end of the month.
JERRY: You're doing this yourself?
KRAMER: It's a simple job. Why, you don't think I can?
JERRY: Oh, no. It's not that I don't think you can. I know that you can't, and I'm positive that you won't.
KRAMER: Well, I got the tools. I got the pillows. All I need is the lumber.
MORTY: Hey, that's some big job.
JERRY: I don't see it happening.
KRAMER: Well, this time, this time you're wrong. C'mon. I'll even bet you.
JERRY: Seriously?
HELEN: I dont' want you betting. Morty, don't let him bet.
KRAMER: A big dinner with dessert. But I've got till the end of the month.
JERRY: I'll give you a year.
KRAMER: No, no, no. End of the month.
JERRY: It's a bet. (They both "pinkie swear" to lock the deal)
Seinfeld
To These Words I Beheld No Tongue
16-11-2007
Whether the thronéd Monarch weareth the crown,
Which I know not whether to his belongeth;
Doth he hence the sceptre sway?
Seasoneth he justice?
Daresay I he doth not,
Will he then use his sceptre as a wand? -
Where doth sit my awe? - Trieth me conjure;
Perchance a spell?; a reptile, a sullied hound? -
Is the gentle rain a quality of his? -
I bethink this fro my thoughts; hitherto, about this,
I beheld to these words no tongue; are the
Monarch's men his thralls or his servants? -
Oft I waylay my tongue -
Those of which are withal by my gnarléd heart not heed'd;
Or doth the throstle sing with more glee
At daybreak than a twilight? -
Brawl not my imp, nor my cherub; reserve my judgment -
Crave not the sword when the bodkin fro ere thine is;
That undiscover'd country; be that
Of calamity, be that of joy, be that of apathy;
Tread not paths of new when those of old are
Far by an only single footstep; walk, be it
On the left, on the right - be it the one which
Straight forward leadeth; the one of correct
I have as until now not heed'd any signs of!
Theatre Of Tragedy
Whether the thronéd Monarch weareth the crown,
Which I know not whether to his belongeth;
Doth he hence the sceptre sway?
Seasoneth he justice?
Daresay I he doth not,
Will he then use his sceptre as a wand? -
Where doth sit my awe? - Trieth me conjure;
Perchance a spell?; a reptile, a sullied hound? -
Is the gentle rain a quality of his? -
I bethink this fro my thoughts; hitherto, about this,
I beheld to these words no tongue; are the
Monarch's men his thralls or his servants? -
Oft I waylay my tongue -
Those of which are withal by my gnarléd heart not heed'd;
Or doth the throstle sing with more glee
At daybreak than a twilight? -
Brawl not my imp, nor my cherub; reserve my judgment -
Crave not the sword when the bodkin fro ere thine is;
That undiscover'd country; be that
Of calamity, be that of joy, be that of apathy;
Tread not paths of new when those of old are
Far by an only single footstep; walk, be it
On the left, on the right - be it the one which
Straight forward leadeth; the one of correct
I have as until now not heed'd any signs of!
Theatre Of Tragedy
Real Beauty
15-11-2007
"You can only perceive real beauty in a person as they get older."
Anouk Aimee, O Magazine, October 2003
"You can only perceive real beauty in a person as they get older."
Anouk Aimee, O Magazine, October 2003
Family Gathering
14-11-2007
JERRY: My parents live in Florida now. They moved there last year. They didn't want to move to Florida, but they're in their sixties, and that's the law. You know how it works. They got the leisure police. They pull up in front of the old people's house with a golf cart, jump out, "Let's go Pop, white belt, white pants, white shoes, get in the back. Drop the snow shovel right there, drop it!"
I am not much for the family gathering. You know, you sit there, and the conversation's so boring. It's so dull. And you start to fantasize. You know, you think, what if I just got up and jumped out that window? What would it be like? Just crashed right through the glass.. You know. Come back in, there's broken glass, everybody's all upset. "No, I'm alright. I was just a little bored, there. No, I'm fine. I came back. I wanted to hear a little about that Hummel collection, Aunt Rose. Let's pick it up right there."
Seinfeld
JERRY: My parents live in Florida now. They moved there last year. They didn't want to move to Florida, but they're in their sixties, and that's the law. You know how it works. They got the leisure police. They pull up in front of the old people's house with a golf cart, jump out, "Let's go Pop, white belt, white pants, white shoes, get in the back. Drop the snow shovel right there, drop it!"
I am not much for the family gathering. You know, you sit there, and the conversation's so boring. It's so dull. And you start to fantasize. You know, you think, what if I just got up and jumped out that window? What would it be like? Just crashed right through the glass.. You know. Come back in, there's broken glass, everybody's all upset. "No, I'm alright. I was just a little bored, there. No, I'm fine. I came back. I wanted to hear a little about that Hummel collection, Aunt Rose. Let's pick it up right there."
Seinfeld
I Don't Know
13-11-2007
Woke up reeling
Lost all feeling
Heart on the floor
My eyes to the ceiling
Tried to stop me
But I was not listening
One more drink and I won't miss them
I don't know what love is
I don't know what love is
I don't know what love is
But I think I had it
See that poor girl
With the glint in her eye
She could turn you that way
If you're willing to try
Don't you worry about your friends
And the time they're having
They are on the outside and they're looking in
I don't know what love is
I don't know what love is
I don't know what love is
But I think I had it
See them wasting it all away
For the sake of a thrill and a game away
Oh they found him
Put him in prison
Could have been worse
They could have killed him
He's not the one
He was only dealing
But there's a killer on the loose
And he meets the description
I don't know what love is
I don't know what love is
I don't know what love is
But I think I had it
I don't know what love is
I don't know what love is
I don't know what love is
But I think I had it
Star Sailor
Woke up reeling
Lost all feeling
Heart on the floor
My eyes to the ceiling
Tried to stop me
But I was not listening
One more drink and I won't miss them
I don't know what love is
I don't know what love is
I don't know what love is
But I think I had it
See that poor girl
With the glint in her eye
She could turn you that way
If you're willing to try
Don't you worry about your friends
And the time they're having
They are on the outside and they're looking in
I don't know what love is
I don't know what love is
I don't know what love is
But I think I had it
See them wasting it all away
For the sake of a thrill and a game away
Oh they found him
Put him in prison
Could have been worse
They could have killed him
He's not the one
He was only dealing
But there's a killer on the loose
And he meets the description
I don't know what love is
I don't know what love is
I don't know what love is
But I think I had it
I don't know what love is
I don't know what love is
I don't know what love is
But I think I had it
Star Sailor
The Importance Of The Job
12-11-2007
JERRY: "Women need to like the job of the guy they're with. If they don't like the job, they don't like the guy. Men know this. Which is why we make up the phony bogus names for the jobs that we have. "Well, right now, I'm the regional management supervisor." "I'm in development, research, consulting." Men on the other hand, if they are physically attracted to a woman are not that concerned with her job. Are we? Men don't really care. Men'll just go, "Really? Slaughterhouse? Is that were you work? That sounds interesting. So whatdya got a big cleaver there? You're just lopping their heads off? That sounds great! Listen, why don't you shower up, and we'll get some burgers and catch a movie.""
Seinfeld
JERRY: "Women need to like the job of the guy they're with. If they don't like the job, they don't like the guy. Men know this. Which is why we make up the phony bogus names for the jobs that we have. "Well, right now, I'm the regional management supervisor." "I'm in development, research, consulting." Men on the other hand, if they are physically attracted to a woman are not that concerned with her job. Are we? Men don't really care. Men'll just go, "Really? Slaughterhouse? Is that were you work? That sounds interesting. So whatdya got a big cleaver there? You're just lopping their heads off? That sounds great! Listen, why don't you shower up, and we'll get some burgers and catch a movie.""
Seinfeld
Some Other Cause
11-11-2007
"If we were to wake up some morning and find that everyone was the same race, creed and color, we would find some other cause for prejudice by noon."
George Aiken
"If we were to wake up some morning and find that everyone was the same race, creed and color, we would find some other cause for prejudice by noon."
George Aiken
Marcha dos Desalinhados
10-11-2007
Eu não quero estar parado
fico velho
vou marchar até ao fim
isolado
nesta marcha solitária
dou o corpo, ao avançar
neste campo aberto ao céu
ninguém sabe
para onde eu vou
ninguém manda
em quem eu sou
sem cor nem deus nem fado
eu estou desalinhado
por tudo o que eu lutei
ser sincero?
por tanto que arrisquei
ainda espero ...
esta marcha imaginária
quantas baixas vai deixar
neste sonho desperto?
Delfins
Eu não quero estar parado
fico velho
vou marchar até ao fim
isolado
nesta marcha solitária
dou o corpo, ao avançar
neste campo aberto ao céu
ninguém sabe
para onde eu vou
ninguém manda
em quem eu sou
sem cor nem deus nem fado
eu estou desalinhado
por tudo o que eu lutei
ser sincero?
por tanto que arrisquei
ainda espero ...
esta marcha imaginária
quantas baixas vai deixar
neste sonho desperto?
Delfins
Point With Your Own Doctor
09-11-2007
GEORGE: I don't care.
JERRY: You're kidding.
GEORGE: No, I don't care.
JERRY: You mean that?
GEORGE: Absolutely.
JERRY: You don't care?
GEORGE: No.
JERRY: How could you not care?
GEORGE: I don't know. But I don't. I'm actually almost happy to hear it.
JERRY: I thought you'd be upset.
GEORGE: I guess I should be but I'm not.
JERRY: Am I a bad person? Did I do something terrible?
GEORGE: No, you're a fine person. You're a humanitarian. She's very sexy.
JERRY: That voice. That voice. She's driving me crazy.
GEORGE: I know, I know.
JERRY: So I can see her tonight, and you don't care?
GEORGE: See her tonight. See her tomarrow. Go. Knock yourself out. She's too crazy for me.
JERRY: Alright. As long as you're okay. Because I can't stop thinking about her.
GEORGE: I'm okay. I'm fine. I'm wonderful. I never felt better in my whole life.
JERRY: Good. And I'll tell you what.. You don't have to pay me back the thirty-five I gave to the chiropractor for the rest of your bill.
GEORGE: (Angry) You paid that crook?!
JERRY: I had to.
GEORGE: He didn't do anything, Jerry. It's a scam! Who told you to do that?
JERRY: It was embarrassing to me.
GEORGE: I was trying to make a point.
JERRY: Why don't you make a point with your own doctor? (George gulps) What's wrong?
GEORGE: (Gasping) I think I swallowed a fly! ..I swallowed a fly! What do I do? What can happen?"
Seinfeld
GEORGE: I don't care.
JERRY: You're kidding.
GEORGE: No, I don't care.
JERRY: You mean that?
GEORGE: Absolutely.
JERRY: You don't care?
GEORGE: No.
JERRY: How could you not care?
GEORGE: I don't know. But I don't. I'm actually almost happy to hear it.
JERRY: I thought you'd be upset.
GEORGE: I guess I should be but I'm not.
JERRY: Am I a bad person? Did I do something terrible?
GEORGE: No, you're a fine person. You're a humanitarian. She's very sexy.
JERRY: That voice. That voice. She's driving me crazy.
GEORGE: I know, I know.
JERRY: So I can see her tonight, and you don't care?
GEORGE: See her tonight. See her tomarrow. Go. Knock yourself out. She's too crazy for me.
JERRY: Alright. As long as you're okay. Because I can't stop thinking about her.
GEORGE: I'm okay. I'm fine. I'm wonderful. I never felt better in my whole life.
JERRY: Good. And I'll tell you what.. You don't have to pay me back the thirty-five I gave to the chiropractor for the rest of your bill.
GEORGE: (Angry) You paid that crook?!
JERRY: I had to.
GEORGE: He didn't do anything, Jerry. It's a scam! Who told you to do that?
JERRY: It was embarrassing to me.
GEORGE: I was trying to make a point.
JERRY: Why don't you make a point with your own doctor? (George gulps) What's wrong?
GEORGE: (Gasping) I think I swallowed a fly! ..I swallowed a fly! What do I do? What can happen?"
Seinfeld
Self
08-11-2007
The Wise Man said to me:
"It only matters what you know about yourself, not what others think they know about you"
The Wise Man said to me:
"It only matters what you know about yourself, not what others think they know about you"
Spilling Over The Side
07-11-2007
OH man
I can't believe the things I said to you
hey, I must have been out of my mind
Desperation crept in from all the things I kept in
I am sorry I just couldn't help myself
I could tell by the look in your eyes
that you think I'm a fool, its allright
to late to turn back now
I pull these lines out
I'm throwing my line out
hoping you'll bite and drag me in with you
I go so low and then I see
its when I hit the bottom
I know for sure
it gets pathetic
when you're lonely
you will do anything
I can't believe what I've become
the things I say and do
loneliness will make you throw your sense away
here I am trying to get through
here I am feeling so small
I'm running my mouth at you
I'm feeling strange like a stranger
I'm here but I know I am out there
as close as I get is so far away
am I coming off like I am crazy
my lack of breath is too intense
am I telling you more that you want to know
I go so low and then I see
its when I hit the bottom
I know for sure
it gets pathetic
when you're lonely
you will do anything
I mean anything
I go so low and then I see
its when I hit the bottom
I know for sure
it gets pathetic
when you're lonely
you will do anything
OH man
I can't believe the things I said to you
hey, I must have been out of my mind
playing it hard on a Saturday night
I am walking down both those streets
I am looking in through the windows at goodtime shows
my loneliness how it huts and how it shows how it shows
Rollins Band
OH man
I can't believe the things I said to you
hey, I must have been out of my mind
Desperation crept in from all the things I kept in
I am sorry I just couldn't help myself
I could tell by the look in your eyes
that you think I'm a fool, its allright
to late to turn back now
I pull these lines out
I'm throwing my line out
hoping you'll bite and drag me in with you
I go so low and then I see
its when I hit the bottom
I know for sure
it gets pathetic
when you're lonely
you will do anything
I can't believe what I've become
the things I say and do
loneliness will make you throw your sense away
here I am trying to get through
here I am feeling so small
I'm running my mouth at you
I'm feeling strange like a stranger
I'm here but I know I am out there
as close as I get is so far away
am I coming off like I am crazy
my lack of breath is too intense
am I telling you more that you want to know
I go so low and then I see
its when I hit the bottom
I know for sure
it gets pathetic
when you're lonely
you will do anything
I mean anything
I go so low and then I see
its when I hit the bottom
I know for sure
it gets pathetic
when you're lonely
you will do anything
OH man
I can't believe the things I said to you
hey, I must have been out of my mind
playing it hard on a Saturday night
I am walking down both those streets
I am looking in through the windows at goodtime shows
my loneliness how it huts and how it shows how it shows
Rollins Band
Queen Of Confrontation
06-11-2007
"ELAINE: So, I had what you might call a little encounter this morning.
JERRY: Really? That guy who stopped saying hello?
ELAINE: Yep.
JERRY: You talked to him?
ELAINE: Yep. I spotted him getting his mail. And at first, I was just going to walk on by, but then I thought "no, no, no, no. Do not be afraid of this man."
JERRY: Right.
ELAINE: So, I walked up behind him and I tapped him on the shoulder. And I said, "Hi, remember me?" And he furrows his brow as if he's really trying to figure it out. So I said to him, I said, "You little phony. You know exactly who I am."
JERRY: "You little phony"?
ELAINE: I did. I most certainly did. And he said, he goes, "Oh, yeah. You're Jeanette's friend. We did meet once." And I said, "Well, how do you go from that to totally ignoring a person when they walk by?"
JERRY: Amazing.
ELAINE: And he says, he says, "Look, I just didn't want to say hello anymore, alright?" And I said, "Fine. Fine I didn't want to say hello anymore either, but I wanted you to know that I'm aware of it."
(Elaine tastes some cantaloupe)
JERRY: You are the Queen of Confrontation. You're my new hero. In fact, you've inspired me. I'm gonna call George about something right now."
Seinfeld
"ELAINE: So, I had what you might call a little encounter this morning.
JERRY: Really? That guy who stopped saying hello?
ELAINE: Yep.
JERRY: You talked to him?
ELAINE: Yep. I spotted him getting his mail. And at first, I was just going to walk on by, but then I thought "no, no, no, no. Do not be afraid of this man."
JERRY: Right.
ELAINE: So, I walked up behind him and I tapped him on the shoulder. And I said, "Hi, remember me?" And he furrows his brow as if he's really trying to figure it out. So I said to him, I said, "You little phony. You know exactly who I am."
JERRY: "You little phony"?
ELAINE: I did. I most certainly did. And he said, he goes, "Oh, yeah. You're Jeanette's friend. We did meet once." And I said, "Well, how do you go from that to totally ignoring a person when they walk by?"
JERRY: Amazing.
ELAINE: And he says, he says, "Look, I just didn't want to say hello anymore, alright?" And I said, "Fine. Fine I didn't want to say hello anymore either, but I wanted you to know that I'm aware of it."
(Elaine tastes some cantaloupe)
JERRY: You are the Queen of Confrontation. You're my new hero. In fact, you've inspired me. I'm gonna call George about something right now."
Seinfeld
Fear
05-11-2007
The Wise Man said to me:
"Fear makes you remember what's important. What's really important"
The Wise Man said to me:
"Fear makes you remember what's important. What's really important"
To Be Over
04-11-2007
We go sailing down the calming streams
Drifting endlessly by the bridge
To be over
We will see
To be over
Do not suffer through the game of chance that plays
Always doors to lock away your dreams
Think it over
Time will heal your fear
Think it over
Balance the thoughts that release within you
Childlike soul dreamer one journey
One to seek and see in ev'ry light do open
True pathways away
Carrying closer go gently
Holding doors will open everyway
You wander true pathways away
After all your soul will still surrender
After all don't doubt your part
Be ready to be loved
Yes
We go sailing down the calming streams
Drifting endlessly by the bridge
To be over
We will see
To be over
Do not suffer through the game of chance that plays
Always doors to lock away your dreams
Think it over
Time will heal your fear
Think it over
Balance the thoughts that release within you
Childlike soul dreamer one journey
One to seek and see in ev'ry light do open
True pathways away
Carrying closer go gently
Holding doors will open everyway
You wander true pathways away
After all your soul will still surrender
After all don't doubt your part
Be ready to be loved
Yes
Nice Guy
03-11-2007
"(Phone rings, Jerry is reluctant to answer it)
JERRY: (On his answering machine) Leave a message, I'll call you back.
MARLENE: (Leaving a message) Jerry, have you ever taken a bath in the dark? If I'm not talking into the soap right now, call me back.
KRAMER: Well?
JERRY: Marlene
KRAMER: (Smiles) Oh. Oh, Marlene.
JERRY: Yeah, I took her home one night - we kinda started up a little bit in the car.
KRAMER: I thought you were trying to get rid of her?
JERRY: I was. She's got me, like, hypnotized.
KRAMER: Does George know?
JERRY: No, he'd go nuts.
KRAMER: Yeah, no kidding.
JERRY: I feel terrible. (Kramer smiles) I mean, I've seen her a couple of times since then, and I know I can't go any further, but.. I've just got this like, psycho-sexual hold over me. I just want her, I can't breathe. It's like a drug.
KRAMER: Woah, psycho-sexual.
JERRY: I don't know how I'm going to tell him.
KRAMER: Man, I don't understand people. I mean, why would George want to deprive you of pleasure? Is it just me?
JERRY: It's partially you, yeah.
KRAMER: You're his friend. Better that she should sleep with someone else. Some jerk that he doesn't even know.
JERRY: Well, he can't kill me, right?
KRAMER: You're a human being.
JERRY: I mean, she called me. I haven't called her. She started it.
KRAMER: You're flesh and blood.
JERRY: I'm a nice guy."
Seinfeld
"(Phone rings, Jerry is reluctant to answer it)
JERRY: (On his answering machine) Leave a message, I'll call you back.
MARLENE: (Leaving a message) Jerry, have you ever taken a bath in the dark? If I'm not talking into the soap right now, call me back.
KRAMER: Well?
JERRY: Marlene
KRAMER: (Smiles) Oh. Oh, Marlene.
JERRY: Yeah, I took her home one night - we kinda started up a little bit in the car.
KRAMER: I thought you were trying to get rid of her?
JERRY: I was. She's got me, like, hypnotized.
KRAMER: Does George know?
JERRY: No, he'd go nuts.
KRAMER: Yeah, no kidding.
JERRY: I feel terrible. (Kramer smiles) I mean, I've seen her a couple of times since then, and I know I can't go any further, but.. I've just got this like, psycho-sexual hold over me. I just want her, I can't breathe. It's like a drug.
KRAMER: Woah, psycho-sexual.
JERRY: I don't know how I'm going to tell him.
KRAMER: Man, I don't understand people. I mean, why would George want to deprive you of pleasure? Is it just me?
JERRY: It's partially you, yeah.
KRAMER: You're his friend. Better that she should sleep with someone else. Some jerk that he doesn't even know.
JERRY: Well, he can't kill me, right?
KRAMER: You're a human being.
JERRY: I mean, she called me. I haven't called her. She started it.
KRAMER: You're flesh and blood.
JERRY: I'm a nice guy."
Seinfeld
Greatest Thing
02-11-2007
"The greatest thing you'll ever learn is just to love and be loved in return."
Eden Ahbez, "Nature Boy" (song, recorded by Nat King Cole)
"The greatest thing you'll ever learn is just to love and be loved in return."
Eden Ahbez, "Nature Boy" (song, recorded by Nat King Cole)
Forever In These Words
01-11-2007
My heart is weakened with the absence of hope
Give me your hand
Show me your inspiration
Make what I have mean something
Without you my wings are forever bound
Defined by a transparent judgement
Stronger with every breath
My cries bury distance
Life burns my eyes with hope
Sweat burns my eyes with hope
Forever in these words I will never forget their faces
Tormented by sacrifice
The loss of you is the death of me
Together we will rise I will never forget you
If god gave me a second chance I'd do it all the same
Defined by a transparent judgement
Stonger with every breath
My cries bury distance
Sweat burns my eyes with hope
Forever in these words
A Shroud Cast Over
My heart is weakened with the absence of hope
Give me your hand
Show me your inspiration
Make what I have mean something
Without you my wings are forever bound
Defined by a transparent judgement
Stronger with every breath
My cries bury distance
Life burns my eyes with hope
Sweat burns my eyes with hope
Forever in these words I will never forget their faces
Tormented by sacrifice
The loss of you is the death of me
Together we will rise I will never forget you
If god gave me a second chance I'd do it all the same
Defined by a transparent judgement
Stonger with every breath
My cries bury distance
Sweat burns my eyes with hope
Forever in these words
A Shroud Cast Over
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